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Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
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Book Description
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642
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Book Description
Author:
Publisher: Macmillan Reference USA
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 632
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 826
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Book Description
22nd. edition, 1995-/96
Author:
Publisher:
ISBN:
Category :
Languages : un
Pages : 962
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Author: Bob Dylan
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Geeta Kapur
Publisher:
ISBN: 9788189487249
Category : Art, India
Languages : en
Pages : 439
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Book Description
A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.
Author: Jessica Winegar
Publisher: Stanford University Press
ISBN: 9780804754774
Category : Social Science
Languages : en
Pages : 420
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Book Description
Ethnographic study of cultural politics in the contemporary Egyptian art world, examining how art-making is a crucial aspect of the transformation from socialism to neoliberalism in postcolonial countries.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394042
Category : Greece
Languages : en
Pages : 178
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Book Description
This handsomely illustrated volume is aimed at giving a broad audience deeper insight into the extensive collection of the Metropolitan Museum of Art. The museum is famed for its Greek vases, of which 35 notable examples are detailed in this book. They reveal the variety and vitality of the refined forms and masterfully rendered scenes that characterize these works. And they demonstrate the interrelation of function, shape, technique, and subject matter that is key to understanding the rich language of Greek vases. The introduction provides valuable background information, and the entries delve into the features of each vase, incorporating brilliant color illustrations and many arresting details. Greek vases served specific utilitarian functions, and they also afforded outstanding artists, some of whom signed their work, a medium for depicting both the details of daily existence and aspects of their gods, goddesses, and heroes. We see the garments, implements, athletic competitions, and marriages and funerary rituals of Greeks who lived from the seventh through the fourth century B.C.. We also see their mythological figures and stories. The exceptional group of works assembled in this volume conveys the extent to which the culture of ancient Greece is still apparent today. This book is sure to inspire closer scrutiny of these remarkable works of art, which have survived for over two millennia to offer viewers an enlightening look into the ancient heritage of the Western world. -- from inside Front Cover.
Author: Nada M. Shabout
Publisher:
ISBN: 9780813061269
Category : Aesthetics, Arab
Languages : en
Pages : 0
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Book Description
"Modern Arab Art provides a historical and theoretical overview of the forces that have spawned artistic movements across the Middle East from the 1940s through today. Nada Shabout recognizes the important distinction between Arabic art and Islamic art, and views them as overlapping rather than synonymous subjects. Based on interviews with Arab artists, reviews of Arabic resources, and visits to sites and galleries in the Arab world, Shabout provides an introduction to a field that has been long neglected. With particular emphasis on production, reception, and the intersection between art and politics in Iraq and Palestine, she reveals the fallacy in Western fascination with Arab art as a timeless and exotic 'other'"--Jacket.
