Author: Graham Everitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 554
Book Description
English caricatursts and graphic humourists of the nineteenth century
Author: Graham Everitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 554
Book Description
English Caricaturists and Graphic Humourists of the Nineteeth Century
Author: Graham Everitt
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 548
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 548
Book Description
English Caricaturists and Graphic Humourists of the Nineteeth Century
Author: Graham Everitt
Publisher:
ISBN: 9783337474522
Category :
Languages : en
Pages : 548
Book Description
Publisher:
ISBN: 9783337474522
Category :
Languages : en
Pages : 548
Book Description
English Caricature and Satire on Napoleon I
Author: John Ashton
Publisher: Рипол Классик
ISBN:
Category : History
Languages : en
Pages : 552
Book Description
Publisher: Рипол Классик
ISBN:
Category : History
Languages : en
Pages : 552
Book Description
English Caricature and Satire on Napoleon I Vol.2 (of 2) (Illustrations)
Author: John Ashton
Publisher: CHATTO & WINDUS, PICCADILLY
ISBN:
Category :
Languages : en
Pages : 191
Book Description
This book is not intended to be a History of Napoleon the First, but simply to reproduce the bulk of the Caricatures and Satires published in England on our great enemy, with as much of history as may help to elucidate them. The majority of the caricatures are humorous; others are silly, or spiteful—as will occasionally happen nowadays; and some are too coarse for reproduction—so that a careful selection has had to be made. Gillray and Rowlandson generally signed their names to the work of their hands; but, wherever a caricature occurs unsigned by the artist, I have attributed it, on the authority of the late Edward Hawkins, Esq., some time Keeper of the Prints at the British Museum, to whatever artist he has assigned it. I have personally inspected every engraving herein described, and the description is entirely my own. Should there, by chance, be an occasional discrepancy as to a date, it has been occasioned by the inconceivable contradictions which occur in different histories and newspapers. To cite an instance: in three different books are given three different dates of Napoleon leaving Elba, andvi it was only by the knowledge that it occurred on a Sunday, and by consulting an almanac for the year 1815, that I was able absolutely to determine it. The frontispiece is taken from a very rare print, and gives a novel view of Napoleon to us, who are always accustomed to see him represented in military uniform. That my readers may find some instruction, mingled with the amusement I have provided for them, is the earnest wish of
Publisher: CHATTO & WINDUS, PICCADILLY
ISBN:
Category :
Languages : en
Pages : 191
Book Description
This book is not intended to be a History of Napoleon the First, but simply to reproduce the bulk of the Caricatures and Satires published in England on our great enemy, with as much of history as may help to elucidate them. The majority of the caricatures are humorous; others are silly, or spiteful—as will occasionally happen nowadays; and some are too coarse for reproduction—so that a careful selection has had to be made. Gillray and Rowlandson generally signed their names to the work of their hands; but, wherever a caricature occurs unsigned by the artist, I have attributed it, on the authority of the late Edward Hawkins, Esq., some time Keeper of the Prints at the British Museum, to whatever artist he has assigned it. I have personally inspected every engraving herein described, and the description is entirely my own. Should there, by chance, be an occasional discrepancy as to a date, it has been occasioned by the inconceivable contradictions which occur in different histories and newspapers. To cite an instance: in three different books are given three different dates of Napoleon leaving Elba, andvi it was only by the knowledge that it occurred on a Sunday, and by consulting an almanac for the year 1815, that I was able absolutely to determine it. The frontispiece is taken from a very rare print, and gives a novel view of Napoleon to us, who are always accustomed to see him represented in military uniform. That my readers may find some instruction, mingled with the amusement I have provided for them, is the earnest wish of
Great Nations Still Enchained
Author: Roy Douglas
Publisher: Psychology Press
ISBN: 9780415068567
Category : History
Languages : en
Pages : 238
Book Description
The grandeur of the great imperial powers of the nineteenth century was constantly subverted by the cartoons of the day. Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons.The grandeur of the great imperial powers of the nineteenth century - Britain, France, Germany, Russia, Austria-Hungary and even the burgeoning United States, was constantly subverted by the cartoonists of the day. As Roy Douglas reveals, cartoons are often more accurate guides to popular feelings than the newspapers in which they appeared. In this, his third look at history through the eyes of the cartoonist, Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons. Taken from the period leading to the First World War, these cartoons are as fresh - and often as shocking - as the day they were drawn.
