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Author: Illia Levchenko
Publisher: Routledge
ISBN: 9781032708638
Category : Art
Languages : en
Pages : 0
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Book Description
This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century. Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art History started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts, and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions. Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography, and Eastern European studies.
Author: Illia Levchenko
Publisher: Routledge
ISBN: 9781032708638
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century. Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art History started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts, and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions. Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography, and Eastern European studies.
Author: Stefaniia Demchuk
Publisher: Taylor & Francis
ISBN: 1040230598
Category : Art
Languages : en
Pages : 264
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Book Description
This book explores ideologies, conflicts and ideas that underpinned art historical writing in Ukraine in the 20th century. Disciplinary beginnings testify both to its deep connection to Krakow, Saint Petersburg and especially Vienna with its school of art history and originality of theoretical thought. Art history started as another imperial project in Ukraine, but ultimately transformed into the means of assertion of national identity. The volume looks closely at the continuity and ruptures in scholarship caused by the establishment of Soviet power and challenges a number of existing stereotypes like total isolation under Communist rule and strict adherence to a Marxist-Leninist methodology. It showcases intellectual exchanges through published work, personal contacts and ways to resist the politically enforced methodology. Despite keeping the focus on one country, it contributes to understanding the development of art history as an academic discipline in Europe more generally. It also uncovers unknown or little-researched personal and academic connections between art historians from Ukraine and their peers abroad. Starting with the 19th-century quest for the method and proceeding by disentangling the complexities of the 20th century, the authors move on to the specifics of historiography after the formal collapse of the USSR. The volume transgresses purely academic boundaries and tackles the development of the discourse in periodicals, exhibition spaces and public discussions. Thus, the findings will be pertinent to all interested in politics, art history, museum studies, intellectual history, historiography and Eastern European studies.
Author: Maximilian Hartmuth
Publisher: transcript Verlag
ISBN: 3839471044
Category : Art
Languages : en
Pages : 283
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Book Description
After the failed Siege of Vienna of 1683, the Ottoman Empire gradually withdrew from Europe. Even so, monumental reminders of its former presence survived across the continent. The contributors to this volume show that the various successor states adopted substantially different approaches towards their Ottoman architectural inheritance. Even within the same countries, different policies appear to have been pursued in different periods, in keeping with differing circumstances. Case studies inquire from diverse vantage points how this heritage has been coped with discursively and materially. Importantly, readers will find that it is almost impossible to disentangle these two levels of action.
Author: Mayhill C. Fowler
Publisher: University of Toronto Press
ISBN: 1487513445
Category : History
Languages : en
Pages : 299
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Book Description
In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.
Author: Roumen Dontchev Daskalov
Publisher: BRILL
ISBN: 9004337822
Category : History
Languages : en
Pages : 667
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Book Description
The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, “entangled history” and histoire croisée approaches. The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—not only questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them. These issues are treated more systematically and by a presentation of their historical evolution in various national traditions and schools. Some of the essays deal with the articulation of certain forms of “Balkan heritage” in relation to the geographical spread and especially the cultural definition of the “Balkan area.” Concepts and definitions of the Balkans are thus complemented by (self-)representations that reflect on their cultural foundations.
Author: Stephen Badalyan Riegg
Publisher: Cornell University Press
ISBN: 1501750127
Category : History
Languages : en
Pages : 212
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Book Description
Russia's Entangled Embrace traces the relationship between the Romanov state and the Armenian diaspora that populated Russia's territorial fringes and navigated the tsarist empire's metropolitan centers. By engaging the ongoing debates about imperial structures that were simultaneously symbiotic and hierarchically ordered, Stephen Badalyan Riegg helps us to understand how, for Armenians and some other subjects, imperial rule represented not hypothetical, clear-cut alternatives but simultaneous, messy realities. He examines why, and how, Russian architects of empire imagined Armenians as being politically desirable. These circumstances included the familiarity of their faith, perceived degree of social, political, or cultural integration, and their actual or potential contributions to the state's varied priorities. Based on extensive research in the archives of St. Petersburg, Moscow, and Yerevan, Russia's Entangled Embrace reveals that the Russian government relied on Armenians to build its empire in the Caucasus and beyond. Analyzing the complexities of this imperial relationship—beyond the reductive question of whether Russia was a friend or foe to Armenians—allows us to study the methods of tsarist imperialism in the context of diasporic distribution, interimperial conflict and alliance, nationalism, and religious and economic identity.
