Author: Martin Gammon
Publisher: MIT Press
ISBN: 0262345218
Category : Art
Languages : en
Pages : 445
Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
Deaccessioning and Its Discontents
Author: Martin Gammon
Publisher: MIT Press
ISBN: 0262345218
Category : Art
Languages : en
Pages : 445
Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
Publisher: MIT Press
ISBN: 0262345218
Category : Art
Languages : en
Pages : 445
Book Description
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
Annual Report of the Museum of Fine Arts Boston
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Museum of Fine Arts Bulletin
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 534
Book Description
Bulletin of the Museum of Fine Arts
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
Bulletin of the Museum of Fine Arts
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
Boston Museum of Fine Arts, Bulletin, 22-26, 1924-28
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Bulletin
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186
Book Description
The Bulletin of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674
Book Description
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674
Book Description
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
Encyclopedia of Comparative Iconography
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Annual Report
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 1082
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 1082
Book Description