Author: Charles Lutwidge Dodgson
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Euclid and His Modern Rivals is a mathematical book by the British mathematician Charles Lutwidge Dodgson, known under his literary pseudonym "Lewis Carroll." The book evaluates the educational merits of thirteen contemporary geometry textbooks compared to Euclid's Elements. Caroll demonstrates that every of the presented geometry books of his time was inferior to or functionally identical to Wuclid's oeuvre.
Euclid and His Modern Rivals
Author: Charles Lutwidge Dodgson
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Euclid and His Modern Rivals is a mathematical book by the British mathematician Charles Lutwidge Dodgson, known under his literary pseudonym "Lewis Carroll." The book evaluates the educational merits of thirteen contemporary geometry textbooks compared to Euclid's Elements. Caroll demonstrates that every of the presented geometry books of his time was inferior to or functionally identical to Wuclid's oeuvre.
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Euclid and His Modern Rivals is a mathematical book by the British mathematician Charles Lutwidge Dodgson, known under his literary pseudonym "Lewis Carroll." The book evaluates the educational merits of thirteen contemporary geometry textbooks compared to Euclid's Elements. Caroll demonstrates that every of the presented geometry books of his time was inferior to or functionally identical to Wuclid's oeuvre.
Euclid's Elements
Author: Euclid
Publisher:
ISBN:
Category : Mathematics
Languages : en
Pages : 544
Book Description
"The book includes introductions, terminology and biographical notes, bibliography, and an index and glossary" --from book jacket.
Publisher:
ISBN:
Category : Mathematics
Languages : en
Pages : 544
Book Description
"The book includes introductions, terminology and biographical notes, bibliography, and an index and glossary" --from book jacket.
The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition
Author: Linda Dalrymple Henderson
Publisher: MIT Press
ISBN: 0262536552
Category : Art
Languages : en
Pages : 759
Book Description
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
Publisher: MIT Press
ISBN: 0262536552
Category : Art
Languages : en
Pages : 759
Book Description
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
The Saturday Review of Politics, Literature, Science and Art
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1084
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1084
Book Description
The Encyclopedia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 2046
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 2046
Book Description
The Encyclopaedia Britannica
Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1258
Book Description
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1258
Book Description
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
The Encyclopædia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1042
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1042
Book Description
The Encyclopaedia Britannica: Con to Edw
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1046
Book Description
Readers' Guide to Periodical Literature
Author: Anna Lorraine Guthrie
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 846
Book Description
An author subject index to selected general interest periodicals of reference value in libraries.
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 846
Book Description
An author subject index to selected general interest periodicals of reference value in libraries.
The Bookseller
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 924
Book Description
Official organ of the book trade of the United Kingdom.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 924
Book Description
Official organ of the book trade of the United Kingdom.