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Author: Gevork Hartoonian
Publisher: Routledge
ISBN: 1351981390
Category : Architecture
Languages : en
Pages : 336
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Book Description
Time, History and Architecture presents a series of essays on critical historiography, each addressing a different topic, to elucidate the importance of two influential figures Walter Benjamin and Gottfried Semper for architectural history. In a work exploring themes such as time, autonomy and periodization, author Gevork Hartoonian unpacks the formation of architectural history; the problem of autonomy in criticism and the historiographic narrative. Considering the scope of criticism informing the contemporaneity of architecture, the book explores the concept of nonsimultaneity, and introduces retrospective criticism the agent of critical historiography. An engaging thematic dialogue for academics and upper-level graduate students interested in architectural history and theory, this book aims to deconstruct the certainties of historicism and to raise new questions and interpretations from established critical canons.
Author: Gevork Hartoonian
Publisher: Routledge
ISBN: 1351981390
Category : Architecture
Languages : en
Pages : 336
Get Book Here
Book Description
Time, History and Architecture presents a series of essays on critical historiography, each addressing a different topic, to elucidate the importance of two influential figures Walter Benjamin and Gottfried Semper for architectural history. In a work exploring themes such as time, autonomy and periodization, author Gevork Hartoonian unpacks the formation of architectural history; the problem of autonomy in criticism and the historiographic narrative. Considering the scope of criticism informing the contemporaneity of architecture, the book explores the concept of nonsimultaneity, and introduces retrospective criticism the agent of critical historiography. An engaging thematic dialogue for academics and upper-level graduate students interested in architectural history and theory, this book aims to deconstruct the certainties of historicism and to raise new questions and interpretations from established critical canons.
Author: Alan Colquhoun
Publisher: Cambridge, Mass. : MIT Press
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
Preface by Kenneth Frampton Winner of the 1985 Architectural Critics Award for the best book published on architectural criticism over the past three years. Since the early 1950s, Alan Colquhoun's criticism and theory have acted as a conscience to a generation of architects. His rigor and conceptual clarity have consistently stimulated debate and have served as an impetus for the pursuit of new directions in both theory and practice. This collection of 17 of his essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual "theory of Modernism" in architecture. In his earliest essays, Colquhoun concentrated on themes that for him comprised the modernist attitude in architecture - language, typology, and the structure of form. His stance since then has consistently been to try to relate these issues to current practice and to analyze the nature of architectural expression in relation to culture. Alan Colquhoun divides his time between England, where is is a principal in the firm of Colquhoun & Miller, and the United States, where he is Professor of Architecture at Princeton University. An Oppositions Book.
Author: Hubert Damisch
Publisher: MIT Press
ISBN: 0262335018
Category : Architecture
Languages : en
Pages : 392
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Book Description
From Noah's Ark to Diller + Scofidio's “Blur” Building, a distinguished art historian maps new ways to think about architecture's origin and development. Trained as an art historian but viewing architecture from the perspective of a “displaced philosopher,” Hubert Damisch in these essays offers a meticulous parsing of language and structure to “think architecture in a different key,” as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller + Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre. In the title essay, Damisch moves easily from Diderot's Encylopédie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero. Noah's Ark marks the origin of construction, and thus of architecture itself. Diderot's Encylopédie entry on architecture followed his entry on Noah's Ark; architecture could only find its way after the Flood. In these thirteen essays, written over a span of forty years, Damisch takes on other histories and theories of architecture to trace a unique trajectory of architectural structure and thought. The essays are, as Vidler says, “a set of exercises” in thinking about architecture.
Author: J. Ferreiros
Publisher: OUP Oxford
ISBN: 0191513792
Category : Mathematics
Languages : en
Pages : 456
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Book Description
This edited volume, aimed at both students and researchers in philosophy, mathematics and history of science, highlights leading developments in the overlapping areas of philosophy and the history of modern mathematics. It is a coherent, wide ranging account of how a number of topics in the philosophy of mathematics must be reconsidered in the light of the latest historical research, and how a number of historical accounts can be deepened by embracing philosophical questions.
Author: Howard Montagu Colvin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 38
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Book Description
Author: Elizabeth Grosz
Publisher: MIT Press
ISBN: 9780262265362
Category : Architecture
Languages : en
Pages : 252
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Book Description
Essays at the intersection of philosophy and architecture explore how we understand and inhabit space. To be outside allows one a fresh perspective on the inside. In these essays, philosopher Elizabeth Grosz explores the ways in which two disciplines that are fundamentally outside each another—architecture and philosophy—can meet in a third space to interact free of their internal constraints. "Outside" also refers to those whose voices are not usually heard in architectural discourse but who inhabit its space—the destitute, the homeless, the sick, and the dying, as well as women and minorities. Grosz asks how we can understand space differently in order to structure and inhabit our living arrangements accordingly. Two themes run throughout the book: temporal flow and sexual specificity. Grosz argues that time, change, and emergence, traditionally viewed as outside the concerns of space, must become more integral to the processes of design and construction. She also argues against architecture's historical indifference to sexual specificity, asking what the existence of (at least) two sexes has to do with how we understand and experience space. Drawing on the work of such philosophers as Henri Bergson, Roger Caillois, Gilles Deleuze, Jacques Derrida, Luce Irigaray, and Jacques Lacan, Grosz raises abstract but nonformalistic questions about space, inhabitation, and building. All of the essays propose philosophical experiments to render space and building more mobile and dynamic.
