Author: Zeynep Atayurt
Publisher: Columbia University Press
ISBN: 389821978X
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
The 'obese' female body has often been portrayed as the 'other' to the slender body. However, this process of 'othering', or viewing as different, has created a repressive discourse, where 'excess' has increasingly come to be studied as a 'physical abnormality' or a signifier of a 'personality defect' in contemporary Western society. This book engages with the multifarious re-imaginings of the 'excessive' embodiment in contemporary women's writing, drawing specifically on the construction of this form of embodiment in the works of Fay Weldon, Jeanette Winterson, Margaret Atwood, Claude Tardat, and Judith Moore, whose texts offer a distinct literary response to the rigidly homogeneous and limiting representations of fatness, while prompting heterogeneous approaches to reading the 'excessive' female embodiment.
Excess and Embodiment in Contemporary Women's Writing
Excess and Embodiment in Contemporary Women's Writing
Author: Zeynep Zeren Atayurt
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Aspects of the Orange Revolution I
Author: Paul D'Anieri
Publisher: Columbia University Press
ISBN: 3898216985
Category : Political Science
Languages : en
Pages : 236
Book Description
Ukraine's 2004 presidential election was falsified, spurring the Orange Revolution. To many observers, the Orange Revolution was a shock, and the stolen election a recent development. However, both the election fraud and the effort to topple the government of Leonid Kuchma emerged from political dynamics that had appeared in earlier Ukrainian elections.In this path breaking volume, leading scholars place Ukraine's 2004 Orange Revolution in the longer perspective of Ukraine's post-Soviet electoral politics. Covering both presidential and parliamentary elections over the entire post-Soviet period, the chapters clarify the manner in which earlier elections had emerged as part of the battle for power in Ukraine well before 2004. The opposition that came to power in 2004 had also won the 2002 elections and had developed its strategies during opposition protests that had been catalyzed by the Kuchmagate crisis in 2000. The evolution of the dynamics that led to the fraudulent 2004 election reveals that the events of 2004 represented continuity as well as change. By placing the 2004 elections within a longer trajectory, the volume enriches our understanding of the Orange Revolution and helps us to understand the difficulties faced in consolidating Ukraine's democratic breakthrough following the Orange Revolution.The volume contains an introduction to "Aspects of the Orange Revolution I-VI" by Andreas Umland, followed by eight chapters by Robert K. Christensen, Edward R. Rakhimkulov and Charles Wise, Paul D'Anieri, Robert Kravchuk and Victor Chudowsky, Paul Kubicek, Taras Kuzio, Lucan Way, and Anna Makhorkina. These authors bring complex and varied perspectives that situate Ukraine's post-Soviet elections in economic reforms, constitutional law, foreign policy objectives of integrating into Europe, as well as in the broader context of the rough and tumble competition for political control of Ukraine.
Publisher: Columbia University Press
ISBN: 3898216985
Category : Political Science
Languages : en
Pages : 236
Book Description
Ukraine's 2004 presidential election was falsified, spurring the Orange Revolution. To many observers, the Orange Revolution was a shock, and the stolen election a recent development. However, both the election fraud and the effort to topple the government of Leonid Kuchma emerged from political dynamics that had appeared in earlier Ukrainian elections.In this path breaking volume, leading scholars place Ukraine's 2004 Orange Revolution in the longer perspective of Ukraine's post-Soviet electoral politics. Covering both presidential and parliamentary elections over the entire post-Soviet period, the chapters clarify the manner in which earlier elections had emerged as part of the battle for power in Ukraine well before 2004. The opposition that came to power in 2004 had also won the 2002 elections and had developed its strategies during opposition protests that had been catalyzed by the Kuchmagate crisis in 2000. The evolution of the dynamics that led to the fraudulent 2004 election reveals that the events of 2004 represented continuity as well as change. By placing the 2004 elections within a longer trajectory, the volume enriches our understanding of the Orange Revolution and helps us to understand the difficulties faced in consolidating Ukraine's democratic breakthrough following the Orange Revolution.The volume contains an introduction to "Aspects of the Orange Revolution I-VI" by Andreas Umland, followed by eight chapters by Robert K. Christensen, Edward R. Rakhimkulov and Charles Wise, Paul D'Anieri, Robert Kravchuk and Victor Chudowsky, Paul Kubicek, Taras Kuzio, Lucan Way, and Anna Makhorkina. These authors bring complex and varied perspectives that situate Ukraine's post-Soviet elections in economic reforms, constitutional law, foreign policy objectives of integrating into Europe, as well as in the broader context of the rough and tumble competition for political control of Ukraine.
