Author: Wilhelm Wagner
Publisher: Forgotten Books
ISBN: 9780260761569
Category :
Languages : en
Pages : 488
Book Description
Excerpt from Epics and Romances of the Middle Ages Egend is' not history; but in legend we find embodied historical truths, manners and customs of past ages, beliefs and superstitions otherwise long forgotten. Of which history itself takes no account. Legend has preserved for us, maybe in romantic dress, maybe' under altered names and circumstances, stirringgpictures of heroes and heroines, who once have lived and suffered, fought and conquered, or have faced death with' trustful courage; pictures, too, of men of equal prowess, as strong in evil as in might, who, victorious for a time, have yet ever met a stronger power than theirs, stronger in virtue, stronger in might. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Epics and Romances of the Middle Ages (Classic Reprint)
Author: Wilhelm Wagner
Publisher: Forgotten Books
ISBN: 9780260761569
Category :
Languages : en
Pages : 488
Book Description
Excerpt from Epics and Romances of the Middle Ages Egend is' not history; but in legend we find embodied historical truths, manners and customs of past ages, beliefs and superstitions otherwise long forgotten. Of which history itself takes no account. Legend has preserved for us, maybe in romantic dress, maybe' under altered names and circumstances, stirringgpictures of heroes and heroines, who once have lived and suffered, fought and conquered, or have faced death with' trustful courage; pictures, too, of men of equal prowess, as strong in evil as in might, who, victorious for a time, have yet ever met a stronger power than theirs, stronger in virtue, stronger in might. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780260761569
Category :
Languages : en
Pages : 488
Book Description
Excerpt from Epics and Romances of the Middle Ages Egend is' not history; but in legend we find embodied historical truths, manners and customs of past ages, beliefs and superstitions otherwise long forgotten. Of which history itself takes no account. Legend has preserved for us, maybe in romantic dress, maybe' under altered names and circumstances, stirringgpictures of heroes and heroines, who once have lived and suffered, fought and conquered, or have faced death with' trustful courage; pictures, too, of men of equal prowess, as strong in evil as in might, who, victorious for a time, have yet ever met a stronger power than theirs, stronger in virtue, stronger in might. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Job, Boethius, and Epic Truth
Author: Ann W. Astell
Publisher: Cornell University Press
ISBN: 1501733257
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Calling into question the common assumption that the Middle Ages produced no secondary epics, Ann W. Astell here revises a key chapter in literary history. She examines the connections between the Book of Job and Boethius' s Consolation of Philosophy—texts closely associated with each other in the minds of medieval readers and writers—and demonstrates that these two works served as a conduit for the tradition of heroic poetry from antiquity through the Middle Ages and into the Renaissance. As she traces the complex influences of classical and biblical texts on vernacular literature, Astell offers provocative readings of works by Dante, Chaucer, Spenser, Malory, Milton, and many others. Astell looks at the relationship between the historical reception of the epic and successive imitative forms, showing how Boethius's Consolation and Johan biblical commentaries echo the allegorical treatment of" epic truth" in the poems of Homer and Virgil, and how in turn many works classified as "romance" take Job and Boethius as their models. She considers the influences of Job and Boethius on hagiographic romance, as exemplified by the stories of Eustace, Custance, and Griselda; on the amatory romances of Abelard and Heloise, Dante and Beatrice, and Troilus and Criseyde; and on the chivalric romances of Martin of Tours, Galahad, Lancelot, and Redcrosse. Finally, she explores an encyclopedic array of interpretations of Job and Boethius in Milton's Paradise Lost, Paradise Regained, and Samson Agonistes.
Publisher: Cornell University Press
ISBN: 1501733257
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Calling into question the common assumption that the Middle Ages produced no secondary epics, Ann W. Astell here revises a key chapter in literary history. She examines the connections between the Book of Job and Boethius' s Consolation of Philosophy—texts closely associated with each other in the minds of medieval readers and writers—and demonstrates that these two works served as a conduit for the tradition of heroic poetry from antiquity through the Middle Ages and into the Renaissance. As she traces the complex influences of classical and biblical texts on vernacular literature, Astell offers provocative readings of works by Dante, Chaucer, Spenser, Malory, Milton, and many others. Astell looks at the relationship between the historical reception of the epic and successive imitative forms, showing how Boethius's Consolation and Johan biblical commentaries echo the allegorical treatment of" epic truth" in the poems of Homer and Virgil, and how in turn many works classified as "romance" take Job and Boethius as their models. She considers the influences of Job and Boethius on hagiographic romance, as exemplified by the stories of Eustace, Custance, and Griselda; on the amatory romances of Abelard and Heloise, Dante and Beatrice, and Troilus and Criseyde; and on the chivalric romances of Martin of Tours, Galahad, Lancelot, and Redcrosse. Finally, she explores an encyclopedic array of interpretations of Job and Boethius in Milton's Paradise Lost, Paradise Regained, and Samson Agonistes.
Chivalric Stories as Children's Literature
Author: Velma Bourgeois Richmond
Publisher: McFarland
ISBN: 0786496223
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.
Publisher: McFarland
ISBN: 0786496223
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.
The Greek Alexander Romance
Author: Richard Stoneman
Publisher: Penguin UK
ISBN: 0141907118
Category : History
Languages : en
Pages : 210
Book Description
Mystery surrounds the parentage of Alexander, the prince born to Queen Olympias. Is his father Philip, King of Macedonia, or Nectanebo, the mysterious sorcerer who seduced the queen by trickery? One thing is certain: the boy is destined to conquer the known world. He grows up to fulfil this prophecy, building a mighty empire that spans from Greece and Italy to Africa and Asia. Begun soon after the real Alexander's death and expanded in the centuries that followed, The Greek Alexander Myth depicts the life and adventures of one of history's greatest heroes - taming the horse Bucephalus, meeting the Amazons and his quest to defeat the King of Persia. Including such elements of fantasy as Alexander's ascent to heaven borne by eagles, this literary masterpiece brilliantly evokes a lost age of heroism.
