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Author: C.D. Blanton
Publisher: Oxford University Press
ISBN: 0199844720
Category : Poetry
Languages : en
Pages : 381
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Book Description
The history of the epic-ranging from the heroic narratives of cultural origin found in Homer and Virgil to the tumultuous theological and political conflicts depicted by Dante or Milton-is nearly as old as literature itself. But the epic is also made and remade by its present, adapted to the pressures and formal necessities of its particular cultural moment. Examining modernist poetry's epic turn in the years between the two World Wars, C.D. Blanton's ambitious study charts the inversion of what Ezra Pound called "a poem including history" into a fractured and hollowed form, a "negated epic" that struggles not only to acknowledge the distant past but also to conceive its immediate present. Compelled to register the force of a larger historical totality it cannot directly represent, the negated epic reorients the function of poetic language, trading expression or signification for concrete but often buried reference, remaking the poem as an instrument of dialectical reason in the process. Epic Negation turns first to T. S. Eliot, productively pairing The Waste Land with The Criterion, the literary review it announced in 1922, to argue that Eliot's journal systematically realizes the editorial and critical method through which modernism's epochal poem sought to think its moment whole, developing a totalizing account of interwar culture. Dividing the epic's critical function from its style, The Criterion not only includes history differently, but also formulates an intricately dialectical account of the crisis facing bourgeois society, formed in the image of a Marxism it opposes. World War II's approach serves to organize the second half of Blanton's study, as he traces the dislocated formal effects of a serial epic gone underground. In the tense elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms cryptically divulge the determining force of unmentionable but universal events, dividing experience against consciousness, what can be said in a poem from what cannot. And, finally, with H.D.'s Trilogy-written under bombardment in a terse exchange with Freud's famous rewriting of biblical history in Moses and Monotheism--the poetic image itself lapses, consigning epic to the silent historical force of the unconscious. Uniquely conceived and deftly executed, Epic Negation transforms our understanding of modernist poetics and the concept of epic more broadly.
Author: C.D. Blanton
Publisher: Oxford University Press
ISBN: 0199844720
Category : Poetry
Languages : en
Pages : 381
Get Book Here
Book Description
The history of the epic-ranging from the heroic narratives of cultural origin found in Homer and Virgil to the tumultuous theological and political conflicts depicted by Dante or Milton-is nearly as old as literature itself. But the epic is also made and remade by its present, adapted to the pressures and formal necessities of its particular cultural moment. Examining modernist poetry's epic turn in the years between the two World Wars, C.D. Blanton's ambitious study charts the inversion of what Ezra Pound called "a poem including history" into a fractured and hollowed form, a "negated epic" that struggles not only to acknowledge the distant past but also to conceive its immediate present. Compelled to register the force of a larger historical totality it cannot directly represent, the negated epic reorients the function of poetic language, trading expression or signification for concrete but often buried reference, remaking the poem as an instrument of dialectical reason in the process. Epic Negation turns first to T. S. Eliot, productively pairing The Waste Land with The Criterion, the literary review it announced in 1922, to argue that Eliot's journal systematically realizes the editorial and critical method through which modernism's epochal poem sought to think its moment whole, developing a totalizing account of interwar culture. Dividing the epic's critical function from its style, The Criterion not only includes history differently, but also formulates an intricately dialectical account of the crisis facing bourgeois society, formed in the image of a Marxism it opposes. World War II's approach serves to organize the second half of Blanton's study, as he traces the dislocated formal effects of a serial epic gone underground. In the tense elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms cryptically divulge the determining force of unmentionable but universal events, dividing experience against consciousness, what can be said in a poem from what cannot. And, finally, with H.D.'s Trilogy-written under bombardment in a terse exchange with Freud's famous rewriting of biblical history in Moses and Monotheism--the poetic image itself lapses, consigning epic to the silent historical force of the unconscious. Uniquely conceived and deftly executed, Epic Negation transforms our understanding of modernist poetics and the concept of epic more broadly.
Author: Sheldon Hall
Publisher: Wayne State University Press
ISBN: 9780814330081
Category : Business & Economics
Languages : en
Pages : 376
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Book Description
The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. It discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, it examines the roots of today's blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture. (Editor).
Author: Matthew J. Bruccoli
Publisher: Open Road Media
ISBN: 1504075250
Category : Biography & Autobiography
Languages : en
Pages : 526
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Book Description
“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”
Author: Konstantinos Travlos
Publisher: Rowman & Littlefield
ISBN: 1498585086
Category : History
Languages : en
Pages : 439
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Book Description
The Greek-Turkish War of 1919–1923—also known as the Western Front of the Turkish War of Liberation and the Asia Minor Campaign—was one of the key aftershocks of the First World War. Internationally better known for its aftermath, the Compulsory Population Exchange between Greece and Turkey, the Catastrophe of Ottoman Greeks, and the foundation of the Republic of Turkey under Mustafa Kemal Atatürk, the war has never been given a holistic treatment in English, despite its long shadow over the Greek-Turkish relationship. The contributors in this volume address this gap by brining to the fore, on its centenary, aspects of the onset, conduct, and aftermath of this war. Combining insights from the study of international relations, political science, strategic studies, military history, migration studies, and social history the contributions tell the story of leaders and decisions, battles and campaigns, voluntary and involuntary migration, and the human stories of suffering and resilience. It is aspects of the story of the last gasp of the Great War in Europe, brought to its final end with Treaty of Lausanne of 1923.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1560
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Book Description
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 474
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Book Description
Author: John Thomas McNeill
Publisher: New York : Oxford University Press
ISBN:
Category : History
Languages : en
Pages : 976
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Book Description
This is a masterful historical portrait of the whole movement of Calvinism for general readers and scholars alike.
Author: Eva Hesse
Publisher: Univ of California Press
ISBN: 0520311388
Category : Poetry
Languages : en
Pages : 402
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Book Description
Great advances are currently being made in the understanding of Pound's lifework. Many of the essays in this book--the majority are published her for the first time--disclose hitherto unsuspected aspects of the poet's beliefs, while others are studies in depth of areas of his work which, although frequently discussed, have never before been properly examined. Seldom, in fact, have so many pioneering studies been assembled between the covers of a single volume. The various contributors are eminently qualified to treat the specific ideas and interests of Pound's about which they write, and the book as a co-ordinated whole comprehensively covers his--and our artistic culture. Eminent scholars and critics from five different countries have come together in this attempt to 'unscrew the inscrutable': Richard EllemannLeslie FiedlerForrest ReadN. Christoph de NagyWalter BaumannGuy DavenportJ. P. SullivanJohn EspeyDonal DavieGeorge DekkerBoris de RachewiltzAlbert CookHugh KennerChristine Broke-Rose Eva Hesse--well-known here and in Germany as a critic and translator--establishes the interrelationships between the various fields of study and examines some of Pound's key concepts from the aspect of the history of ideas. New Approaches to Ezra Pound should serve as a valuable source book for all students of literature and may above all be expected to act as a catalyst for future studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Author: Josephus Nelson Larned
Publisher:
ISBN:
Category : History
Languages : en
Pages : 992
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Book Description
Author: Will Rogers
Publisher: University of Oklahoma Press
ISBN: 9780806137049
Category : Biography & Autobiography
Languages : en
Pages : 660
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Book Description
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.
