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Author: Johann Caspar Lavater
Publisher:
ISBN:
Category : Physiognomy
Languages : en
Pages :
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Book Description
Author: Johann Caspar Lavater
Publisher:
ISBN:
Category : Physiognomy
Languages : en
Pages :
Get Book Here
Book Description
Author: Johann Caspar Lavater
Publisher:
ISBN:
Category : Face
Languages : en
Pages : 368
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Book Description
Author: Sibylle Erle
Publisher: Routledge
ISBN: 1351193694
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
"William Blake never travelled to the continent, yet his creation myth is far more European than has ever been acknowledged. The painter Henry Fuseli introduced Blake to traditional European thinking, and Blake responded to late 18th century body-theory in his Urizen books (1794-95), which emerged from his professional work as a copy-engraver on Henry Hunter's translation of Johann Caspar Lavater's Essays on Physiognomy (1789-98). Lavater's work contains hundreds of portraits and their physiognomical readings. Blake, Fuseli, Joshua Reynolds and their contemporaries took a keen interest in the ideas behind physiognomy in their search for the right balance between good likeness and type in portraits. Blake, Lavater, and Physiognomy demonstrates how the problems occurring during the production of the Hunter translation resonate in Blake's treatment of the Genesis story. Blake takes us back to the creation of the human body, and interrogates the idea that 'God created man after his own likeness.' He introduces the 'Net of Religion', a device which presses the human form into material shape, giving it personality and identity. As Erle shows, Blake's startlingly original take on the creation myth is informed by Lavater's pursuit of physiognomy: the search for divine likeness, traced in the faces of their contemporary men."
Author: Johann Caspar Lavater
Publisher:
ISBN:
Category : Facial expression
Languages : en
Pages : 606
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Book Description
Author: Johann Caspar Lavater
Publisher: London : W. Tegg
ISBN:
Category : Physiognomy
Languages : en
Pages : 820
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Book Description
Author: John Caspar Lavater
Publisher: BoD – Books on Demand
ISBN: 3385210720
Category : Fiction
Languages : en
Pages : 793
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Book Description
Reprint of the original, first published in 1875.
Author: Johann Caspar Lavater
Publisher:
ISBN:
Category : Physiognomy
Languages : en
Pages : 820
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Book Description
Author: Lucy Hartley
Publisher: Cambridge University Press
ISBN: 9780521022422
Category : Language Arts & Disciplines
Languages : en
Pages : 264
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Book Description
This is a 2001 study of the emergence of physiognomy as a form of popular science.
Author: Johann Caspar Lavater
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 80
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Book Description
DigiCat Publishing presents to you this special edition of "The Pocket Lavater; or, The Science of Physiognomy" (To which is added an inquiry into the analogy existing between brute and human physiognomy) by Johann Caspar Lavater, Giambattista della Porta. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Christopher Webster
Publisher: Open Book Publishers
ISBN: 1783749172
Category : Social Science
Languages : en
Pages : 290
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Book Description
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.