Author: Svitlana Biedarieva
Publisher: Taylor & Francis
ISBN: 1040256325
Category : Art
Languages : en
Pages : 246
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Book Description
This edited volume traces the development of art practices in Ukraine from the 2004 Orange Revolution, through the 2013–2014 Revolution of Dignity, to the ongoing Russian war of aggression. Contributors explore how transformations of identity, the emergence of participatory democracy, relevant changes to cultural institutions, and the realization of the necessity of decolonial release have influenced the focus and themes of contemporary art practices in Ukraine. The chapters analyze such important topics as the postcolonial retrieval of the past, the deconstruction of post-Soviet visualities, representations of violence and atrocities in the ongoing Russian war against Ukraine, and the notion of art as a mechanism of civic resistance and identity-building. The book will be of interest to scholars of art history, Eastern European studies, cultural studies, decolonial studies, and postcolonial studies.
Author: Serhy Yekelchyk
Publisher: Oxford University Press
ISBN: 0190294132
Category : History
Languages : en
Pages : 357
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Book Description
In 2004 and 2005, striking images from the Ukraine made their way around the world, among them boisterous, orange-clad crowds protesting electoral fraud and the hideously scarred face of a poisoned opposition candidate. Europe's second-largest country but still an immature state only recently independent, Ukraine has become a test case of post-communist democracy, as millions of people in other countries celebrated the protesters' eventual victory. Any attempt to truly understand current events in this vibrant and unsettled land, however, must begin with the Ukraines dramatic history. Ukraine's strategic location between Russia and the West, the country's pronounced cultural regionalism, and the ugly face of post-communist politics are all anchored in Ukraine's complex past. The first Western survey of Ukrainian history to include coverage of the Orange Revolution and its aftermath, this book narrates the deliberate construction of a modern Ukrainian nation, incorporating new Ukrainian scholarship and archival revelations of the post-communist period. Here then is a history of the land where the strategic interests of Russia and the West have long clashed, with reverberations that resonate to this day.
Author: Catherine Wanner
Publisher: Cornell University Press
ISBN: 1501764969
Category : History
Languages : en
Pages : 246
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Book Description
Everyday Religiosity and the Politics of Belonging in Ukraine reveals how and why religion has become a pivotal political force in a society struggling to overcome the legacy of its entangled past with Russia and chart a new future. If Ukraine is "ground zero" in the tensions between Russia and the West, religion is an arena where the consequences of conflicts between Russia and Ukraine keenly play out. Vibrant forms of everyday religiosity pave the way for religion to be weaponized and securitized to advance political agendas in Ukraine and beyond. These practices, Catherine Wanner argues, enable religiosity to be increasingly present in public spaces, public institutions, and wartime politics in a pluralist society that claims to be secular. Based on ethnographic data and interviews conducted since before the Revolution of Dignity and the outbreak of armed combat in 2014, Wanner investigates the conditions that catapulted religiosity, religious institutions, and religious leaders to the forefront of politics and geopolitics.
Author: Christoph Flamm
Publisher: Cambridge Scholars Publishing
ISBN: 152752356X
Category : Art
Languages : en
Pages : 422
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Book Description
The political changes at the end of the last century in the Soviet Union, and later the Russian Federation, had deep-reaching repercussions on the interpretation of Russian culture in the time of division between “Russia Abroad” and “Russia at Home”. Ever since, scholars have tried to understand and to describe the interrelationship between the two Russias. In spite of intensive research, numerous conferences and publications, there are still many discoveries to be made and a number of questions to be answered. This volume presents a selection of articles based on papers presented at an international conference on Russian émigré culture that was held at Saarland University, Germany, in 2015. The essays assembled here offer new insights into aspects of Russian émigré culture already known to scholarship, but also to explore new facets of it. As such, it is not the well-known centres and leading figures of Russian emigration that are highlighted; instead the authors give prominence to places of seemingly secondary importance such as Prague, Istanbul or India and to such lesser-known aspects as collections and collectors of Russian émigré art and the impact of cultural activities of the Russian emigration on the culture of the respective host countries.
