Europe Travel Photos - Cut-Out Images PDF Download
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Author: Rolf McEwen
Publisher:
ISBN: 9781088714973
Category :
Languages : en
Pages : 86
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Book Description
This book is a collection of photos taken during a long vacation. Several European cities are represented, including Barcelona, Rome, and Venice. The application of cut-out effects renders the images flatter than normal, with muted colors that make the pictures appear abstract.
Author: Rolf McEwen
Publisher:
ISBN: 9781088714973
Category :
Languages : en
Pages : 86
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Book Description
This book is a collection of photos taken during a long vacation. Several European cities are represented, including Barcelona, Rome, and Venice. The application of cut-out effects renders the images flatter than normal, with muted colors that make the pictures appear abstract.
Author: Rolf McEwen
Publisher: Independently Published
ISBN: 9781728621623
Category : Photography
Languages : en
Pages : 64
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Book Description
This collection of photos taken during a trip to Europe have been altered to provide a "cut-out effect." A touch of art added to these photos of famous places makes the journey just a bit better. Most of the pictures are of sites in Italy, although some were taken in Spain, and some in Dubrovnik.
Author: Arya Bahram
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530416172
Category :
Languages : en
Pages : 60
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Book Description
What is art photography? First of all sorry for my english, I am persian !! I have to say this is really a question that is not so easy to answer There are examples of photos that have been made completely without claiming to be art and that are traded as such, Pictures, of which not even the photographer is known. It is very important that the photographer for himself has an idea of Art Photos, and even if he goes with his camera out, hoping for a good photo, but he has a frame operation for his work When I come home with many photos, begins the work, which means I ask myself: Is this an art photo and fit my working frame Operation What are my personal works frames Operation Details, people movement, creativity, conscious action, willing to take random image The question I ask myself is: Could it be that viewers would regret it if they had not seen this or it would not matter to them if they regret it, then the image belongs to my book. It is also since the beginning of the art always a bone of contention what art is. The Answers have unlimited space for interpretations. I think also in terms of art are photos like music and painting! Some like it and others do not! As with the music! What varied and exciting makes the whole thing so well! And always looking for something to watch again! Perhaps art is to produce the conscious application of creative imagination and craft skills to aesthetic objects such as picture or sculpture. 'Conscious' means that a Random product is not art 'Creative' means a copy is not art. 'Craft' means the arts and crafts are complementary. 'Aesthetic' means that the product is beautiful. This definition is probably not for everyone but for me creates clarity Copy a photo, painting or sculpture, is not as copies of writings possible (except, someone wants to copy a Tolstoy book!!) When I write a sentence and millions of other people agree with this statement, for example this sentence: A copy of the hare, (a watercolor by Albrecht Durer) is nice, but only the original is Art This sentence is not a copy, but an image or music or photo can not be copied because it is a person and creativity behind it, From nothing, now by the artist something exists, whether a picture or song or photo. Creativity is really a key word. I remember when I was in Prague and Budapest and wanted pictures of craftsmanship (Glass and wooden toys) make that were behind glass cabinets, first automatically and instinctively you would think on this issue to a polarizing filter, as this reflection on nonmetallic surfaces (so can also suppress on glass). Avoid for reflections on glass panes But I asked myself, why actually with polarizing filter? What's bad about that once viewer sees how a picture would look without polarizing filter? Not only see objects, but also passers-by on the street and the photographer himself, but all in a photo!! And i did it I made these photos without polarizing filter and I believe have become beautiful photos. An artistic work has been deliberately created"
Author: Arya Bahram
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530413515
Category :
Languages : en
Pages : 60
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Book Description
What is art photography? First of all sorry for my english, I am persian !! I have to say this is really a question that is not so easy to answer There are examples of photos that have been made completely without claiming to be art and that are traded as such, Pictures, of which not even the photographer is known. It is very important that the photographer for himself has an idea of Art Photos, and even if he goes with his camera out, hoping for a good photo, but he has a frame operation for his work When I come home with many photos, begins the work, which means I ask myself: Is this an art photo and fit my working frame Operation What are my personal works frames Operation Details, people movement, creativity, conscious action, willing to take random image The question I ask myself is: Could it be that viewers would regret it if they had not seen this or it would not matter to them if they regret it, then the image belongs to my book. It is also since the beginning of the art always a bone of contention what art is. The Answers have unlimited space for interpretations. I think also in terms of art are photos like music and painting! Some like it and others do not! As with the music! What varied and exciting makes the whole thing so well! And always looking for something to watch again! Perhaps art is to produce the conscious application of creative imagination and craft skills to aesthetic objects such as picture or sculpture. 'Conscious' means that a Random product is not art 'Creative' means a copy is not art. 'Craft' means the arts and crafts are complementary. 'Aesthetic' means that the product is beautiful. This definition is probably not for everyone but for me creates clarity Copy a photo, painting or sculpture, is not as copies of writings possible (except, someone wants to copy a Tolstoy book!!) When I write a sentence and millions of other people agree with this statement, for example this sentence: A copy of the hare, (a watercolor by Albrecht Durer) is nice, but only the original is Art This sentence is not a copy, but an image or music or photo can not be copied because it is a person and creativity behind it, From nothing, now by the artist something exists, whether a picture or song or photo. Creativity is really a key word. I remember when I was in Prague and Budapest and wanted pictures of craftsmanship (Glass and wooden toys) make that were behind glass cabinets, first automatically and instinctively you would think on this issue to a polarizing filter, as this reflection on nonmetallic surfaces (so can also suppress on glass). Avoid for reflections on glass panes But I asked myself, why actually with polarizing filter? What's bad about that once viewer sees how a picture would look without polarizing filter? Not only see objects, but also passers-by on the street and the photographer himself, but all in a photo!! And i did it I made these photos without polarizing filter and I believe have become beautiful photos. An artistic work has been deliberately created"
Author:
Publisher: C&T Publishing Inc
ISBN: 1607053365
Category : Handicraft
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 512
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Book Description
Author: Kathryn M. Rudy
Publisher: Open Book Publishers
ISBN: 1783745193
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.
Author: DavidS. Areford
Publisher: Routledge
ISBN: 1351539671
Category : Art
Languages : en
Pages : 622
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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Author: Rolf McEwen
Publisher: Createspace Independent Publishing Platform
ISBN: 9781978053113
Category :
Languages : en
Pages : 80
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Book Description
Famous sites in Europe are rendered here in extreme black & white. The bold images are abstracted by the photo process, leaving much to the imagination.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