Willful Girls
Author: Emily Jeremiah
Publisher: Boydell & Brewer
ISBN: 1640140085
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Explores the process of "becoming woman" through an analysis of the depiction of girls and young women in contemporary Anglo-American and German literary texts.
Publisher: Boydell & Brewer
ISBN: 1640140085
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Explores the process of "becoming woman" through an analysis of the depiction of girls and young women in contemporary Anglo-American and German literary texts.
Writing Home
Author: David Ellis
Publisher: Columbia University Press
ISBN: 3838255917
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
When the SS Empire Windrush berthed at Tilbury docks in 1948 with 492 ex-servicemen from the Caribbean, it marked the beginning of the post-war migrations to Britain that would form part of modern, multi-cultural Britain. A significant role in this social transformation would be played by the literary and non-literary output of writers from the Caribbean. These writers in exile were responsible not just for the establishment of the West Indian novel, but, by virtue of their location in the Mother Country, were also the pioneers of black writing in Britain. Over the next fifty years, this writing would come to represent an important body of work intimately aligned to the evolving and contentious notions of 'home' as economic migration became a permanent presence. In this book, David Ellis provides in-depth analyses of six key figures whose writing charts the establishment of black Britain. For Sam Selvon, George Lamming, and E. R. Braithwaite, writing home represents a literature of reappraisal as the myths of empire -- the gold-paved streets of London -- conflict with the harsh realities of being designated an immigrant. The unresolved consequences of this reappraisal are made evident in the works of Andrew Salkey, Wilson Harris, and Linton Kwesi Johnson where radicalism in both political and literary terms can be read as a response to the rejection of the black communities by an increasingly divided Britain in the 1970s. Finally, the novels of Caryl Phillips, Joan Riley, and David Dabydeen mark an increasingly reflective literature as the notion of home shifts more explicitly from the Caribbean to Britain itself. Containing both contextual and biographical information throughout, "Writing Home" represents a literary and social history of the emergence of black Britain in the second half of the twentieth century.
Publisher: Columbia University Press
ISBN: 3838255917
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
When the SS Empire Windrush berthed at Tilbury docks in 1948 with 492 ex-servicemen from the Caribbean, it marked the beginning of the post-war migrations to Britain that would form part of modern, multi-cultural Britain. A significant role in this social transformation would be played by the literary and non-literary output of writers from the Caribbean. These writers in exile were responsible not just for the establishment of the West Indian novel, but, by virtue of their location in the Mother Country, were also the pioneers of black writing in Britain. Over the next fifty years, this writing would come to represent an important body of work intimately aligned to the evolving and contentious notions of 'home' as economic migration became a permanent presence. In this book, David Ellis provides in-depth analyses of six key figures whose writing charts the establishment of black Britain. For Sam Selvon, George Lamming, and E. R. Braithwaite, writing home represents a literature of reappraisal as the myths of empire -- the gold-paved streets of London -- conflict with the harsh realities of being designated an immigrant. The unresolved consequences of this reappraisal are made evident in the works of Andrew Salkey, Wilson Harris, and Linton Kwesi Johnson where radicalism in both political and literary terms can be read as a response to the rejection of the black communities by an increasingly divided Britain in the 1970s. Finally, the novels of Caryl Phillips, Joan Riley, and David Dabydeen mark an increasingly reflective literature as the notion of home shifts more explicitly from the Caribbean to Britain itself. Containing both contextual and biographical information throughout, "Writing Home" represents a literary and social history of the emergence of black Britain in the second half of the twentieth century.
