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Author: Sara C. Coppola
Publisher: sara carmen coppola
ISBN: 164153480X
Category : Music
Languages : en
Pages : 62
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Book Description
If you're a massive Eurovision fan, this is the book for you! A collection of more than 100 eurofans' experiences from all around the world! Such a wonderful way to celebrate this amazing contest together!
Author: Sara C. Coppola
Publisher: sara carmen coppola
ISBN: 164153480X
Category : Music
Languages : en
Pages : 62
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Book Description
If you're a massive Eurovision fan, this is the book for you! A collection of more than 100 eurofans' experiences from all around the world! Such a wonderful way to celebrate this amazing contest together!
Author: John Kennedy O'Connor
Publisher:
ISBN: 9780733315718
Category : Eurovision Song Contest
Languages : en
Pages : 192
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Book Description
The first official history of the Eurovision Song Contest, this book is a must for fans.
Author: Simon Barclay
Publisher: Lulu.com
ISBN: 1447725778
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
Details of all the Contests from 1956 to 2011, the performers, composers & writers. Full details of voting histories for each country, analysis of best and worst countries, who favours who and who doesn't, the best position in the final to perform and lots more. Includes details of the qualification process for each nation's entry and lots more.
Author: Simon Barclay
Publisher:
ISBN: 9781312454064
Category :
Languages : en
Pages : 0
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Book Description
Published annually since 2008 "The Complete & Independent Guide to the Eurovision Song Contest" contains every statistic imaginable. This new edition for 2023 has 330 pages of historical records and analysis of voting, divided into four parts: Section 1: Qualification for Eurovision for the current year. We look at each country's qualification process, whether by internal selection or by nation competition. Where a national broadcaster has held a competition to select their artist and song, we give details of how the competition was organised, the points or voting percentages given to the top 3 and a brief profile of the winning performer. We also give QR code links to the official videos. Section 2: In this section we focus on this year's Contest in Liverpool. We full details of the writers and composers of each song, followed by full voting tables for each semi-final and the final, split into public and jury voting. Then there is a round-by-round record of the scoreboard to show how each country moved up and down the leaderboard as the points are announced both for the jury points and the always exciting public televote points. Section 3: Here's where the data really gets crunched. Starting with a full year by year record of each country's entries, the section moves on to records such as most successful & least successful countries, whether internally selected artists do better than those who qualify through national competitions, winning margins, how well (and more commonly, how badly) the Big 5 perform, languages songs have been performed in and which type of act generally does best, we do a deep dive into complex statistical analysis & include data on average points received for each position in the running order since 1975, the closest & most one-sided voting relationships, how points awarded by juries differ from those given by the public, geographical and bloc voting and finally every country's voting record in every Contest - If you're curious about whether some countries always favour others, this is the section for you! Appendix: Contest Details and Voting Record. A full record of every Contest since 1956. For each year we list the artists, the songwriters & composers. Then the points awarded by each country to each performer in table format. We include the semi-final details for each year since they were introduced. A complete record of every point awarded.
Author: Chris West
Publisher:
ISBN: 9780993414992
Category : Europe
Languages : en
Pages : 0
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Book Description
Do you think the world of the Eurovision Song Contest, with its crazy props, even crazier dancers and crazier still songs has nothing to do with serious European politics? Think again. It has been a voice of rebellion across the Iron Curtain, an inspiration for new European nations in the 1990s and 2000s, the voice of liberation for both sexual and regional minorities. Eurovision charts both the history of Europe and the history of the Eurovision Song Contest over the last six decades, and shows how seamlessly they interlink - and what an amazing journey it has been.
Author: John Kennedy O'Connor
Publisher:
ISBN: 9781862004580
Category :
Languages : en
Pages : 208
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Book Description
Author: Kristin J. Lieb
Publisher: Routledge
ISBN: 1135096821
Category : Social Science
Languages : en
Pages : 221
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Book Description
Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications on the greater social world. This book is for Sociology of Media and Sociology of Popular Culture courses.
Author: Philipp Dominik Keidl
Publisher: Meson Press Eg
ISBN: 9783957960085
Category :
Languages : en
Pages : 380
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Book Description
With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these "pandemic media" reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media's adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come.
Author: Julie Kalman
Publisher: Springer Nature
ISBN: 981139427X
Category : Social Science
Languages : en
Pages : 251
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Book Description
This book uses the Eurovision Song Contest (ESC), as an analytical entry point to understand and illuminate post-War Europe and the drive to create an identity that can legitimise the European project in its broadest sense. The ESC presents an idealised vision of Europe, and this has long existed in a strained relationship with reality. While the trajectory of post-war European integration is a high-profile topic, we believe that the ESC offers a unique and innovative way to think about the role of culture in the history of post-War European integration and tensions between the ideal and reality of European unity. Through the series of case studies that make up the chapters in this book, analysis brings these interlinked tensions to light, exploring the roles of culture and identity, alongside and a productive conversation with the political and economic projects of post-war European integration.
Author: Chris Hay
Publisher: Springer
ISBN: 3030200582
Category : Political Science
Languages : en
Pages : 287
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Book Description
This book investigates Australia’s relationship with the Eurovision Song Contest over time and place, from its first screening on SBS in 1983 to Australia's inaugural national selection in 2019. Beginning with an overview of Australia’s Eurovision history, the contributions explore the contest’s role in Australian political participation and international relations; its significance for Australia’s diverse communities, including migrants and the LGBTQIA+ community; racialised and gendered representations of Australianness; changing ideas of liveness in watching the event; and a reflection on teaching Australia’s first undergraduate course dedicated to the Eurovision Song Contest. The collection brings together a group of scholar-fans from a variety of interdisciplinary perspectives — including history, politics, cultural studies, performance studies, and musicology — to explore Australia’s transition from observer to participant in the first thirty-six years of its love affair with the Eurovision Song Contest.