Publisher: Psychology Press
ISBN: 9780415068567
Category : History
Languages : en
Pages : 238
Book Description
The grandeur of the great imperial powers of the nineteenth century was constantly subverted by the cartoons of the day. Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons.The grandeur of the great imperial powers of the nineteenth century - Britain, France, Germany, Russia, Austria-Hungary and even the burgeoning United States, was constantly subverted by the cartoonists of the day. As Roy Douglas reveals, cartoons are often more accurate guides to popular feelings than the newspapers in which they appeared. In this, his third look at history through the eyes of the cartoonist, Roy Douglas provides a clear historical narrative which explains the subtle meaning below the surface of the cartoons. Taken from the period leading to the First World War, these cartoons are as fresh - and often as shocking - as the day they were drawn.
The French Revolution and Napoleon
Author: George Henry Sargent
Publisher: Kessinger Publishing
ISBN: 9781437022568
Category : History
Languages : en
Pages : 40
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Publisher: Kessinger Publishing
ISBN: 9781437022568
Category : History
Languages : en
Pages : 40
Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Censorship of Political Caricature in Nineteenth-century France
Author: Robert Justin Goldstein
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318
Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318
Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
Laugh Lines
Author: Julia Langbein
Publisher:
ISBN: 9781350186880
Category : Caricatures and cartoons
Languages : en
Pages : 272
Book Description
"Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first book-length study of a practice known as "Salon caricature," a practice that flourished in the Parisian illustrated press in the second half of the nineteenth century. Salon caricaturists, art critics who used both picture and text, published comic, graphic versions of the canvases concurrently on display at the Paris Salon, the most important exhibition of fine art in Europe in the eighteenth and nineteenth centuries. The booming trade in cheaply-illustrated journals and albums broadcast these canvases-in-caricature to a readership eventually reaching the hundreds of thousands that expected and relished this annual comic inversion of high art. A survey of Salon caricature in art historical scholarship tells a skewed and partial story. The first writers on Salon caricature were advocates of Manet, who cited these caricatures as evidence that a broad public was simply incapable of understanding modernist painting--painting that emphasized form and facture as their own ends, rather than catering to the public's sentimental tastes. Still today, authors of nineteenth-century monographs on canonized "modernists" (e.g., Manet, Fréderic Bazille, Henri Fantin-Latour) include nuanced readings of individual examples of Salon caricature, yet this nevertheless reinforces the view that future modernists were the only ones mocked. In contrast, Laugh Lines draws back the curtain on a robust culture of comedy around fine art and its reception in nineteenth-century France, one in which artists of every stripe, including the most sentimental or conservative, were ripe to be made hilarious."--
Publisher:
ISBN: 9781350186880
Category : Caricatures and cartoons
Languages : en
Pages : 272
Book Description
"Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first book-length study of a practice known as "Salon caricature," a practice that flourished in the Parisian illustrated press in the second half of the nineteenth century. Salon caricaturists, art critics who used both picture and text, published comic, graphic versions of the canvases concurrently on display at the Paris Salon, the most important exhibition of fine art in Europe in the eighteenth and nineteenth centuries. The booming trade in cheaply-illustrated journals and albums broadcast these canvases-in-caricature to a readership eventually reaching the hundreds of thousands that expected and relished this annual comic inversion of high art. A survey of Salon caricature in art historical scholarship tells a skewed and partial story. The first writers on Salon caricature were advocates of Manet, who cited these caricatures as evidence that a broad public was simply incapable of understanding modernist painting--painting that emphasized form and facture as their own ends, rather than catering to the public's sentimental tastes. Still today, authors of nineteenth-century monographs on canonized "modernists" (e.g., Manet, Fréderic Bazille, Henri Fantin-Latour) include nuanced readings of individual examples of Salon caricature, yet this nevertheless reinforces the view that future modernists were the only ones mocked. In contrast, Laugh Lines draws back the curtain on a robust culture of comedy around fine art and its reception in nineteenth-century France, one in which artists of every stripe, including the most sentimental or conservative, were ripe to be made hilarious."--
The History of the Nineteenth Century in Caricature
Author: Arthur Bartlett 1873-1946 Maurice
Publisher: Legare Street Press
ISBN: 9781019586556
Category :
Languages : en
Pages : 0
Book Description
This book is a fascinating look at the 19th century through the lens of political and social caricatures. It provides a unique perspective on the major events and figures of the time, including wars, revolutions, and cultural phenomena. The book is illustrated with over 100 black-and-white illustrations, making it a visually compelling read for anyone interested in history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781019586556
Category :
Languages : en
Pages : 0
Book Description
This book is a fascinating look at the 19th century through the lens of political and social caricatures. It provides a unique perspective on the major events and figures of the time, including wars, revolutions, and cultural phenomena. The book is illustrated with over 100 black-and-white illustrations, making it a visually compelling read for anyone interested in history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.