Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Essays, moral and philosophical on several subjects: viz. A view of the human faculties. A short account of the world. Two discourses on decency. An essay on self-love. [By A. Forbes, Baron Pitsligo.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Essays Moral and Philosophical, on Several Subjects
Author: Lord Alexander Forbes Forbes of Pitsligo
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 414
Book Description
A Dictionary of the Anonymous and Pseudonymous Literature of Great Britain
Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 472
Book Description
Dictionary of Anonymous and Pseudonymous English Literature: D-G
Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 436
Book Description
Catalogue of Printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 638
Book Description
Publish and Perish: The Practice of Censorship in the British Isles in the Early Modern Period
Author: Isabelle Fernandes
Publisher: Vernon Press
ISBN: 1622739647
Category : Political Science
Languages : en
Pages : 201
Book Description
The development of printing practices during Tudor rule led both to the dissemination of religious and secular knowledge, and the development of a legal arsenal to control it. While the vast majority of studies on censorship regard it as being at the origin of the notion of authorship, critics tend to disagree on its actual influence on early modern writings. Who, among the Church and the secular state, were its main supporters? Did it aim at destroying or removing, punishing or protecting, hampering or regulating? Did it propagate a culture of secrecy or, on the contrary, did it help to circulate new ideas and knowledge by controlling them and making them more acceptable to the masses? If the answers to these questions are bound to differ according to the aesthetic and religious biases of both censors and censored, they all lead to one major point of debate: did censorship really work to stop some marginal threat or did it simply improve the lot of early modern writers who turned its limited negative effects into a comforting shield of self-publicity? By suggesting it suppressed neither artistic creativity nor subversive practices, this volume analyses censorship in Britain and Ireland during the Tudor and Stuart periods as an instrument of regulation, rather than a repressive tool. Ideal for both graduate students and general readers interested in Early Modern History, the work sheds new light on a topic as fascinating as it is often misunderstood.
Publisher: Vernon Press
ISBN: 1622739647
Category : Political Science
Languages : en
Pages : 201
Book Description
The development of printing practices during Tudor rule led both to the dissemination of religious and secular knowledge, and the development of a legal arsenal to control it. While the vast majority of studies on censorship regard it as being at the origin of the notion of authorship, critics tend to disagree on its actual influence on early modern writings. Who, among the Church and the secular state, were its main supporters? Did it aim at destroying or removing, punishing or protecting, hampering or regulating? Did it propagate a culture of secrecy or, on the contrary, did it help to circulate new ideas and knowledge by controlling them and making them more acceptable to the masses? If the answers to these questions are bound to differ according to the aesthetic and religious biases of both censors and censored, they all lead to one major point of debate: did censorship really work to stop some marginal threat or did it simply improve the lot of early modern writers who turned its limited negative effects into a comforting shield of self-publicity? By suggesting it suppressed neither artistic creativity nor subversive practices, this volume analyses censorship in Britain and Ireland during the Tudor and Stuart periods as an instrument of regulation, rather than a repressive tool. Ideal for both graduate students and general readers interested in Early Modern History, the work sheds new light on a topic as fascinating as it is often misunderstood.
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 408
Book Description
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 408
Book Description
Catalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1260
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1260
Book Description