Author: Patricia Lee Rubin
Publisher:
ISBN: 9780300236552
Category : Art, Renaissance
Languages : en
Pages : 0
Get Book Here
Book Description
This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.
Author: Alison Smith
Publisher: Manchester University Press
ISBN: 9780719044038
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
Author: Leonard Robinson
Publisher: McFarland
ISBN: 0786425318
Category : Biography & Autobiography
Languages : en
Pages : 527
Get Book Here
Book Description
"The historical and cultural backdrop for Etty's life and works is studied throughout the book. Chapters detail his studies in Italy and France, his career as a painter, his work with the York School of Design in the final decade of his life, his place in the fine arts market and his emulators are described"--Provided by publisher.
Author: Ronald Parkinson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 376
Get Book Here
Book Description
From luminaries such as J.M.W.Turner to the all but forgotten George Travers - and through the hierarchy of genres from high art to animals, fruit, flowers, sea and landscapes - the 500 pictures covered in this catalogue form about half of the V&A's collection of British oil paintings.
Author: Alexander Gilchrist
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Get Book Here
Book Description
Author: Robert Upstone
Publisher:
ISBN: 9780823016334
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"This illustrated publication surveys the full range of Victorian representations of female and male figures. While concentrating on painting, sculpture and drawing, it also explores the depiction of the body in other media, including photography, popular illustration and film, exposing issues of morality, sexuality and desire that remain relevant today."--BOOK JACKET.
Author: Laurence Stephen Lowry
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 82
Get Book Here
Book Description
Author: Martin Postle
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 152
Get Book Here
Book Description
Published to accompany an exhibition held at York City Art Gallery, York, 29 May - 11 July 1999, Kenwood, London, 23 July - 26 September 1999, Djanogly Art Gallery, University of Nottingham, Nottingham, 16 October - 12 December 1999.
Author: Alyce Mahon
Publisher: Oxford University Press, USA
ISBN: 9780192807335
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Art? Erotica? Or Pornography? Discussions of what actually constitutes erotic art are incredibly complex and usually highly controversial. The naked body in art has been with us since the earliest examples of Greek art and sculpture. The creation and display of such works of art has always inflamed opinion and today, even withour supposed relaxation of the codes of behaviour surrounding nudity, such images are considered provocative, dangerous, and are often unwelcome in the public sphere.Now - focusing on the last 150 years of western art, these debates are finally explored in an imaginative and engaging way using the latest research and analysis into this and related subject areas - by a woman.
Author: Kelley Swain
Publisher:
ISBN: 9781908853677
Category : Art
Languages : en
Pages : 166
Get Book Here
Book Description
Throughout her twenties, Kelley Swain worked as an artists' model. 'The Naked Muse' is her elegant, fascinating memoir of this time, meditating on art, travel, and how we accept, inhabit, and understand our own bodies. She describes her first experience disrobing for a class, modelling for international artists over six years, an intensive month being painted in Bruges, and posing as saints for a Sicilian chapel frieze. Swain reveals how it really feels physically, intellectually, and emotionally - in the moment when "it's my matter that matters, not ... what I consider to be 'me'." Both a flirtation with submissiveness and a wielding of power, Swain examines the model's role in art's alchemy, and tells the forgotten stories of women whose faces still bewitch us from gallery walls.