The Biographer and the Subject
Author: Rana Tekcan
Publisher: Columbia University Press
ISBN: 389821995X
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
A good biography is a well-staged illusion. It creates—on paper—a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases by hundreds of years. Tekcan explores how some of the most accomplished biographers manage to "recreate life" across time and space. She closely examines Samuel Johnson's "Life of Mr. Richard Savage", James Boswell's "Life of Samuel Johnson", Lytton Strachey's "Eminent Victorians", Michael Holroyd's "Lytton Strachey", Park Honan's "Jane Austen", and Andrew Motion's "Keats".
Publisher: Columbia University Press
ISBN: 389821995X
Category : Literary Criticism
Languages : en
Pages : 178
Book Description
A good biography is a well-staged illusion. It creates—on paper—a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases by hundreds of years. Tekcan explores how some of the most accomplished biographers manage to "recreate life" across time and space. She closely examines Samuel Johnson's "Life of Mr. Richard Savage", James Boswell's "Life of Samuel Johnson", Lytton Strachey's "Eminent Victorians", Michael Holroyd's "Lytton Strachey", Park Honan's "Jane Austen", and Andrew Motion's "Keats".
Decapitation and Disgorgement. The Female Body's Text in Early Modern English Drama and Poetry
Author: Melanie A Hanson
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256050
Category : Language Arts & Disciplines
Languages : en
Pages : 178
Book Description
This book brings the ideas of French feminist Hélène Cixous to bear on a number of Early Modern English texts. The female characters of Mariam from Elizabeth Cary’s The Tragedy of Mariam, Lavinia from William Shakespeare’s Titus Andronicus as well as John Milton’s Eve in Paradise Lost and the poetic voice of Isabella Whitney are investigated through the application of Cixous’s theories of figurative decapitation and disgorgement. The author examines the creation of a unique discourse through the blending of what is stereotypically referred to as “female text” with “male discourse,” which results in what Cixous would call “bisexual discourse.”
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256050
Category : Language Arts & Disciplines
Languages : en
Pages : 178
Book Description
This book brings the ideas of French feminist Hélène Cixous to bear on a number of Early Modern English texts. The female characters of Mariam from Elizabeth Cary’s The Tragedy of Mariam, Lavinia from William Shakespeare’s Titus Andronicus as well as John Milton’s Eve in Paradise Lost and the poetic voice of Isabella Whitney are investigated through the application of Cixous’s theories of figurative decapitation and disgorgement. The author examines the creation of a unique discourse through the blending of what is stereotypically referred to as “female text” with “male discourse,” which results in what Cixous would call “bisexual discourse.”
The Rhetoric of Women’s Humour in Barbara Pym’s Fiction
Author: Naghmeh Varghaiyan
Publisher: BoD – Books on Demand
ISBN: 3838215036
Category : Language Arts & Disciplines
Languages : en
Pages : 236
Book Description
In this study of three of Barbara Pym’s novels, Naghmeh Varghaiyan, drawing on examinations of women’s humour by Eileen Gillooly, Regina Barreca, and others, shows how the humorous female discourse in Some Tame Gazelle, Excellent Women, and Jane and Prudence undermines patriarchal culture and subverts both female and male stereotypes such as that of the spinster and of the Byronic hero. Varghaiyan reveals how the rhetoric of women’s humour enables Pym’s female characters to survive in the patriarchal culture and to unsettle it.
Publisher: BoD – Books on Demand
ISBN: 3838215036
Category : Language Arts & Disciplines
Languages : en
Pages : 236
Book Description
In this study of three of Barbara Pym’s novels, Naghmeh Varghaiyan, drawing on examinations of women’s humour by Eileen Gillooly, Regina Barreca, and others, shows how the humorous female discourse in Some Tame Gazelle, Excellent Women, and Jane and Prudence undermines patriarchal culture and subverts both female and male stereotypes such as that of the spinster and of the Byronic hero. Varghaiyan reveals how the rhetoric of women’s humour enables Pym’s female characters to survive in the patriarchal culture and to unsettle it.