Publisher: Penguin UK
ISBN: 0141907118
Category : History
Languages : en
Pages : 210
Book Description
Mystery surrounds the parentage of Alexander, the prince born to Queen Olympias. Is his father Philip, King of Macedonia, or Nectanebo, the mysterious sorcerer who seduced the queen by trickery? One thing is certain: the boy is destined to conquer the known world. He grows up to fulfil this prophecy, building a mighty empire that spans from Greece and Italy to Africa and Asia. Begun soon after the real Alexander's death and expanded in the centuries that followed, The Greek Alexander Myth depicts the life and adventures of one of history's greatest heroes - taming the horse Bucephalus, meeting the Amazons and his quest to defeat the King of Persia. Including such elements of fantasy as Alexander's ascent to heaven borne by eagles, this literary masterpiece brilliantly evokes a lost age of heroism.
Understanding Genre and Medieval Romance
Author: Kevin Sean Whetter
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661429
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter addresses the questions of how exactly romance might be defined and how such an awareness of genre impacts upon both the understanding and reception of the texts in question.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754661429
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter addresses the questions of how exactly romance might be defined and how such an awareness of genre impacts upon both the understanding and reception of the texts in question.
L'Entrée D'Espagne
Author: Claudia Boscolo
Publisher: Society for the Study of Medieval Languages and Literature
ISBN: 0907570348
Category : Fiction
Languages : en
Pages : 304
Book Description
L’Entrée d’Espagne is a fourteenth century Franco-Italian poem, probably composed by its unknown Paduan author at the early Visconti court, which defined a literary trend of the Renaissance; by transforming a typical epic matter – Charlemagne’s conquest of Spain – into a chivalric poem, it successfully hybridized epic with classical sources, references to the Breton romances, and European conceptions (or misconceptions) of medieval Islam. This study traces the major influences upon this important work of art, including the backdrop of early fourteenth-century Northern Italian politics. It examines the gradual weakening of the figure of Charlemagne in the poem as a reflection, above all, of the diplomatic and military tensions between France and the early rulers of Milan.
Publisher: Society for the Study of Medieval Languages and Literature
ISBN: 0907570348
Category : Fiction
Languages : en
Pages : 304
Book Description
L’Entrée d’Espagne is a fourteenth century Franco-Italian poem, probably composed by its unknown Paduan author at the early Visconti court, which defined a literary trend of the Renaissance; by transforming a typical epic matter – Charlemagne’s conquest of Spain – into a chivalric poem, it successfully hybridized epic with classical sources, references to the Breton romances, and European conceptions (or misconceptions) of medieval Islam. This study traces the major influences upon this important work of art, including the backdrop of early fourteenth-century Northern Italian politics. It examines the gradual weakening of the figure of Charlemagne in the poem as a reflection, above all, of the diplomatic and military tensions between France and the early rulers of Milan.
The Danger of Romance
Author: Karen Sullivan
Publisher: University of Chicago Press
ISBN: 022654043X
Category : History
Languages : en
Pages : 309
Book Description
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
Publisher: University of Chicago Press
ISBN: 022654043X
Category : History
Languages : en
Pages : 309
Book Description
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
A Companion to Ancient Epic
Author: John Miles Foley
Publisher: John Wiley & Sons
ISBN: 1405188383
Category : Literary Criticism
Languages : en
Pages : 706
Book Description
A Companion to Ancient Epic presents for the first time a comprehensive, up-to-date overview of ancient Near Eastern, Greek and Roman epic. It offers a multi-disciplinary discussion of both longstanding ideas and newer perspectives. A Companion to the Near Eastern, Greek, and Roman epic traditions Considers the interrelation between these different traditions Provides a balanced overview of longstanding ideas and newer perspectives in the study of epic Shows how scholarship over the last forty years has transformed the ways that we conceive of and understand the genre Covers recently introduced topics, such as the role of women, the history of reception, and comparison with living analogues from oral tradition The editor and contributors are leading scholars in the field Includes a detailed index of poems, poets, technical terms, and important figures and events
Publisher: John Wiley & Sons
ISBN: 1405188383
Category : Literary Criticism
Languages : en
Pages : 706
Book Description
A Companion to Ancient Epic presents for the first time a comprehensive, up-to-date overview of ancient Near Eastern, Greek and Roman epic. It offers a multi-disciplinary discussion of both longstanding ideas and newer perspectives. A Companion to the Near Eastern, Greek, and Roman epic traditions Considers the interrelation between these different traditions Provides a balanced overview of longstanding ideas and newer perspectives in the study of epic Shows how scholarship over the last forty years has transformed the ways that we conceive of and understand the genre Covers recently introduced topics, such as the role of women, the history of reception, and comparison with living analogues from oral tradition The editor and contributors are leading scholars in the field Includes a detailed index of poems, poets, technical terms, and important figures and events
Boundaries in Medieval Romance
Author: Neil Cartlidge
Publisher: DS Brewer
ISBN: 9781843841555
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A wide-ranging collection on one of the most interesting features of medieval romance.
Publisher: DS Brewer
ISBN: 9781843841555
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
A wide-ranging collection on one of the most interesting features of medieval romance.
The Athenaeum
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category : England
Languages : en
Pages : 864
Book Description