Exhibition of Graphic Work 1934-1947 PDF Download
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Author: Brooklyn Museum (New York)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Brooklyn Museum (New York)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Syracuse University. School of Art
Publisher:
ISBN:
Category : Art, Ukrainian
Languages : en
Pages : 88
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Author: Nancy Boas
Publisher: Univ of California Press
ISBN: 0520919777
Category : Art
Languages : en
Pages : 234
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Book Description
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author: Lucy Wasensteiner
Publisher: Routledge
ISBN: 1351004123
Category : Art
Languages : en
Pages : 234
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This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
Author: Philip Evergood
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Author: Boris Margo
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 44
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Book Description
Author: Ingrid Rose
Publisher: Fordham Univ Press
ISBN: 9780823216727
Category : Art
Languages : en
Pages : 154
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Book Description
In his 52 years as a lithographer, Taylor (1907-1991) created 142 prints--all of them represented in this catalogue. During his career he was an Academician of the National Academy of Design, was president of the Society of Washington Printmakers, and taught at the American University in Washington D.C. Several essays surveying Taylor's life and work precede the presentation of captioned bandw images. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
Author: Matilda McQuaid
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 68
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Author: Museum of Modern Art (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Museum of Modern Art (New York, N.Y.)
Publisher: The Museum of Modern Art
ISBN: 9780870706684
Category : Art
Languages : en
Pages : 360
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Book Description
Dada: The Collections of The Museum of Modern Art is the first publication devoted exclusively to MoMA's unrivalled collection of Dada works. Beginning with a core group acquired on the occasion of the landmark Fantastic Art, Dada and Surrealism exhibition of 1936, enriched in 1953 by a bequest selected by Marcel Duchamp, and steadily augmented over the years, the Museum's Dada collection presents the movement in its full international and interdisciplinary scope during its defining years, from 1916 through 1924. Catalyzed by the major Dada exhibition that appeared in Paris, Washington, D.C., and at The Museum of Modern Art in 2005-6, the book benefits from the latest scholarly thinking, not only as found in the exhibition's catalogues but also in the critical responses to them, as well as in an ambitious series of seminars organized around the show. Featuring generously illustrated essays that focus on a selection of the Museum's most important Dada works, this publication highlights works in many media, including books, journals, assemblages, collages, drawings, films, paintings, photographs, photomontages, prints, readymades and reliefs. It also includes a comprehensive catalogue of the Museum's Dada holdings, including those in the Museum's Archives and Library. Edited by Anne Umland and Adrian Sudhalter, members of the Museum's Department of Painting and Sculpture, this book inaugurates an ambitious new series of scholarly catalogues on the Museum's collection.
