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Author: Matthew J.. Westerby
Publisher:
ISBN: 9782956702405
Category : Booksellers and bookselling
Languages : en
Pages : 67
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Book Description
Author: Matthew J.. Westerby
Publisher:
ISBN: 9782956702405
Category : Booksellers and bookselling
Languages : en
Pages : 67
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Book Description
Author: Maurice Quentin De La Tour
Publisher: Legare Street Press
ISBN: 9781016736749
Category : Art
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Neil Jeffares
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 768
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Book Description
*Records of some 20,000 pastels in public collections or known from exhibition and auction catalogues, including pastels by anonymous artists*Entries on 1250 named artists*5000 reproductions (2000 in color), many never before published, and references to all known reproductions of other pastels*A survey placing the major artists of the various schools in an historical context and explaining the technical features of the pastel*A list of exhibitions from 1704 to 2005, including livrets and contemporary criticism for the major exhibitions in Paris, London and elsewhere before 1800*A topographical index locating pastels in public collections worldwide*An index of some 7000 sittersPastels are lluminous and beautiful beyond all other pictures, wrote the English eighteenth century pastelist Francis Cotes, describingthe sensual appeal of this special dust rubbed into paper which has enchanted connoisseurs ever since. But the history of pastels is one of compounded mistakes and misattributions: these intimate portraits, whose subjects range from dynasts to servants, have been neglected for the better researched areas of old master drawings and oil painting. This Dictionary sets out to establish, for the first time, a convincing body of knowledge to help identify and attribute works by both major artists and the obscure "petits-maStres." It is an essential academic resource for art historians, a vital tool for collectors and dealers, and a treasure-trove for anyone interested in costume or social and political history. Pastels from the French school account for more than half the Dictionary, representing most of the more important artists such as Vivien, Nattier, La Tour, Perronneau, Labille-Guiard and VigHe Le Brun. But there were other major pastelists, such as Copley, Russell, Mengs, Carriera and Liotard fro
Author: Pierre Brunel
Publisher: Routledge
ISBN: 1317387147
Category : Literary Criticism
Languages : en
Pages : 1242
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Book Description
First published in French in 1988, and in English in 1992, this companion explores the nature of the literary myth in a collection of over 100 essays, from Abraham to Zoroaster. Its coverage is international and draws on legends from prehistory to the modern age throughout literature, whether fiction, poetry or drama. Essays on classical figures, as well as later myths, explore the origin, development and various incarnations of their subjects. Alongside entries on western archetypes, are analyses of non-European myths from across the world, including Africa, China, Japan, Latin America and India. This book will be indispensable for students and teachers of literature, history and cultural studies, as well as anyone interested in the fascinating world of mythology. A detailed bibliography and index are included. ‘The Companion provides a fine interpretive road map to Western culture’s use of archetypal stories.’ Wilson Library Review ‘It certainly is a comprehensive volume... extremely useful.’ Times Higher Education Supplement
Author: Patricia Egan
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 832
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Book Description
Author: Melissa Lee Hyde
Publisher:
ISBN: 9780729411585
Category : Art, Rococo
Languages : en
Pages : 397
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Book Description
In Rococo echo, a team of international contributors adopts a wide lens to explore the relationship of the Rococo with time. Through chapters organised around broad temporal moments -- the French Revolution, the First World War and the turn of the twenty-first century -- contributors show that the Rococo has been viewed variously as modern, late, ruined, revived, preserved and anticipated. Taking into account the temporality of the Rococo as form, some contributors consider its function as both a visual language and a cultural marker engaged in different ways with the politics of nationalism, gender and race. The Rococo is examined, too, as a mode of expression that encompassed and assimilated styles, and which functioned as a surprisingly effective means of resisting both authority -- whether political, religious or artistic -- and cultural norms of gender and class. Contributors also show how the Rococo, from its birth in France, reverberated through England, Germany, Italy, Portugal and the South American colonies to become a pan-European, even global movement.--Back cover.
Author: Sandra Hindman
Publisher: Mary & Leigh Block Gallery
ISBN:
Category : Art
Languages : en
Pages : 396
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Book Description
How medieval manuscripts were understood in the 19th and 20th centuries is the basis for this volume co-written by four art historians; Hindman (Northwestern U.), Michael Camille (U. of Chicago), Rowan Watson (Victoria and Albert Museum), and Nina Rowe (Block Museum, Northwestern U.). The attitudes
Author: J.B. Shank
Publisher: University of Chicago Press
ISBN: 0226749479
Category : History
Languages : en
Pages : 590
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Book Description
Nothing is considered more natural than the connection between Isaac Newton’s science and the modernity that came into being during the eighteenth-century Enlightenment. Terms like “Newtonianism” are routinely taken as synonyms for “Enlightenment” and “modern” thought, yet the particular conjunction of these terms has a history full of accidents and contingencies. Modern physics, for example, was not the determined result of the rational unfolding of Newton’s scientific work in the eighteenth century, nor was the Enlightenment the natural and inevitable consequence of Newton’s eighteenth-century reception. Each of these outcomes, in fact, was a contingent event produced by the particular historical developments of the early eighteenth century. A comprehensive study of public culture, The Newton Wars and the Beginning of the French Enlightenment digsbelow the surface of the commonplace narratives that link Newton with Enlightenment thought to examine the actual historical changes that brought them together in eighteenth-century time and space. Drawing on the full range of early modern scientific sources, from studied scientific treatises and academic papers to book reviews, commentaries, and private correspondence, J. B. Shank challenges the widely accepted claim that Isaac Newton’s solitary genius is the reason for his iconic status as the father of modern physics and the philosophemovement.
Author: V. Greene
Publisher: Springer
ISBN: 1403983453
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
Thirty-five years ago Roland Barthes proclaimed the death of the Author. For medievalists no death has been more timely. The essays in this volume create a prism through which to understand medieval authorship as a process and the medieval author as an agency in the making.
Author: Cynthia Burlingham
Publisher: Los Angeles : UCLA Grunwald Center for the Graphic Arts and the Armand Hammer Museum of Art and Cultural Center
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 472
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Book Description
Essays by Nicholas Barker, Kenneth Breisch, Anthony Grafton Few people are aware of Los Angeles' vast collective resource of rare books, manuscripts, and related objects, housed in Los Angeles-area libraries. Featuring more than three hundred selections from area collections, The World from Here explores this treasure trove of rare books and ephemera. Included are materials ranging from a 1482 atlas of the known world to fiction classics, early botanical and scientific texts, letters, posters, and artists' books. Selections were culled from nearly forty institutions, including the Huntington Library, Getty Research Institute, Los Angeles Public Library and the libraries at the University of California, Los Angeles, and the University of Southern California. Essays on libraries in the American West, the history of book collecting in Los Angeles, and library buildings in Los Angeles during the twentieth century make The World from Here an engaging study of this impressive, yet little-known, cultural resource. It catalogues an exhibit at the UCLA Hammer Museum until January 13, 2002.
