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Author: Monique R. Morgan
Publisher: Theory Interpretation Narrativ
ISBN:
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
How did nineteenth-century poets negotiate the complex interplay between two seemingly antithetical modes--lyric and narrative? Narrative Means, Lyric Ends examines the solutions offered by four canonical long poems: William Wordsworth's The Prelude, Lord Byron's Don Juan, Elizabeth Barrett Browning's Aurora Leigh, and Robert Browning's The Ring and the Book. Monique Morgan argues that each of these texts uses narrative techniques to create lyrical effects, effects that manipulate readers' experience of time and shape their intellectual, emotional, and ethical responses. To highlight the productive tension between the modes, Morgan defines narrative as essentially temporal and sequential, and lyric as creating an illusion of simultaneity. The poems reinforce their larger narrative strategies, she suggests, with their figurative language. Through her readings of these texts, Morgan questions lyric's brevity and associability, interrogates retrospection's importance for narrative, examines the gendered implications of several genres, and determines the dramatic monologue's temporal structure. Narrative Means, Lyric Ends offers four case studies of the interactions between broad modes and among specific genres, changes our aesthetic and ideological assumptions about lyric and narrative, expands the domain of narratology, and advocates a renewed formalism.
Author: Monique R. Morgan
Publisher: Theory Interpretation Narrativ
ISBN:
Category : Literary Criticism
Languages : en
Pages : 262
Get Book Here
Book Description
How did nineteenth-century poets negotiate the complex interplay between two seemingly antithetical modes--lyric and narrative? Narrative Means, Lyric Ends examines the solutions offered by four canonical long poems: William Wordsworth's The Prelude, Lord Byron's Don Juan, Elizabeth Barrett Browning's Aurora Leigh, and Robert Browning's The Ring and the Book. Monique Morgan argues that each of these texts uses narrative techniques to create lyrical effects, effects that manipulate readers' experience of time and shape their intellectual, emotional, and ethical responses. To highlight the productive tension between the modes, Morgan defines narrative as essentially temporal and sequential, and lyric as creating an illusion of simultaneity. The poems reinforce their larger narrative strategies, she suggests, with their figurative language. Through her readings of these texts, Morgan questions lyric's brevity and associability, interrogates retrospection's importance for narrative, examines the gendered implications of several genres, and determines the dramatic monologue's temporal structure. Narrative Means, Lyric Ends offers four case studies of the interactions between broad modes and among specific genres, changes our aesthetic and ideological assumptions about lyric and narrative, expands the domain of narratology, and advocates a renewed formalism.
Author: Francis M. Dunn
Publisher: Oxford University Press
ISBN: 0195344774
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Euripides is a notoriously problematic and controversial playwright whose innovations, according to Nietzsche, brought Greek tragedy to an early death. Dunn here argues that the infamous and artificial endings in Euripides deny the viewer access to a stable or authoritative reading of the play, while innovations in plot and ending opened tragedy up to a medley of comic, parodic, and narrative impulses. Part One explores the dramatic and metadramatic uses of novel closing gestures, such as aetiology, closing prophecy, exit lines of the chorus, and deus ex machina. Part Two shows how experimentation in plot and ending reinforce one another in Hippolytus, Trojan Women, and Heracles. Part Three argues that in three late plays, Helen, Orestes, and Phoenician Women, Euripides devises radically new and untragic ways of representing and understanding human experience. Tragedy's End is the first comprehensive study of closure in classical literature, and will be of interest to a range of students and scholars.
Author: John Alba Cutler
Publisher: Oxford University Press
ISBN: 0190210133
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Américo Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo Véa, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture.
Author: Barbara Herrnstein Smith
Publisher: University of Chicago Press
ISBN: 0226763439
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Explores the question: How do poems end? This work examines numerous individual poems and examples of common poetic forms in order to reveal the relationship between closure and the overall structure and integrity of a poem.
Author: Claudia Rankine
Publisher: Open Road + Grove/Atlantic
ISBN: 0802198538
Category : Poetry
Languages : en
Pages : 113
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Book Description
A “harrowing and hallucinogenic” collection of poems from author of the New York Times–bestselling National Book Award-finalist Citizen: An American Lyric (Library Journal). Claudia Rankine’s book-length poem about rising racial tensions in America, Citizen: An American Lyric, won numerous prizes, including the The National Book Critic’s Circle Award. Her new collection of poems—intrepid, obsessive, and erotic—tell the story of a woman’s attempt to reconcile herself to her own despair. Drawing on voices from Jane Eyre to Lady MacBeth, Rankine welds the cerebral and the spiritual, the sensual and the grotesque. Whether writing about intimacy or alienation, what remains long after is her singular voice—its beguiling cadence and vivid physicality. There is an unprotected quality to this writing, as if each word has been pushed out along the precipice, daring us to go with it. Rankine’s power lies in the intoxicating pull of that dare. From one of contemporary poetry’s most powerful and provocative authors, The End of the Alphabet is a work where “wits at once keen and tenacious match themselves against grief’s genius” (Boston Review).
Author: Timothy Bahti
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
"Poems end. They begin, and they end. In between beginnings and ends are the middles--the means--of getting from the one to the other. How poems get to their ends--the directions they take, and give, and the consequences of following them--is the topic of this study."--from the Introduction Lyric poems, argues Timothy Bahti, do not simply end in the sense of arriving at the end of a story or the conclusion of an argument. Instead, these endings return their own structures and statements (as well as the readers' engagements with the poems' meanings) back to the beginnings and middles of the poems. Thus, Bahti contends, lyric poetry does not end, but re-begins and continues anew toward its ends. Studying poetry from five Western languages, from antiquity through the Middle Ages and the Renaissance to the nineteenth and twentieth centuries, Ends of the Lyric combines advanced methods in literary interpretation with a focus on lyric poetry's surprisingly recurrent motifs, devices, and figures of language. "It is not only that Bahti has a range of knowledge of extraordinary depth, not only that he analyzes with exceptional precision and brings us to important theoretical insights about the lyric and about reading and language in general, not only that he knows the secondary works thoroughly and is able to read others' reading in a disciplined and productive manner. He also manages to write beautifully."--Carol Jacobs, State University of New York at Buffalo
Author: M. C. Hyland
Publisher:
ISBN: 9781940090108
Category :
Languages : en
Pages : 99
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Book Description
Poetry. Women's Studies. Composed between April 2013 and February 2017, the poems in MC Hyland's THE END, each titled "THE END," chronicle a time of late capitalist crisis, as a populace alights on, endures, and absorbs turbulent change. Hyland's project, launched as an ironic formal conceit, evolves on the page into a witness account of the ways that the personal and private brush against and dissolve into collective being--in protest, through social media, on a crowded subway car rattling into darkness. A diarist lyric for the Occupy, #MeToo, and Twitter era, THE END captures in crisp, intimate flashes an extended moment in which the personal becomes inherently political, and the daily musings and observations of a mind navigating these times cannot help but be inflected by a collective preoccupation with a felt sense of futurity's impending end. "Hers is a kind of feminist-Wordsworthian project for our moment, without Wordsworthian lapses of condescension. Or perhaps it is more appropriate to think of Hyland in THE END as a Baudelaireian flâneuse: alert, occasionally dyspeptic, sensitive, registering the discontents of life in the 21st C. metropolis--as a woman, a citizen, a thinker, a listener, a friend, a racialized subject, an embodied self."--Maureen McLane
Author: Giorgio Agamben
Publisher: Stanford University Press
ISBN: 0804730229
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).
Author: Daniel Whistler
Publisher: Bloomsbury Publishing
ISBN: 1474254144
Category : Philosophy
Languages : en
Pages : 309
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Book Description
Over three decades, Gillian Howie wrote at the forefront of philosophy and critical theory, before her untimely death in 2013. This interdisciplinary collection uses her writings to explore the productive, yet often resistant, interrelationship between feminism and critical theory, examining the potential of Howie's particular form of materialism. The contributors also bring to this debate a serious engagement with Howie's late turn towards philosophies of mortality, therapy and 'living with dying'. The volume considers how differently embodied subjects are positioned within public institutions, discourses and spaces, and the role of philosophy, art, film, photography, and literature, in facing situations such as sexual oppression and life-limiting illness.
Author: Clark Coolidge
Publisher:
ISBN: 9781934200605
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
"A missing treasure from one of the great ages of American experimental literature, A book beginning what and ending away, is an epic, durational, mulitform text composed from 1973 to 1981. Bridging the wild conceptual experimentalism of the 1960's with the freeform, devastating 'point perspective lyric' that remains Coolidge's operative method today, [this book] is a musical performance, an epic saga, and a rewriting of the nodes of grammar and meaning . . .' - book flap.
