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Author: Dante Micheaux
Publisher:
ISBN: 9781945023200
Category : African Americans
Languages : en
Pages : 60
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Book Description
Dante Micheaux's superb poetic aptitude is wedded to an eually superb poetic amplitude. Intimate soliloquy, lyric address, and linguistic allegory merge with resonating voices and personae. This poem is masterful, paradoxical and spiritual. The "holiness in all its unholy rejoicing" is variously scored in Dante Micheaux's commanding Circus. --TERRANCE HAYES I still stand by words I wrote almost twenty years ago, when I read Dante Micheaux's poems for the first time: "I am impressed by the serious depth and masterful technique of Micheaux's poems. He is a true man of the world, mature beyond his years, one whose voracious intelligence and richly diverse background uniquely equip him for the literary vocation. Circus promises to be received as a masterpiece reminiscent of the best of Melvin Tolson's work, and some of Micheaux's poems bear an a nity to the delicate music and wisdom of Robert Hayden. But Micheaux's in uences are not limited to the stars of African American poetry; his experience and reading ranges wide. Dante Micheaux is a code-switcher fluent in many languages. Some of his lines bring this reader close to heartbreak." --MARILYN NELSON Dante Micheaux's Circus commands the reader's attention. In this long poem, each line is tuned by breath and image, serious play and heartfelt critiue, but also by the modern urban motifs of grief and love. At times, signifying can get us to a desperate truth. The reader or listener has to possess a sense of history in order to be transported to the here and now. In Circus, the borders between the imaginary and the real dissolve as the poem delivers us into verisimilitude. --YUSEF KOMUNYAKAA
Author: Dante Micheaux
Publisher:
ISBN: 9781945023200
Category : African Americans
Languages : en
Pages : 60
Get Book Here
Book Description
Dante Micheaux's superb poetic aptitude is wedded to an eually superb poetic amplitude. Intimate soliloquy, lyric address, and linguistic allegory merge with resonating voices and personae. This poem is masterful, paradoxical and spiritual. The "holiness in all its unholy rejoicing" is variously scored in Dante Micheaux's commanding Circus. --TERRANCE HAYES I still stand by words I wrote almost twenty years ago, when I read Dante Micheaux's poems for the first time: "I am impressed by the serious depth and masterful technique of Micheaux's poems. He is a true man of the world, mature beyond his years, one whose voracious intelligence and richly diverse background uniquely equip him for the literary vocation. Circus promises to be received as a masterpiece reminiscent of the best of Melvin Tolson's work, and some of Micheaux's poems bear an a nity to the delicate music and wisdom of Robert Hayden. But Micheaux's in uences are not limited to the stars of African American poetry; his experience and reading ranges wide. Dante Micheaux is a code-switcher fluent in many languages. Some of his lines bring this reader close to heartbreak." --MARILYN NELSON Dante Micheaux's Circus commands the reader's attention. In this long poem, each line is tuned by breath and image, serious play and heartfelt critiue, but also by the modern urban motifs of grief and love. At times, signifying can get us to a desperate truth. The reader or listener has to possess a sense of history in order to be transported to the here and now. In Circus, the borders between the imaginary and the real dissolve as the poem delivers us into verisimilitude. --YUSEF KOMUNYAKAA
Author: Adam Zagajewski
Publisher: Farrar, Straus and Giroux
ISBN: 146688424X
Category : Poetry
Languages : en
Pages : 129
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Book Description
The highway became the Red Sea. We moved through the storm like a sheer valley. You drove; I looked at you with love. —from "Storm" One of the most gifted and readable poets of his time, Adam Zagajewski is proving to be a contemporary classic. Few writers in either poetry or prose can be said to have attained the lucid intelligence and limpid economy of style that have become a matter of course with Zagajewski. It is these qualities, combined with his wry humor, gentle skepticism, and perpetual sense of history's dark possibilities, that have earned him a devoted international following. This collection, gracefully translated by Clare Cavanagh, finds the poet reflecting on place, language, and history. Especially moving here are his tributes to writers, friends known in person or in books—people such as Milosz and Sebald, Brodsky and Blake—which intermingle naturally with portraits of family members and loved ones. Eternal Enemies is a luminous meeting of art and everyday life.
Author: Andrew Epstein
Publisher: Oxford University Press
ISBN: 0195343565
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Although it has long been commonplace to imagine the archetypal American poet singing a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with the drama of friendship. In this lucid and absorbing study, Andrew Epstein argues that an obsession with both the pleasures and problems of friendship erupts in the "New American Poetry" that emerges after the Second World War. By focusing on some of the most significant postmodernist American poets--the "New York School" poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka--Beautiful Enemies reveals a fundamental paradox at the heart of postwar American poetry and culture: the avant-garde's commitment to individualism and nonconformity runs directly counter to its own valorization of community and collaboration. In fact, Epstein demonstrates that the clash between friendship and nonconformity complicates the legendary alliances forged by postwar poets, becomes a predominant theme in the poetry they created, and leaves contemporary writers with a complicated legacy to negotiate. Rather than simply celebrating friendship and poetic community as nurturing and inspiring, these poets represent friendship as a kind of exhilarating, maddening contradiction, a site of attraction and repulsion, affinity and rivalry. Challenging both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion, this book provides a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. By situating his extensive and revealing readings of these highly influential poets against the backdrop of Cold War cultural politics and within the context of American pragmatist thought, Epstein uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of postwar American poetry.
Author: Jane Gregory
Publisher:
ISBN: 9780988464315
Category : Poetry
Languages : en
Pages : 0
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Book Description
Poetry. Jane Gregory's MY ENEMIES records a poet's search for meaning in a landscape of combined and dissolving definitions. Affirming disaster and its beyond, these poems sing toward belief a self-made belief that will not rely on any static symbol or logic or idol. Gregory's dynamic, unpredictable enactments of the modern world avow vulnerability to a belief compatible with self-consciousness. Sometimes triumphant, sometimes overcome or self-ruinous, MY ENEMIES never halts in its search for definition, even when it claims to not have been written as in the serial "Book I Will Not Write" poems. Each poem here establishes a new, necessary material and mode for our uncertain world that can offer its readers something to believe in; despite forces internal and external that try to undo us, Gregory's poems redo that undoing until "my enemies" becomes instead "my eyes many," a new sonic way of seeing. "When Jane Gregory speaks of 'enemies' she speaks of those elements that (following Valery) ravage books and people alike: fire, humidity, wild animals, time, and their own inner content. Gregory knows how to let those elementals run free in her own words, and to make a friend of their disequilibrating energy. Her work renews romanticism in the twilight of time, knowing that even the spelling of words is the spilling of everything they cannot say. Here, the poet has overwritten the multiples of her 'Book I Will Not Write' with 'the fire in the ocean' with words that, reduced to their very atoms, 'in the dark: s, i, n, g.'" Andrew Joron "Jane Gregory's MY ENEMIES is a collection of high-stepping verses of live wires where every phrase is a detonation od swings, breaks and pops Thrillers 'suitable for blasting' (viz. 'guncotton') pages of startling figures, near rhymes and off rhymes, psychological, philosophical, ecological myths and near myths, sci-fi and paranormal references, and the multiple 'Book s] I Will Not Write.' Look at the word 'struggle' enough times in one stanza, and you suddenly see infinity, and as Baudelaire wrote, 'There is no point as sharp as that of the Infinite.' This book is 'so gone beyond' any you've ever seen." Norma Cole "Jane Gregory seems to take seriously Robert Duncan's claim that 'I make poetry as other men make war or make love or make states or revolutions.' In MY ENEMIES she lays claim to his statement on her own terms when she says 'I recognize the tongue of the wolf / before it is in the wolf's mouth.' Or, one might also say, she has written an adventurous first book." Peter Gizzi"
Author: Xiaobo Liu
Publisher: Harvard University Press
ISBN: 0674071948
Category : Literary Collections
Languages : en
Pages : 393
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Book Description
When the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called “incitement to subvert state power.” In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: “I stand by the convictions I expressed in my ‘June Second Hunger Strike Declaration’ twenty years ago—I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.” That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident’s struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP’s Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel. This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.
Author: Naseer Aruri
Publisher: Seven Stories Press
ISBN: 1644214555
Category : Poetry
Languages : en
Pages : 0
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Book Description
A collection of Palestinian poetry originally published in 1970 that resonates with liberation and civil rights struggles around the world. This updated edition for the current generation of activists features new poems translated by Edmund Ghareeb, an internationally recognized Lebanese-American scholar, and a new foreword by Dr. Greg Thomas. In 1971, in the wake of George Jackson’s killing by San Quentin prison guards, a poem entitled “Enemy of the Sun” was found among ninety-nine books in the revolutionary’s cell. The handwritten poem came to be circulated in Black Panther newspapers under Jackson’s name, assumed to be a vestige of his more than a decade long incarceration. But Jackson never wrote the poem; it was authored by the Palestinian poet Sameeh Al-Qassem and had been included in an anthology of the same title a year before Jackson’s death. Originally published by Drum & Spear, the publishing arm of the Student Nonviolent Coordinating Committee, Enemy of the Sun: Poetry of Palestinian Resistance links twelve poets working in a poetics of refusal and of hope. Bearing witness to decades of Zionist occupation, to a diaspora exiled in refugee camps and writers held captive in Israeli jails, the collection offers a means to an end: “as poetry, yes it sings—as bullets on a mission; it calls for change.” In each poem is a whole life—joy, love, beauty, rage, sorrow, suffering—and in each life is a record of resistance: the traces of a people who refuse to leave their homeland, who time and again alchemize grief into principled struggle. In the intertwined histories of this book, and in the unyielding political edge of the poems themselves, is a long story of solidarity between oppressed peoples: from Palestine to South Africa to Algeria to Vietnam to the United States.
Author: Stuart Dischell
Publisher: University of Chicago Press
ISBN: 022649859X
Category : Literary Criticism
Languages : en
Pages : 72
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Book Description
In his fourth book of poems, Stuart Dischell is part elegist, part fabulist, part absurdist; or, as one critic puts it, "a lovely, encompassing mirror of our little but to us so urgent human life." Dischell is a poet who writes at the edges of imagination, memory, and experience, and the poems here are by turns socially outward and inwardly reflective, or darkly comic and heartbreakingly remorseful--but always beautifully crafted and unpredictable. In Dischell's hands, the poems in Children with Enemies come alive to the complications and implications of what it means to be human.
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 46
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Book Description
Author: Langston Hughes
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 20
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Book Description
Author: Thomas Schütte
Publisher: Koenig Books
ISBN: 9783960980087
Category :
Languages : en
Pages : 190
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Book Description
Thomas Sch�tte: United Enemies takes the artist's sculptural works from the past two decades as its starting point. The heavy bronze giants in United Enemies (2011), originate in small hastily sculptured ?gures with heads of modelling clay, created almost twenty years earlier. The book is richly illustrated and presents the sculptures, along with a selection of the artist's works on paper and architectural models. In his works he explores transformations of scale, and the intimate and personal is juxtaposed with the monumental and authoritarian. The main essay by Bente Larsen, Professor in Art History at the University of Oslo, focuses on the fragmented body and how this aesthetical and philosophical concept relates to Thomas Sch�tte's work.