Too Far for Comfort
Author: Rana Tekcan
Publisher: Columbia University Press
ISBN: 3838267354
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
The dynamic between the biographer and the subject is, perhaps, one of the most fascinating aspects of biography as a genre. How does the biographer stage the illusion that is the narrative life, the illusion that the subject assumes a living form through words? In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in this creative act. Ideally, a biography's backbone is structured by accurate historical facts. But its spirit lies elsewhere. The way a biographer captures the spirit of a subject is intriguingly shaped by the historical distance between the two. We find three types of distance in biographical narrative: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated; in some cases, by hundreds of years.In this revised and expanded edition, Rana Tekcan explores how some of the most accomplished biographers manage to recreate "life" across time and space. She looks at their illusionary art through the narrative strategies in Samuel Johnson's Life of Savage, James Boswell's Life of Johnson, Lytton Strachey's Eminent Victorians, Michael Holroyd's Lytton Strachey, Park Honan's Jane Austen, and Andrew Motion's Keats.
Publisher: Columbia University Press
ISBN: 3838267354
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
The dynamic between the biographer and the subject is, perhaps, one of the most fascinating aspects of biography as a genre. How does the biographer stage the illusion that is the narrative life, the illusion that the subject assumes a living form through words? In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in this creative act. Ideally, a biography's backbone is structured by accurate historical facts. But its spirit lies elsewhere. The way a biographer captures the spirit of a subject is intriguingly shaped by the historical distance between the two. We find three types of distance in biographical narrative: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated; in some cases, by hundreds of years.In this revised and expanded edition, Rana Tekcan explores how some of the most accomplished biographers manage to recreate "life" across time and space. She looks at their illusionary art through the narrative strategies in Samuel Johnson's Life of Savage, James Boswell's Life of Johnson, Lytton Strachey's Eminent Victorians, Michael Holroyd's Lytton Strachey, Park Honan's Jane Austen, and Andrew Motion's Keats.
Decadences - Morality and Aesthetics in British Literature
Author: Paul Fox
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838255739
Category : Language Arts & Disciplines
Languages : en
Pages : 412
Book Description
This collection seeks to examine the intersections of aesthetics and morality, of what Decadence means to art and society at various moments in British literature. The inclination toward either the artistic or social perspective in each essay has been rendered more straightforwardly by employing capitalization for aesthetic Decadence, and the lower-case to illustrate moral decadence.Both artistic and social values are inflected by their histories, and, as time passes, so the definition of what it means to be D/decadent alters. The very ideas of the decline from a higher standard, of social malaise, of aesthetic ennui, all presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. Purportedly decadent artists focused upon the fleeting present, ascribed value to experiencing the aesthetic moment in its purest form, and it was precisely due to this focus upon living in, and for, the moment that society often responded by expressing moral contempt for the perceived hedonism of art. The aesthetic rejection of contemporary value added to the conflict between the literary and social inflections of Decadent interpretation. The truly decadent was condemned by artists as the stranglehold society maintained on individual interpretation and the interpretation of oneself. This conflict underlies the range of essays in the collection.
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838255739
Category : Language Arts & Disciplines
Languages : en
Pages : 412
Book Description
This collection seeks to examine the intersections of aesthetics and morality, of what Decadence means to art and society at various moments in British literature. The inclination toward either the artistic or social perspective in each essay has been rendered more straightforwardly by employing capitalization for aesthetic Decadence, and the lower-case to illustrate moral decadence.Both artistic and social values are inflected by their histories, and, as time passes, so the definition of what it means to be D/decadent alters. The very ideas of the decline from a higher standard, of social malaise, of aesthetic ennui, all presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. Purportedly decadent artists focused upon the fleeting present, ascribed value to experiencing the aesthetic moment in its purest form, and it was precisely due to this focus upon living in, and for, the moment that society often responded by expressing moral contempt for the perceived hedonism of art. The aesthetic rejection of contemporary value added to the conflict between the literary and social inflections of Decadent interpretation. The truly decadent was condemned by artists as the stranglehold society maintained on individual interpretation and the interpretation of oneself. This conflict underlies the range of essays in the collection.