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Author: Roberto Diodato
Publisher: Librarie Philosophique J. Vrin
ISBN: 9782711622245
Category : Virtual reality
Languages : fr
Pages : 0
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Book Description
Roberto Diodato elabore une esthetique et une ontologie du corps virtuel entendu comme evenement corps-image en meme temps interne et externe qui emerge de l'interaction entre ecriture informatique et corps humain dote de protheses technologiques. Il interroge les nouvelles formes d'art digital et de narration hypertextuelle et en montre la signification philosophique, en permettant de repenser sur la base des debats actuels sur la realite virtuelle des lieux classiques de l'esthetique comme les concepts de mimesis et de representation, le rapport illusion-realite, la nature de l'image.
Author: Roberto Diodato
Publisher: Librarie Philosophique J. Vrin
ISBN: 9782711622245
Category : Virtual reality
Languages : fr
Pages : 0
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Book Description
Roberto Diodato elabore une esthetique et une ontologie du corps virtuel entendu comme evenement corps-image en meme temps interne et externe qui emerge de l'interaction entre ecriture informatique et corps humain dote de protheses technologiques. Il interroge les nouvelles formes d'art digital et de narration hypertextuelle et en montre la signification philosophique, en permettant de repenser sur la base des debats actuels sur la realite virtuelle des lieux classiques de l'esthetique comme les concepts de mimesis et de representation, le rapport illusion-realite, la nature de l'image.
Author: Christine Buci-Glucksmann
Publisher: Editions Galilée
ISBN:
Category : Aesthetics, Modern
Languages : fr
Pages : 300
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Book Description
Author: Roberto Diodato
Publisher: State University of New York Press
ISBN: 1438444370
Category : Philosophy
Languages : en
Pages : 178
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Book Description
Arguing that the virtual body is something new—namely, an entity that from an ontological perspective has only recently entered the world—Roberto Diodato considers the implications of this kind of body for aesthetics. Virtual bodies insert themselves into the space opened up by the famous distinction in Aristotle's Physics between natural and artificial beings—they are both. They are beings that are simultaneously events; they are images that are at once internal and external; they are ontological hybrids that exist only in the interaction between logical-computational text and human bodies endowed with technological prostheses. Pursuing this line of thought, Diodato reconfigures classic aesthetic concepts such as mimesis, representation, the relation between illusion and reality, the nature of images and imagination, and the theory of sensory knowledge.
Author: Christine Buci-Glucksmann
Publisher: Ohio University Press
ISBN: 0821444379
Category : Philosophy
Languages : en
Pages : 195
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Book Description
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Author: ROJAS Estrella
Publisher: Lavoisier
ISBN: 2746295393
Category :
Languages : en
Pages : 295
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Book Description
Le développement massif des pratiques d’agir avec et de vivre ensemble, instrumentées par les réseaux socionumériques, ainsi que l’usage abondant de l’expression « web social » et de ses dérivés peuvent être vus comme les indices d’une nouvelle étape de l’industrialisation numérique de la culture et du symbolique qui s’empare désormais du social. Afin d’en préciser les effets et les dynamiques, l’ouvrage propose une approche du social comme un construit en mouvement fait d’associations entre êtres (humains, techniques, symboliques, etc.). Il analyse les dispositifs socionumériques en tant que « machines d’écritures », puis il se penche sur des collectifs mus par des buts communs et articulés par des plateformes dédiées. En mettant ainsi en tension l’analyse des dispositifs et celle des pratiques, ce livre collectif dresse un tableau contrasté de la pharmacologie numérique du vivre ensemble.
Author: François Dosse
Publisher: Columbia University Press
ISBN: 0231145616
Category : Biography & Autobiography
Languages : en
Pages : 688
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Book Description
In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Felix Guattari was a political militant and director of an unusual psychiatric clinic at La Borde. Their meeting was unlikely, and the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including Anti-Oedipus, What Is Philosophy? and A Thousand Plateaus. Francois Dosse, a prominent French intellectual, examines the prolific, if improbable, relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history--particularly the turbulence of May 1968--played in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and weighs the impact of their thought within intellectual, academic, and professional circles.
Author: Fernanda Negrete
Publisher: State University of New York Press
ISBN: 1438480229
Category : Philosophy
Languages : en
Pages : 348
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Book Description
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draws on writing and other creative practices to conceive of unconscious processes and the transformation sought through analysis. Thus, the "aesthetic clinic" of the book's title (a term Negrete adopts from Deleuze) is not an applied psychoanalysis or schizoanalysis. Rather, The Aesthetic Clinic privileges the call and constraints issued by each woman's individual work. Engaging an artwork here is less about retrieving a hidden meaning through interpretation than about receiving a precise transmission of sensation, a jouissance irreducible to meaning. Not only do art and literature serve an urgent clinical function in Negrete's reading but sublimation itself requires an embrace of femininity.
Author: Simon Donger
Publisher: Routledge
ISBN: 1136971289
Category : Art
Languages : en
Pages : 504
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Book Description
ORLAN: A Hybrid Body of Artworks is an in-depth academic account of ORLAN's pioneering art in its entirety. The book covers her career in performance and a range of other art forms. This single accessible overview of ORLAN's practices describes and analyses her various innovative uses of the body as artistic material. Edited by Simon Donger with Simon Shepherd and ORLAN herself, the collection highlights her artistic impact from the perspectives of both performance and visual cultures. The book features: vintage texts by ORLAN and on ORLAN's work, including manifestos, key writings and critical studies ten new contributions, responses and interviews by leading international specialists on performance and visual arts over fifty images demonstrating ORLAN's art, with thirty full colour pictures a new essay by ORLAN, written specially for this volume a new bibliography of writing on ORLAN an indexed listing of ORLAN’s artworks and key themes.
Author: Gregory Flaxman
Publisher: U of Minnesota Press
ISBN: 9780816634477
Category : Performing Arts
Languages : en
Pages : 410
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Book Description
The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze’s cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze’s cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.
Author: Laurent Padel
Publisher:
ISBN:
Category :
Languages : fr
Pages : 1241
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Book Description
Cette thèse fonde la notion philosophique de virtuel (non actuel du réel) comme instrument contemporain de compréhension de la tradition picturale chinoise des Sòng des fleurs et des oiseaux. Ce travail élabore une voie originale qui a permis un croisement effectif des approches, chinoises et occidentales, aussi bien qu’esthétiques, historiques et philosophiques. Le virtuel permet d’accéder à la compréhension effective, des différents aspects majeurs des peintures de fleurs et d’oiseaux et aux notions esthétiques complexes du néo-confucianisme, synthèse formée d’éléments taoïstes, confucéens et bouddhistes. Ces trois aspects se développent au travers du processus naturel de la forme ample, du culturel conçu comme relationnel d’une communauté, et enfin de la valeur de plénitude propre au vide. Le virtuel peut être conçu comme ce pont entre ces mondes, proprement comme régimes esthétiques.
