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Author: William Mills Ivins
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 33
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Author: William Mills Ivins
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 33
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 62
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Author: New York Metropolitan Museum of Art
Publisher: Palala Press
ISBN: 9781342960580
Category :
Languages : en
Pages : 60
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ian Lowe
Publisher: Routledge
ISBN: 0429790619
Category : Art
Languages : en
Pages : 112
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Book Description
First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations. From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns, sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker. Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough’s achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.
Author: Carolina Art Association
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 8
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Author: Arthur Ross Gallery
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
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Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
Author: Fogg Art Museum. Gray Collection of Engravings
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 32
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 712
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Book Description
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
Author: Freyda Spira
Publisher: Metropolitan Museum of Art
ISBN: 1588395855
Category : Art
Languages : en
Pages : 194
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Book Description
Metropolitan Museum of Art curators William M. Ivins and A. Hyatt Mayor assembled one of the world's greatest collections of prints, from Renaissance masterpieces to popular and ephemeral works. Celebrating the power of prints not only as aesthetic objects but also as rich sociohistorical documents and peerless tools of communication, Ivins and Mayor expanded our appreciation of prints as the most democratic art form: functional, cost-effective works that disseminate information and bring pleasure to a wide audience. Their populist approach—collecting across the full spectrum of the medium, from the exquisite to the everyday, and writing about prints in accessible language—delivered prints from the province of scholars and collectors to the general public and transformed notions of how art reaches the masses. The first comprehensive exploration of the lives, careers, theories, and influence of Ivins and Mayor, this book also showcases more than 125 exceptional prints that represent the breadth and depth of their acquisitions, including works by Mantegna, Düaut;rer, Callot, Rembrandt, Goya, Whistler, Toulouse-Lautrec, and Cassatt. Included in this volume are biographical essays elucidating the two curators' achievements and catalogue entries that quote Ivins's and Mayor's pithy remarks about the featured artworks. The Power of Prints is a fitting tribute to the groundbreaking work of two scholars who revolutionized the study of a vast area of art history.
Author: Frank Weitenkampf
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 464
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Book Description
