Encyclopedia of comparative iconography : themes depicted in works of art. 2. M - Z PDF Download
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Author: Helene E. Roberts
Publisher:
ISBN:
Category :
Languages : en
Pages : 535
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Book Description
Author: Helene E. Roberts
Publisher:
ISBN:
Category :
Languages : en
Pages : 535
Get Book Here
Book Description
Author: Helene E. Roberts
Publisher:
ISBN: 9781579580094
Category : Art
Languages : en
Pages : 0
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Book Description
Contains sixty-six essays, arranged alphabetically by topic, in which the authors examine the ways in which narratives from mythology, religion, and literature have influenced the history of art, and discuss some of the changing interpretations as the themes pass through different ages, cultures, and forms.
Author: Helene E. Roberts
Publisher:
ISBN: 9781579580094
Category :
Languages : en
Pages : 7
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Book Description
Author:
Publisher:
ISBN: 9781579580094
Category : Art
Languages : en
Pages : 1120
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Book Description
Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072
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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110558602
Category : Religion
Languages : en
Pages : 322
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Book Description
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
Author: John Oliver Hand
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215
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Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Author: Renato Poggioli
Publisher: Harvard University Press
ISBN: 9780674882164
Category : Art
Languages : en
Pages : 262
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Book Description
Convinced that all aspects of modern culture have been affected by avant-garde art, Renato Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.
Author: Eric Schlosser
Publisher: Houghton Mifflin Harcourt
ISBN: 0547750331
Category : Business & Economics
Languages : en
Pages : 387
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Book Description
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
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Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
