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Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Euripides
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Get Book Here
Book Description
Author: Hanna Roisman
Publisher: Rowman & Littlefield
ISBN: 9780847690930
Category : Drama
Languages : en
Pages : 236
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Book Description
In this valuable book, Hanna M. Roisman provides a uniquely comprehensive look at Euripides' Hippolytus. Roisman begins with an examination of the ancient preference for the implicit style, and suggests a possible reading of Euripides' first treatment of the myth which would account for the Athenian audience's reservations about his Hippolytus Veiled. She proceeds to analyze significant scenes in the play, including Hippolytus' prayer to Artemis, Phaedra's delirium, Phaedra's "confession" speech, and the interactions between Theseus and Hippolytus. Concluding with a discussion of the meaning of the tragic in Hippolytus, Roisman questions the applicability in this case of the idea of the tragic flaw. Nothing Is as It Seems includes extensive comparisons of Euripides' play with the Phaedra of Seneca. This is a very important book for students and scholars of Greek tragedy, literature, and rhetoric.
Author: Sophie Mills
Publisher:
ISBN: 9781472539755
Category : Greek drama
Languages : en
Pages : 160
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Book Description
"Hippolytus is generally acknowledged to be one of Euripides' finest tragedies, for the construction of its plot, its use of language and its memorable characterisations of Phaedra and Hippolytus. Furthermore, it asks serious and disturbing questions about the influence of divinity on human lives. Sophie Mills considers these and many other themes in detail, setting the play in its mythological, cultural and historical contexts. She also includes discussions of major trends in interpretations of the play and of subsequent adaptations of the Hippolytus story, from Seneca to Mary Renault and beyond."--Bloomsbury Publishing.
Author: Charles Segal
Publisher: Duke University Press
ISBN: 9780822313601
Category : Drama
Languages : en
Pages : 340
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Book Description
Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions into new forms. In place of the epic muse of martial glory, Euripides, Segal argues, evokes a muse of sorrows who transforms the suffering of individuals into a "common grief for all the citizens," a community of shared feeling in the theater. Like his predecessors in tragedy, Euripides believes death, more than any other event, exposes the deepest truth of human nature. Segal examines the revealing final moments in Alcestis, Hippolytus, and Hecuba, and discusses the playwright's use of these deaths--especially those of women--to question traditional values and the familiar definitions of male heroism. Focusing on gender, the affective dimension of tragedy, and ritual mourning and commemoration, Segal develops and extends his earlier work on Greek drama. The result deepens our understanding of Euripides' art and of tragedy itself.
Author: Mark William Padilla
Publisher: Bucknell University Press
ISBN: 9780838754184
Category : Drama
Languages : en
Pages : 324
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Book Description
This volume reflects on liminality as it relates to initiatory themes in Greek literature and on literary works, especially tragedy, that represent heroes and heroines undergoing rites of passage. Featured works include Aeschylus's Prometheus Bound, Euripides' Ion and Iphigenia in Tauris, and Sophocles' Antigone and Women of Trachis.
Author: C. A. E. Luschnig
Publisher: BRILL
ISBN: 9789004086012
Category : Literary Criticism
Languages : en
Pages : 138
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Book Description
The work is limited to the question of knowledge in Euripides' Hippolytus and seeks to show that one of the major themes of the Hippolytus, as of the Oedipus, is knowledge. In successive chapters these subjects are treated: (1) the witness theme, seeing and knowing, what the senses reveal; (2) fantasies of other worlds created by the characters and how these fantasies reavel the character's perceptions of the world; (3) how Euripides causes his characters to become aware of the shifting meanings of words and how it happens that one statement and its opposite can be predicated of the same individual or act; (4) the desire for and fear of knowledge and the choice of ignorance; (5) the use of generalization as a kind of ignorance; (6) the relation of the character's knowledge to that of the audience. The work offers a new perception of the drama through a detailed examination of this important question that was so warmly debated among the early Sophists.
Author: Euripides
Publisher: Scribe Publishing
ISBN: 9781787371491
Category :
Languages : en
Pages : 82
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Book Description
Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "crowns of victory," Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise." His lyric skills however are not just confined to individual poems: "A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones." Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.
Author: Lucius Annaeus Seneca
Publisher: Francis Cairns Publications
ISBN:
Category : Drama
Languages : en
Pages : 250
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Book Description
Author: Euripides
Publisher:
ISBN: 9781452846941
Category :
Languages : en
Pages : 162
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Book Description
Four Plays: Medea, Hippolytus, Heracles, Bacchae, written by legendary author Euripides, is widely considered to be among the greatest classic texts of all time. These great classics will surely attract a whole new generation of readers. For many, Four Plays: Medea, Hippolytus, Heracles, Bacchae is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, these gems by Euripides are highly recommended. Published by Classic Books International and beautifully produced, Four Plays: Medea, Hippolytus, Heracles, Bacchae would make an ideal gift and it should be a part of everyone's personal library.
Author: Sean Alexander Gurd
Publisher: Classical Memories/Modern Iden
ISBN: 9780814211304
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
There has never been any shortage of interest in philology, its status, its history, or its origins. Today, after more than twenty years of serial "returns to philology" under the banner of deconstruction, the new medieval studies, critical bibliography, and a particular kind of globally aware activist criticism, philology has again become available as a respectable posture for contemporary literary scholars. But what is "philology," and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique? In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction. It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. Nonetheless, Philology and Its Histories argues that philology is not a conservative or ideologically loaded master-discourse, but a tradition of searching, fundamentally ungrounded, dealing with the insecurity of questions rather than the safety of answers. For good or ill, philology is where literature happens; we do well to pay heed to it and to its changes over the course of millennia.
