Author: Diana Edwards
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 254
Book Description
English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow
English Dry-bodied Stoneware
Author: Diana Edwards
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 254
Book Description
English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 254
Book Description
English dry-bodied stoneware was the ultimate ceramic expression of the neoclassical wave which erupted in England and on the Continent in the mid-eighteenth century. Initially basalt commanded the scene, with its imposing black stoneware forms imitating Greek vases. However, it was Wedgwood's invention of the jasper body which was to be the tour de force associated with his name. Wedgwood's jasper vases, purchased by gentry and nobility alike, were soon imitated by a myriad of potters. This book is the first to explore the vast subject of English dry-bodied stoneware with discussions on the antecedents of the eighteenth century neoclassical wares, the red stonewares of the seventeenth century, as well as the other bodies produced by Wedgwood and his contemporaries: caneware, white felspathic stoneware and, of course, the flagship of the Wedgwood name, jasper. The authors have, for the first time, utilised Wedgwood's surviving sales records from 1774-1794 and these have made it possible to allow
The World of British Stoneware
Author: Frank L. Wood
Publisher: Troubador Publishing Ltd
ISBN: 178306367X
Category : Crafts & Hobbies
Languages : en
Pages : 248
Book Description
For nearly three hundred years, from the late seventeenth to the middle twentieth century, stoneware was a major part of British ceramic output. This book concentrates on that particular area of ceramics, and covers the history and development of stoneware in all its many variations. Those variations range widely from brown salt-glazed tavern wares to such refined wares as jasper, Castleford ware and the later art wares, to name a few. A specific aspect of the book is to give anyone interested in ceramics, and collectors in particular, very comprehensive information on the manufacture of the different types of stoneware, from the preparation of the clay, or body, through the forming, decorating and glazing techniques to the firing. Such is likely to provide a greater appreciation and understanding of stoneware in its many variations.There are separate chapters on the later art wares and their makers, bottle wares, and marks and identification, as well as an appendix listing manufacturers, a comprehensive glossary and a list of museums. The illustrations cover a wide range of types. Many books on ceramics include information on stoneware, but this in-depth book benefits from the experience of a writer who is both a collector and ex-potter.
Publisher: Troubador Publishing Ltd
ISBN: 178306367X
Category : Crafts & Hobbies
Languages : en
Pages : 248
Book Description
For nearly three hundred years, from the late seventeenth to the middle twentieth century, stoneware was a major part of British ceramic output. This book concentrates on that particular area of ceramics, and covers the history and development of stoneware in all its many variations. Those variations range widely from brown salt-glazed tavern wares to such refined wares as jasper, Castleford ware and the later art wares, to name a few. A specific aspect of the book is to give anyone interested in ceramics, and collectors in particular, very comprehensive information on the manufacture of the different types of stoneware, from the preparation of the clay, or body, through the forming, decorating and glazing techniques to the firing. Such is likely to provide a greater appreciation and understanding of stoneware in its many variations.There are separate chapters on the later art wares and their makers, bottle wares, and marks and identification, as well as an appendix listing manufacturers, a comprehensive glossary and a list of museums. The illustrations cover a wide range of types. Many books on ceramics include information on stoneware, but this in-depth book benefits from the experience of a writer who is both a collector and ex-potter.
A History and Description of English Earthenware and Stoneware (to the Beginning of the 19th Century)
Author: William Burton
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 438
Book Description
English Pottery 1620-1840
Author: Robin Hildyard
Publisher: Victoria & Albert Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
"Based around the matchless collections of British ceramics in the Victoria and Albert Museum, which curators began to assemble as early as the 1840s, this book charts the story of their development from the simple slipware drinking-vessel of the seventeenth century to the sophisticated enamelled and transfer-printed tableware of the early 1800s. The narrative takes us through successive changes of taste and manners, as British potters assimilated and adapted new, and often disparate, influences from Europe and the Far East. Ceramics, ubiquitous, disposable and quintessentially domestic, tended to reflect social changes quicker than other branches of the applied arts; for example, new fashions in dining and the taking of tea were responsible for major aspects of design and decoration, while the rapid rise of the Staffordshire figure enabled it to become a vehicle for satire, religion, or the commemoration of wildly popular but ephemeral events such as boxing matches and visits from touring menageries." "Keeping carefully chosen pieces, illustrated, at the forefront of his discussion, Robin Hildyard treats the subject variously by material, form, decoration or by broader theme, sometimes cutting across traditional boundaries in order to look behind established myths and the often misleading evidence of what has survived. The methods and history of manufacture are fully explored, from the workshop of the independent village potter to the industrialized nineteenth-century factory struggling with the stormy beginnings of trade unionism. The complex trade in ceramics both at home and abroad, and the transition from utilitarian household object to cherished item in collector's cabinet is also examined, along with the symbiotic relationship between collector and museum. This volume, filling the gap in current ceramic literature between narrower scholarly studies and the opulent catalogues of private collections, presents an expert and yet highly accessible view of a particularly rich seam of British material culture, guiding us from familiar ground into wider and sometimes uncharted territory."--BOOK JACKET.