Author: Louise A. Mozingo
Publisher: McFarland
ISBN: 078648733X
Category : Social Science
Languages : en
Pages : 240
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Book Description
While many fields struggle to specify feminine contributions, the work of women has always played a fundamental role in American landscape architecture. Women claim responsibility for many landscape types now taken for granted, including community gardens, playgrounds, and streetscapes. This collection of essays by leaders in the discipline addresses the ways that gender has influenced the history, design practice and perception of landscapes. It highlights women's relation to landscape architecture, presents the professional efforts of women in the landscape realm, examines both the perception and experience of landscapes by women, and speculates on ways to re-imagine gender and the landscape.
Author: Carl R. Lounsbury
Publisher:
ISBN: 9780813932293
Category : Architecture
Languages : en
Pages : 0
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Book Description
Introduction. Reshaping the study of early American architecture -- The origins of early American architecture. Early American architecture : a transatlantic perspective -- Adaptation and innovation : archaeological and architectural -- Perspectives on the seventeenth-century Chesapeake -- The English origins of the Jamestown rowhouses -- The design and building process. "An elegant and commodious building" : William Buckland and the design of the Prince William County Courthouse -- The dynamics of architectural design in eighteenth-century Charleston and the low country -- Regional building patterns : ecclesiastical architecture. Anglican church design in the Chesapeake : English inheritances and regional interpretations -- Christ Church, Savannah : loopholes in metropolitan design on the frontier -- "Building is a heavy burden" : the legacy of eighteenth-century church building in the Middle Atlantic colonies -- God is in the details : the transformation of ecclesiastical architecture in early-nineteenth-century America -- Williamsburg. Ornaments of civic aspiration : the public buildings of Williamsburg -- Beaux-arts ideals and colonial reality : the reconstruction of Williamsburg's capitol, 1928-1934 -- The changing perceptions of the restoration of colonial Williamsburg
Author: Jill A. Franklin
Publisher: Boydell Press
ISBN: 1843837811
Category : Architecture
Languages : en
Pages : 434
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Book Description
Essays centred on the methods, pleasures, and pitfalls of architectural interpretation. Architecture affects us on a number of levels. It can control our movements, change our experience of our own scale, create a particular sense of place, focus memory, and act as a statement of power and taste, to name but a few. Yet the ways in which these effects are brought about are not yet well understood. The aim of this book is to move the discussion forward, to encourage and broaden debate about the ways in which architecture is interpreted, with aview to raising levels of intellectual engagement with the issues in terms of the theory and practice of architectural history. The range of material covered extends from houses constructed from mammoth bones around 15,000 years ago in the present-day Ukraine to a surfer's memorial in Carpinteria, California; other subjects include the young Michelangelo seeking to transcend genre boundaries; medieval masons' tombs; and the mythographies of early modern Netherlandish towns. Taking as their point of departure the ways in which architecture has been, is, and can be written about and otherwise represented, the editors' substantial Introduction provides an historiographical framework for, and draws out the themes and ideas presented in, the individual contributors' essays. Contributors: Christine Stevenson, T. A. Heslop, John Mitchell, Malcolm Thurlby, Richard Fawcett, Jill A. Franklin, StephenHeywood, Roger Stalley, Veronica Sekules, John Onians, Frank Woodman, Paul Crossley, David Hemsoll, Kerry Downes, Richard Plant, Jenifer Ní Ghrádraigh, Lindy Grant, Elisabeth de Bièvre, Stefan Muthesius, Robert Hillenbrand, AndrewM. Shanken, Peter Guillery.
Author: Hermann Czech
Publisher: Park Publishing (WI)
ISBN: 9783038600206
Category : Architecture
Languages : en
Pages : 0
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Book Description
Hermann Czech belongs to the small group of architects that are equally prolific in theory and design. Over the course of six decades, he has created a much recognised body of built work and projects and also developed an architectural theory based on profound knowledge of philosophy and architectural history. His writings enable a clearer understanding of the built environment and thereby a sound basis for decisions affecting its future. Czech grapples with local and universal topics and spars with his colleague and fellow compatriot Hans Hollein. He analyses mannerism and calls attention to underestimated works of architecture. He delves as well into questions addressed by intellectuals and, like them, maintains an ambivalent relationship to modernism, and he makes a strong call to embrace reason over style. Czech also applies his profound knowledge of the works of Hegel, Kant, Wittgenstein, and Adorno to pressing architectural topics. Moreover, he recognises that architects often lack the basic framework necessary for meaningful discourse.
