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Author: Addis Ababa University. Institute of Ethiopian Studies
Publisher: Milano : Skira
ISBN: 9788881186464
Category : Art
Languages : en
Pages : 0
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Book Description
By virtue of its geographic situation, the art of Ethiopia belongs to Africa, however its development was inevitably shaped by historical events. As a result, it is closely linked to models derived from the artistic traditions of Byzantium, and also incorporates elements of Islamic culture and those originating in the Indian sub-continent. The volume presents a comprehensive catalogue of the exceptional collection of paintings on wood belonging to the Institute of Ethiopian Studies in Addis Ababa.
Author: Addis Ababa University. Institute of Ethiopian Studies
Publisher: Milano : Skira
ISBN: 9788881186464
Category : Art
Languages : en
Pages : 0
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Book Description
By virtue of its geographic situation, the art of Ethiopia belongs to Africa, however its development was inevitably shaped by historical events. As a result, it is closely linked to models derived from the artistic traditions of Byzantium, and also incorporates elements of Islamic culture and those originating in the Indian sub-continent. The volume presents a comprehensive catalogue of the exceptional collection of paintings on wood belonging to the Institute of Ethiopian Studies in Addis Ababa.
Author: Walter Raunig
Publisher: LIT Verlag Münster
ISBN: 9783825869656
Category : Ethiopia
Languages : en
Pages : 252
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Book Description
Author: Marilyn Eiseman Heldman
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447035408
Category : Art
Languages : en
Pages : 240
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Book Description
Author: Christine Chaillot
Publisher: LIT Verlag Münster
ISBN: 3643909853
Category : Religion
Languages : en
Pages : 141
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Book Description
The aim of this book is to demonstrate the presence in the very ancient Eastern Churches of religious images of all kinds (icons, paintings, illuminations), including the representation of Christ, together with the veneration (not the adoration) of icons/images. Presented here are not only the iconographic but also the liturgical-and especially the Christological-dimensions of the icon on the basis of texts used by these four traditions down the centuries. In contrast to the Byzantine Orthodox world which, after a controversy on this subject, officially established the veneration of icons from the time of the Second Council of Nicaea (787) and in 843, these Churches did not experience Iconoclasm. Christine Chaillot is Swiss and Orthodox (Patriarchate of Constantinople). She has published several books on the Orthodox Churches and the Oriental Orthodox Churches. (Series: Studies on Oriental Orthodox Church History / Studien zur Orientalischen Kirchengeschichte, Vol. 55) [Subject: Religious Studies, Christian Studies, History, Iconography]
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1708
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1688
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Book Description
Author: Andrea Myers Achi
Publisher: Metropolitan Museum of Art
ISBN: 1588397718
Category : Art
Languages : en
Pages : 360
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Book Description
Medieval art history has long emphasized the glories of the Byzantine Empire, but less known are the profound artistic contributions of Nubia, Egypt, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had an indelible impact on the medieval Mediterranean world. Bringing together more than 170 masterworks in a range of media and techniques—from mosaic, sculpture, pottery, and metalwork to luxury objects, panel paintings, and religious manuscripts—Africa and Byzantium recounts Africa’s centrality in transcontinental networks of trade and cultural exchange. With incisive scholarship and new photography of works rarely or never before seen in public, this long-overdue publication sheds new light on the staggering artistic achievements of late antique Africa. It reconsiders northern and eastern Africa’s contributions to the development of the premodern world and offers a more complete history of the region as a vibrant, multiethnic society of diverse languages and faiths that played a crucial role in the artistic, economic, and cultural life of Byzantium and beyond.
Author: Ira Katznelson
Publisher: Routledge
ISBN: 1317066995
Category : History
Languages : en
Pages : 285
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Book Description
Religious conversion - a shift in membership from one community of faith to another - can take diverse forms in radically different circumstances. As the essays in this volume demonstrate, conversion can be protracted or sudden, voluntary or coerced, small-scale or large. It may be the result of active missionary efforts, instrumental decisions, or intellectual or spiritual attraction to a different doctrine and practices. In order to investigate these multiple meanings, and how they may differ across time and space, this collection ranges far and wide across medieval and early modern Europe and beyond. From early Christian pilgrims to fifteenth-century Ethiopia; from the Islamisation of the eastern Mediterranean to Reformation Germany, the volume highlights salient features and key concepts that define religious conversion, particular the Jewish, Muslim and Christian experiences. By probing similarities and variations, continuities and fissures, the volume also extends the range of conversion to focus on matters less commonly examined, such as competition for the meaning of sacred space, changes to bodies, patterns of gender, and the ways conversion has been understood and narrated by actors and observers. In so doing, it promotes a layered approach that deepens inquiry by identifying and suggesting constellations of elements that both compose particular instances of conversion and help make systematic comparisons possible by indicating how to ask comparable questions of often vastly different situations.
Author: Dani‰l J. Louw
Publisher: AFRICAN SUN MeDIA
ISBN: 1920689125
Category : Art
Languages : en
Pages : 338
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Book Description
ÿ The experience of the divine has been referred to by many artists over the centuries, whether their subject was the human figure, landscape, still life or indeed religious or biblical themes. Art therefore requires a kind of openness; a willingness to mediate rather than to control. This sensitivity can best be described as humility, an obeisance to something we are part of. Therefore, to 'see' the 'unseen' in visual arts brings about awe and requires 'iconic viewing'. The spiritual realm, as portrayed by icons, has a healing quality in a world where the news and the arts are so full of tragedy and where the church's message so often sounds escapist or na‹ve.
Author: Gary Vikan
Publisher: SelectBooks, Inc.
ISBN: 159079401X
Category : Art
Languages : en
Pages : 268
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Book Description
Sacred and Stolen is the memoir of an art museum director with the courage to reveal what goes on behind the scenes. Gary Vikan lays bare the messy underbelly of museum life: looted antiquities, crooked dealers, deluded collectors, duplicitous public officials, fakes, inside thefts, bribery, and failed exhibitions. These backstories, at once shocking and comical, reveal a man with a taste for adventure, an eagerness to fan the flames of excitement, and comfort with the chaos that often ensued. A Minnesota kid who started out as a printer’s devil in his father’s small-town newspaper, Vikan ended up as the director of The Walters Art Museum, a gem of a museum in Baltimore. Sacred and Stolen reveals his quest to bring the “holy” into the museum experience as he struggles to reconcile his passion for acquiring sacred works of art with his suspicion that they were stolen. The cast of characters in his many adventures include the elegant French oil heiress, Dominique de Menil, the notorious Turkish smuggler, Aydin Dikmen, his slippery Dutch dealer, Michel van Rijn, the inscrutable and implacable Patriarchs of Ethiopia and Georgia, and the charismatic President of Georgia, Eduard Shevardnadze—along with a mysterious thief of a gorgeous Renoir painting missing from a museum for over sixty years. When the painting suddenly shows up, it’s Vikan who tracks down the culprit. In his afterword Vikan explains his coming to grips with the realities of art dealing in our present dangerous world that includes the fanatical iconoclasm of the Islamic State. We know of the violent destruction and looting of precious treasures of antiquity and unscrupulous black market art dealers who take advantage of international conflicts to possess them. Sacred and Stolen is a truly eye-opening account of art dealing in the modern world.