Publisher: Victoria & Albert Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
"Based around the matchless collections of British ceramics in the Victoria and Albert Museum, which curators began to assemble as early as the 1840s, this book charts the story of their development from the simple slipware drinking-vessel of the seventeenth century to the sophisticated enamelled and transfer-printed tableware of the early 1800s. The narrative takes us through successive changes of taste and manners, as British potters assimilated and adapted new, and often disparate, influences from Europe and the Far East. Ceramics, ubiquitous, disposable and quintessentially domestic, tended to reflect social changes quicker than other branches of the applied arts; for example, new fashions in dining and the taking of tea were responsible for major aspects of design and decoration, while the rapid rise of the Staffordshire figure enabled it to become a vehicle for satire, religion, or the commemoration of wildly popular but ephemeral events such as boxing matches and visits from touring menageries." "Keeping carefully chosen pieces, illustrated, at the forefront of his discussion, Robin Hildyard treats the subject variously by material, form, decoration or by broader theme, sometimes cutting across traditional boundaries in order to look behind established myths and the often misleading evidence of what has survived. The methods and history of manufacture are fully explored, from the workshop of the independent village potter to the industrialized nineteenth-century factory struggling with the stormy beginnings of trade unionism. The complex trade in ceramics both at home and abroad, and the transition from utilitarian household object to cherished item in collector's cabinet is also examined, along with the symbiotic relationship between collector and museum. This volume, filling the gap in current ceramic literature between narrower scholarly studies and the opulent catalogues of private collections, presents an expert and yet highly accessible view of a particularly rich seam of British material culture, guiding us from familiar ground into wider and sometimes uncharted territory."--BOOK JACKET.
Portici
Author: Kathleen A. Parker
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 416
Book Description
"Manassas National Battlefield Park's General Management Plan (1983) named the Wheeler Tract as the site for the relocation of the picnic area and its attendant facilities. The area chosen for this relocation had been previously identified as the site of the late eighteenth- to early nineteenth-century complex known as "Portici." An archeological study of the proposed relocation area was required pursuant to planning and development. ... Nineteenth-century Portici evolved from a small tenant-occupied farmstead established during the eighteenth century. This tenant farm grew into a middling tobacco plantation called "Pohoke." Later the eighteenth-century dwelling was abandoned when Portici mansion house was constructed in circa 1820. Portici plantation became a flourishing, middling, multiple-grain-based plantation by the eve of the American Civil War. ... Archeological and archival work was conducted to document and assess the eligibility of Pohoke, Portici, and the Lewis house for nomination to the National Register of Historic Places. Collectively these three sites, with all their ancillary sites on the Wheeler tract, graphically depict the evolution of local lifeways and patterns of development in a frontier Piedmont plantation."--Abstract, page vii.
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 416
Book Description
"Manassas National Battlefield Park's General Management Plan (1983) named the Wheeler Tract as the site for the relocation of the picnic area and its attendant facilities. The area chosen for this relocation had been previously identified as the site of the late eighteenth- to early nineteenth-century complex known as "Portici." An archeological study of the proposed relocation area was required pursuant to planning and development. ... Nineteenth-century Portici evolved from a small tenant-occupied farmstead established during the eighteenth century. This tenant farm grew into a middling tobacco plantation called "Pohoke." Later the eighteenth-century dwelling was abandoned when Portici mansion house was constructed in circa 1820. Portici plantation became a flourishing, middling, multiple-grain-based plantation by the eve of the American Civil War. ... Archeological and archival work was conducted to document and assess the eligibility of Pohoke, Portici, and the Lewis house for nomination to the National Register of Historic Places. Collectively these three sites, with all their ancillary sites on the Wheeler tract, graphically depict the evolution of local lifeways and patterns of development in a frontier Piedmont plantation."--Abstract, page vii.
The Art of Ceramics
Author: Howard Coutts
Publisher: Yale University Press
ISBN: 0300083874
Category : Art
Languages : en
Pages : 272
Book Description
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.
Publisher: Yale University Press
ISBN: 0300083874
Category : Art
Languages : en
Pages : 272
Book Description
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.
A Guide to the Artifacts of Colonial America
Author: Ivor Noël Hume
Publisher: University of Pennsylvania Press
ISBN: 9780812217711
Category : History
Languages : en
Pages : 356
Book Description
Back in print, this is the most accurate and useful reference for identifying Anglo-American colonial artifacts.
Publisher: University of Pennsylvania Press
ISBN: 9780812217711
Category : History
Languages : en
Pages : 356
Book Description
Back in print, this is the most accurate and useful reference for identifying Anglo-American colonial artifacts.
Catalogue of the Collection of English Pottery in the Department of British and Mediaeval Antiquities and Ethnography of the British Museum
Author: British Museum. Department of British and Mediaeval Antiquities and Ethnography
Publisher:
ISBN:
Category : Porcelain, English
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Porcelain, English
Languages : en
Pages : 442
Book Description
Captain Jones's Wormslow
Author: William M. Kelso
Publisher: University of Georgia Press
ISBN: 9780820332536
Category : History
Languages : en
Pages : 218
Book Description
During the fall of 1968 and the summer of 1969, William Kelso conducted archaeological excavations at the site of eighteenth-century ruins at Wormslow, near Savannah, Georgia. Historical records indicated that the ruins were the remains of Fort Wimberly, most likely constructed by Noble Jones, an original settler of Georgia. Records further suggested that Fort Wimberly had been constructed on the site of Jones's earlier fortification, a timber guardhouse known as Jones's Fort, built in 1739 and 1740. The existence of these two structures, built at different times on the same location, made possible an archaeological study of two periods of Georgia coastal fortifications. The earlier was built as a major link in General James Oglethorpe's chain of defenses against the Spanish threat from Florida in the 1740s and the later presumably was built to repel the French. The project also presented another important opportunity--the chance to define what effect the semitropical, hostile border environment of colonial Georgia had on the plantation development scheme of at least one English settler. Mr. Kelso's report of his excavations begins with a documentary history of Wormslow, followed by a presentation of the archaeological evidence that correlates it with the historical documents. Ultimately he reconstructs the site based on the historical and archaeological evidence, an architectural study of the ruins, and information about early Georgia architecture in general and other eighteenth-century buildings in particular. The report concludes with a detailed study of the artifacts with illustrations, descriptions, and identifications of the important pieces.
Publisher: University of Georgia Press
ISBN: 9780820332536
Category : History
Languages : en
Pages : 218
Book Description
During the fall of 1968 and the summer of 1969, William Kelso conducted archaeological excavations at the site of eighteenth-century ruins at Wormslow, near Savannah, Georgia. Historical records indicated that the ruins were the remains of Fort Wimberly, most likely constructed by Noble Jones, an original settler of Georgia. Records further suggested that Fort Wimberly had been constructed on the site of Jones's earlier fortification, a timber guardhouse known as Jones's Fort, built in 1739 and 1740. The existence of these two structures, built at different times on the same location, made possible an archaeological study of two periods of Georgia coastal fortifications. The earlier was built as a major link in General James Oglethorpe's chain of defenses against the Spanish threat from Florida in the 1740s and the later presumably was built to repel the French. The project also presented another important opportunity--the chance to define what effect the semitropical, hostile border environment of colonial Georgia had on the plantation development scheme of at least one English settler. Mr. Kelso's report of his excavations begins with a documentary history of Wormslow, followed by a presentation of the archaeological evidence that correlates it with the historical documents. Ultimately he reconstructs the site based on the historical and archaeological evidence, an architectural study of the ruins, and information about early Georgia architecture in general and other eighteenth-century buildings in particular. The report concludes with a detailed study of the artifacts with illustrations, descriptions, and identifications of the important pieces.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1594
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1594
Book Description