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Author: Robin Bernstein
Publisher: NYU Press
ISBN: 0814789781
Category : Social Science
Languages : en
Pages : 318
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Book Description
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
Author: Robin Bernstein
Publisher: NYU Press
ISBN: 0814789781
Category : Social Science
Languages : en
Pages : 318
Get Book
Book Description
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
Author: Shakti Kak
Publisher: Primus Books
ISBN: 938060730X
Category : History
Languages : en
Pages : 349
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Book Description
Enslaved Innocence: Child Labour in South Asia explores the historical, economic, and social factors surrounding the issue of child labour. It is often argued that child labour is the result of under development, large families, or cultural practices. This volume attempts to highlight the structural factors in capitalist societies that have made such exploitation possible, and to place the issue of child labour in a theoretical framework relating to capitalist modes of production and the need for the generation of surplus for capital accumulation. Extremely exploitative labour processes bring out the supply and demand factors of child labour. The persistence of child labour in an era of high growth and high unemployment levels amongst adult men and women points to an economic system based heavily on exploitative labour relations. As we move further into the twenty-first century, the existence of child labour in the world is a reality which must be faced. It is within this context that the present volume takes into consideration the changing global economic conditions and focuses on issues and strategies for the eradication of child labour.
Author: Robin Bernstein
Publisher: NYU Press
ISBN: 0814787088
Category : Social Science
Languages : en
Pages : 307
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Book Description
2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence--a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects--a dynamic that Robin Bernstein calls "racial innocence." This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
Author: Terry Lee Wright
Publisher:
ISBN: 9780980199000
Category : Fiction
Languages : en
Pages : 200
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Book Description
A hundred and fifty years ago, Uncle Tom's Cabin worked to free the slaves. One novel, the story of a remarkable man facing the terrible reality of slavery, brought a tremendous fuel to the abolitionist movement in the time leading up to the American Civil War. One book helped to free the slaves, by making the slave human to the world. RIVER OF INNOCENTS is an Uncle Tom's Cabin for today's world, where slavery is still very much alive. Today there are thousands of women on our shores and hundreds of thousands more overseas who live as slaves. They are real people, flesh and blood and beating hearts, and more of them are sold in a decade today than were sold in the entire 400-year-history of the African slave trade. IN A WORLD of stolen children and broken dreams, the seventeen-year-old Majlinda struggles to hold on to her humanity. She has no control over her life or even her own body, yet where people are disposable, where rape is part of the normal day, and where guards watch her every move, Majlinda strives to create a family out of the stolen children around her and to give them hope when all they know is fear. RIVER OF INNOCENTS is a novel about that hope and that terrible fear, about ideals in the face of despair, about the strength we find in ourselves when others need us, and about slavery as it is. If we are to end today's slavery, we must first know of it; here is the story of Majlinda's long struggle to be free.
Author: Benjamin Lay
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 296
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Book Description
Author: Douglas A. Blackmon
Publisher: Icon Books
ISBN: 1848314132
Category : Social Science
Languages : en
Pages : 429
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Book Description
A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.
Author: Connie Rose Porter
Publisher: Perfection Learning
ISBN: 9780780725683
Category : African Americans
Languages : en
Pages : 0
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Book Description
Before they can make the attempt, Master Stevens decides to sell some of his slaves and the family is separated. American Girls Collection/Addy #1.
Author: John Wesley
Publisher:
ISBN:
Category : Slavery
Languages : cs
Pages : 32
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Book Description
Author: J. D. Jensen
Publisher: Chimera Books
ISBN: 9781780807263
Category : Fiction
Languages : en
Pages : 130
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Book Description
One of the servant girls hurried to Nassara's side, her face timid and bashful, and gently she took Nassara's hand and led her to the central mound of cushions. The master remained motionless, watching... Sold into slavery by her stepfather, Nassara is stripped and delivered to the Palace of Misery, where young slaves must hasten to adapt to the Masters' cruel perversities, or face harsh punishment. Adorned in golden rings and chains, oiled and shaven, ready for prostration in the hot sun for the Masters to behold, the slaves of pleasure must perform their duties with compliant devotion. So quickly lost is Nassara's innocence, how terrible the torment her emotions must travel, and what agonies her flesh must endure. Nassara's only consolation is her love for Zheeno, yet Ahmood, the sadistic leader of the whip-boys, is ever vigilant, knowing his Master's infatuation with the beautiful new slave girl. So when the young lovers are undone will Nassara's courage and contrition be enough to save Zheeno? Must she confront the dreaded brush whip of serpents' tails? Will the ruthless Masters be yet more merciless than fate itself?
Author: Anne Farrow
Publisher: Ballantine Books
ISBN: 0307414795
Category : History
Languages : en
Pages : 304
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Book Description
A startling and superbly researched book demythologizing the North’s role in American slavery “The hardest question is what to do when human rights give way to profits. . . . Complicity is a story of the skeletons that remain in this nation’s closet.”—San Francisco Chronicle The North’s profit from—indeed, dependence on—slavery has mostly been a shameful and well-kept secret . . . until now. Complicity reveals the cruel truth about the lucrative Triangle Trade of molasses, rum, and slaves that linked the North to the West Indies and Africa. It also discloses the reality of Northern empires built on tainted profits—run, in some cases, by abolitionists—and exposes the thousand-acre plantations that existed in towns such as Salem, Connecticut. Here, too, are eye-opening accounts of the individuals who profited directly from slavery far from the Mason-Dixon line. Culled from long-ignored documents and reports—and bolstered by rarely seen photos, publications, maps, and period drawings—Complicity is a fascinating and sobering work that actually does what so many books pretend to do: shed light on America’s past.
