French Colour-prints of the XVIII Century

French Colour-prints of the XVIII Century PDF Author: Malcolm Charles Salaman
Publisher:
ISBN:
Category : Color prints
Languages : en
Pages : 290

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The Impressionist Print

The Impressionist Print PDF Author: Michel Melot
Publisher: Yale University Press
ISBN: 0300067925
Category : Crafts & Hobbies
Languages : en
Pages : 301

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Book Description
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.

Bulletin of the New York Public Library

Bulletin of the New York Public Library PDF Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 558

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Book Description
Includes its Report, 1896-1945.

The Cromer Collection of Nineteenth-century French Photography

The Cromer Collection of Nineteenth-century French Photography PDF Author:
Publisher: Yale University Press
ISBN: 0300264275
Category : Photography
Languages : en
Pages : 336

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Book Description
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.

The New Bibliopolis

The New Bibliopolis PDF Author: Willa Z. Silverman
Publisher: University of Toronto Press
ISBN: 080209211X
Category : Design
Languages : en
Pages : 337

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Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.

The Rococo Interior

The Rococo Interior PDF Author: Katie Scott
Publisher: Yale University Press
ISBN: 0300045824
Category : Architecture
Languages : en
Pages : 371

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Book Description
Defines and depicts the arts and architecture of the rococo period in France and examines its relation to society

A Catalogue of Books Added to the Library of the Royal Academy of Arts, London, Between 1877 and 1900

A Catalogue of Books Added to the Library of the Royal Academy of Arts, London, Between 1877 and 1900 PDF Author: Royal Academy of Arts (Great Britain). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214

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Book Description


A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts).

A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts). PDF Author: Henry Richard Tedder
Publisher:
ISBN:
Category :
Languages : en
Pages : 214

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Book Description


French Architectural and Ornament Drawings of the Eighteenth Century

French Architectural and Ornament Drawings of the Eighteenth Century PDF Author: Mary L. Myers
Publisher: Metropolitan Museum of Art
ISBN: 0870996258
Category : Architectural drawing
Languages : en
Pages : 258

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Mariette and the Science of the Connoisseur in Eighteenth-Century Europe

Mariette and the Science of the Connoisseur in Eighteenth-Century Europe PDF Author: Kristel Smentek
Publisher: Routledge
ISBN: 1351559214
Category : Art
Languages : en
Pages : 343

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Book Description
Celebrated connoisseur, drawings collector, print dealer, book publisher and authority on the art of antiquity, Pierre-Jean Mariette (1694-1774) was a pivotal figure in the eighteenth-century European art world. Focusing on the trajectory of Mariette?s career, this book examines the material practices and social networks through which connoisseurs forged the idea of art as an object of empirical and historical analysis. Drawing on significant unpublished archival material as well as on histories of science, publishing, collecting and display, this book shows how Mariette and his colleagues? practices of classification and interpretation of the graphic arts gave rise to new conceptions of artistic authorship and to a history of art that transcended the biographies of individual artists. To follow Mariette?s career through the eighteenth century is to see that art was consolidated as a specialized category of intellectual inquiry-and that style emerged as its structuring analytic device-in the overlapping spaces of the collector?s cabinet, the connoisseur?s portfolio and the dealer?s shop.