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Author: Helie Robertson
Publisher:
ISBN: 9780961443702
Category : Clothing trade
Languages : en
Pages : 199
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Book Description
Author: Helie Robertson
Publisher:
ISBN: 9780961443702
Category : Clothing trade
Languages : en
Pages : 199
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Book Description
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 286
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Book Description
Author:
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 392
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3344
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Book Description
A world list of books in the English language.
Author: Douglas Tompkins
Publisher: Books Nippan
ISBN: 9784947613202
Category : Reference
Languages : en
Pages : 296
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Book Description
The latest collection of advertisements from various events and publicity campaigns held in Japan. Packed with eye-catching posters, flyers, direct mail pieces and dozens of other media announcings.
Author: Steven Heller
Publisher:
ISBN: 9780823021253
Category : Architecture
Languages : en
Pages : 386
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Book Description
Author: Jeremy Walton
Publisher: Coterie Press Limited
ISBN: 9781902351247
Category : Transportation
Languages : en
Pages : 0
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Book Description
Lotus Esprit: The Official Story is the inside story of Britain's best loved supercar from it's development in the early 1970's right through to the 21st century. That the Esprit ever appeared in the showroom, never mind set a record for British sportscar continuous production from 1976-2004, is a story straight from the Lotus era. How Colin Chapman labored alongside Italian designer and fellow genius Giorgetto `Giorgio' Giugiaro to bring the first show Esprits to life, is just one of the stories unveiled by Jeremy Walton's research. The Esprit, in all its Lotus Type numbers and derivatives from the very first Type 79 onwards, is revealed in this seriously comprehensive book. A total of under 11,000 Esprits were made in it's 28 year production span, which means that some models had production numbers of less than 100 and have therefore become extremely collectable. Supremely agile and rapid Esprits such as the Sport 300 and V8 350 are examined in all their 160 to 175 mph glories - along with the race track inspired Esprit Turbo SCCA, X180R and Type 114 Esprit GT1. As with Walton's acclaimed Lotus Elise title for Coterie, this conscientious Esprit production was enabled only by the full co-operation of Lotus Cars. Once again they gave frank access to their archives as well as their employees. Lotus Esprit The Official Story contains the reminisces of the loyalists and the youngsters who added to their growing reputations when involved in the concept and design of the Esprit, many who are now famous industry figures following a Lotus apprenticeship. The author's trusted participation at every stage in the Esprit's long life is reflected by the openness of all involved. They tell us the real stories behind the car, leaving us with hope of an innovative new Esprit before too long.
Author: Steven Heller
Publisher: Hearst Books
ISBN: 9780823021338
Category : Architecture
Languages : en
Pages : 392
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Book Description
Author: Carla Taban
Publisher: Leuven University Press
ISBN: 9058679578
Category : Art
Languages : en
Pages : 353
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Book Description
Exploring the epistemological potential of meta- and inter-images Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. Meta- and Inter-Images in Contemporary Visual Art and Culture partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means. Written by scholars in aesthetics, art history, and cultural, film, literary, media, and visual studies, the essays gathered here tackle meta- and inter-images in an array of creative artefacts, practices, and media. They unfold the epistemological potential of every meta- and inter-image discussed to raise questions such as: What are images? How do they work? By whom, to what purpose, to what effect and in what context/s are they used? How are they created and understood? And how do they challenge our (pre)conceptions of images and the ways we study them? Contributors Maaheen Ahmed (Université catholique de Louvain), Vangelis Athanassopoulos (Université Paris I Panthéon-Sorbonne), Sotirios Bahtsetzis (Hellenic Open University), Concepción Cortés Zulueta (Universidad Autónoma de Madrid), Mafalda Dâmaso (Goldsmiths, University of London), Elisabeth-Christine Gamer (University of Bern), Amanda Gluibizzi (Ohio State University), Stella Hockenhull (University of Wolverhampton), Anaël Lejeune (Université catholique de Louvain), Fabrice Leroy (University of Louisiana at Lafayette), Johanna Malt (King’s College London), Olga Moskatova (IKKM, Bauhaus-Universität Weimar), Magdalena Nowak (The Graduate School for Social Research at the Polish Academy of Sciences), Jorgelina Orfila (Texas Tech University), Fran Pheasant-Kelly (University of Wolverhampton), Raphaël Pirenne (School of Graphic Research, E.R.G. Brussels), Abigail Susik (Willamette University)
Author: Walter S. Melion
Publisher: BRILL
ISBN: 9004319123
Category : History
Languages : en
Pages : 517
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Book Description
The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order’s defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz
