English Drama: Forms and Development PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download English Drama: Forms and Development PDF full book. Access full book title English Drama: Forms and Development by Muriel Clara Bradbrook. Download full books in PDF and EPUB format.
Author: Muriel Clara Bradbrook
Publisher: Cambridge University Press
ISBN: 0521215889
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
Ten original essays on English drama from Tudor times onwards examines different aspects on the development of this art form.
Author: Muriel Clara Bradbrook
Publisher: Cambridge University Press
ISBN: 0521215889
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
Ten original essays on English drama from Tudor times onwards examines different aspects on the development of this art form.
Author: Peter Happe
Publisher: Routledge
ISBN: 9781138157651
Category :
Languages : en
Pages : 304
Get Book Here
Book Description
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happ¿ study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Author: m Axton (editor.)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Katie Normington
Publisher: John Wiley & Sons
ISBN: 074565486X
Category : Drama
Languages : en
Pages : 189
Get Book Here
Book Description
Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.
Author: Jan Kott
Publisher: Northwestern University Press
ISBN: 9780810107380
Category : Drama
Languages : en
Pages : 180
Get Book Here
Book Description
The Bottom Translation represents the first critical attempt at applying the ideas and methods of the great Russian critic, Mikhail Bakhtin, to the works of Shakespeare and other Elizabethans. Professor Kott uncovers the cultural and mythopoetic traditions underlying A Midsummer Night's Dream, The Tempest, Dr. Faustus, and other plays. His method draws him to interpret these works in the light of the carnival and popular tradition as it was set forth by Bakhtin. The Bottom Translation breaks new ground in critical thinking and theatrical vision and is an invaluable source of new ideas and perspectives. Included in this volume is also an extraordinary essay on Kurosawa's "Ran" in which the Japanese filmmaker recreates King Lear.
Author: James Redmond
Publisher: Cambridge University Press
ISBN: 9780521220767
Category : Drama
Languages : en
Pages : 34
Get Book Here
Book Description
Author: Marina Tarlinskaja
Publisher: Routledge
ISBN: 1317056345
Category : Literary Criticism
Languages : en
Pages : 362
Get Book Here
Book Description
Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. The main aim of the book is to analyze the evolution of Renaissance dramatic poetry. Shakespeare is the central figure of the research, but his predecessors, contemporaries and followers are also important: Shakespeare, the author argues, can be fully understood and appreciated only against the background of the whole period. Tarlinskaja surveys English plays by Elizabethan, Jacobean and Caroline playwrights, from Norton and Sackville’s Gorboduc to Sirley’s The Cardinal. Her analysis takes in such topics as what poets treated as a syllable in the 16th-17th century metrical verse, the particulars of stressing in iambic pentameter texts, word boundary and syntactic segmentation of verse lines, their morphological and syntactic composition, syllabic, accentual and syntactic features of line endings, and the way Elizabethan poets learned to use verse form to enhance meaning. She uses statistics to explore the attribution of questionable Elizabethan and Jacobean plays, and to examine several still-enigmatic texts and collaborations. Among these are the poem A Lover's Complaint, the anonymous tragedy Arden of Faversham, the challenging Sir Thomas More, the later Jacobean comedy The Spanish Gypsy, as well as a number of Shakespeare’s co-authored plays. Her analysis of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
Author: Jean Chothia
Publisher: Routledge
ISBN: 1315504200
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
The period 1890-1940 was a particularly rich and influential phase in the development of modern English theatre: the age of Wilde and Shaw and a generation of influential actors and managers from Irving and Terry to Guilgud and Olivier. Jean Chothia's study is in two parts beginning with a portrait of the period, setting the narrative context and considering the dramatic social and cultural changes at work during this time. It then focuses on some of the main themes in the theatre, from Shaw and comedy, to the rise of political and radio drama, providing an interpretative framework for the period. This volume will be of great benefit to students and academics of English literature and drama, as it covers the work of the major dramatists of the period as well as considering the dramatic output of literary figures, such as James, Eliot and Lawrence.
Author: Raymond Williams
Publisher: McGraw-Hill Education (UK)
ISBN: 0335233171
Category : Social Science
Languages : en
Pages : 202
Get Book Here
Book Description
Raymond Williams' reputation rests mainly on his contribution to literary and cultural studies, but he was also an important critic and theoretician in the field of drama. "Drama in Performance", first published in 1954, pioneered a method of dramaturgical rather than literary-critical analysis of plays, locating dramatic texts in the conditions and conventions of their original performance and reading them to disclose their performance potentialities. This method, which anticipated such contemporary developments as performance analysis and the semiotics of drama, is here applied to representative texts from key periods of the history of drama: the Greek stage, the medieval theatre-in-the-round and pageant-wagon, the Elizabethan public playhouse, London commercial theatres from the Restoration to the late 19th century, the naturalist stage of the Moscow Art Theatre, 20th century experimental drama, and contemporary film. This edition presents the text as Williams revised it in 1966. In addition it provides an updated bibliography of work in this field, a complete listing of all Williams' relevant writings, and a new Introduction (by Graham Holderness) which locates the book both within modern dramatic theory and criticism and within Williams' own work and demonstrates its continuing challenge and relevance.
Author: O. B. Hardison Jr.
Publisher: JHU Press
ISBN: 1421430878
Category : Literary Criticism
Languages : en
Pages : 255
Get Book Here
Book Description
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
