English Eighteenth-century Concertos

English Eighteenth-century Concertos PDF Author: Owain Tudor Edwards
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 298

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Book Description
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.

English Eighteenth-century Concertos

English Eighteenth-century Concertos PDF Author: Owain Tudor Edwards
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 298

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Book Description
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.

The Eighteenth-century English Organ Concerto After Handel

The Eighteenth-century English Organ Concerto After Handel PDF Author: Grady Ellis Coyle
Publisher:
ISBN:
Category : Concerto
Languages : en
Pages : 152

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Book Description


Music in Eighteenth-Century Britain

Music in Eighteenth-Century Britain PDF Author: DavidWyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 336

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Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

The Concerto and London's Musical Culture in the Late Eighteenth Century

The Concerto and London's Musical Culture in the Late Eighteenth Century PDF Author: Thomas B. Milligan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404

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Music and the Benefit Performance in Eighteenth-Century Britain

Music and the Benefit Performance in Eighteenth-Century Britain PDF Author: Matthew Gardner
Publisher: Cambridge University Press
ISBN: 1108492932
Category : Music
Languages : en
Pages : 303

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Book Description
Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

The Cambridge History of Eighteenth-Century Music

The Cambridge History of Eighteenth-Century Music PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521663199
Category : Music
Languages : en
Pages : 816

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Book Description
The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

The Concerto

The Concerto PDF Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666

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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

The Eighteenth-century Diaspora of Italian Music and Musicians

The Eighteenth-century Diaspora of Italian Music and Musicians PDF Author: Reinhard Strohm
Publisher: Brepols Publishers
ISBN:
Category : Music
Languages : en
Pages : 384

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Book Description
On an eighteenth-century map of European culture, Italian musicians would be found almost everywhere. Unlike in earlier ages, they now provided an intrinsic part of the international exchange: no longer exotic birds, but not yet the representatives of a single nation, they helped other Europeans to forget traditional frontiers in music. In this fascinating book, eight specialised music historians investigate several important aspects of the Italian contribution, highlighting local musical practices, the aesthetic of genres, and the larger patterns of musical cultivation and patronage.

The Baroque Concerto

The Baroque Concerto PDF Author: Arthur Hutchings
Publisher: Charles Scribner's Sons
ISBN:
Category : Music
Languages : en
Pages : 378

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Book Description


The Art of Musical Phrasing in the Eighteenth Century

The Art of Musical Phrasing in the Eighteenth Century PDF Author: Stephanie Vial
Publisher: University Rochester Press
ISBN: 9781580460347
Category : History
Languages : en
Pages : 382

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Book Description
This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.