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Author: Reed J. Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Reed J. Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
Get Book Here
Book Description
Author: Reed J. Hoyt
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: David Jones Bowen
Publisher:
ISBN:
Category :
Languages : en
Pages : 148
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Author: Richard W. Ave Maria
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Robert G. Hopkins
Publisher: University of Pennsylvania Press
ISBN: 1512802751
Category : Music
Languages : en
Pages : 212
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Book Description
Through scrupulous and perceptive analyses, Hopkins shows how parameters other than melody, harmony, and rhythm compensate for the weakening of tonal syntax in Mahler's music. Closure and Mahler's Music provides a conceptual framework that can enhance understanding of the stylistic changes that took place during the first part of the twentieth century.
Author: Robert Samuels
Publisher: Cambridge University Press
ISBN: 9780521602839
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This study uses semiotic theory in order to investigate different kinds of musical communication.
Author: Donald Mitchell
Publisher: Univ of California Press
ISBN: 9780520042209
Category : Biography & Autobiography
Languages : en
Pages : 468
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Book Description
Donald Mitchell's second book on the life and work of Gustav Mahler focuses principally on Mahler's first settings of Wunderhorn texts, volumes I and II of the Lieder und Gesaenge, his first song-cycle, the Lieder eines fahrendedn Gesellen, the later, orchestral settings of Wunderhorn poems. The central section of the book explores the extraordinary and often eccentric chronology of the First, Second and Third Symphonies' composition, an often minute exploration which reveals the interpenetration of song and symphony in this period of Mahler's art, emphasizes the significance for these works of imagery drawn from the Wunderhorn anthology, and calls attention to the ambiguous position ocupied by much of Mahler's music at this time, suspended as it was between the rival claims - and forms - of syphony and symphonic poem. The final section of the book not only looks at the Fourth Symphony as the final, perhaps most perfect, flowering of Mahler's Wunderhorn symphonies, but also investigates such fascinating topics as the relationship between Mahler and Berlioz, Mahler's addiction to the E flat clarinet, and the influence of Bach on Mahler's later masterpieces.
Author: Leah Batstone
Publisher: Boydell & Brewer
ISBN: 1837650012
Category :
Languages : en
Pages : 205
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Book Description
Examines how Nietzschean ideas influenced the composition of Mahler's first four, so-called Wunderhorn, symphonies. Gustav Mahler and Friedrich Nietzsche both exercised a tremendous influence over the twentieth century. All the more fascinating, then, is Mahler's intellectual engagement with the writings of Nietzsche. Given the limited and frequently cryptic nature of the composer's own comments on Nietzsche, Mahler's specific understanding of the elusive thinker is achieved through the examination of Nietzsche's reception amongst the people who introduced composer to philosopher: members of the Pernerstorfer Circle at the University of Vienna. Mahler's Nietzsche draws on a variety of primary sources to answer two key questions. The first is hermeneutic: what do Mahler's allusions to Nietzsche mean? The second is creative: how can Mahler's own characterization of Nietzsche as an "epoch-making influence" be identified in his compositional techniques? By answering these two questions, the book paints a more accurate picture of the intersections of the arts, philosophy and politics in fin-de-siècle Vienna. Mahler's Nietzsche will be required reading for scholars and students of nineteenth and early twentieth century German music and philosophy.
Author: J. Paul
Publisher: Рипол Классик
ISBN: 5877355449
Category : History
Languages : en
Pages : 539
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Book Description
Author: Thomas Peattie
Publisher: Cambridge University Press
ISBN: 1316298442
Category : Music
Languages : en
Pages : 233
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Book Description
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
