Author: Mathieu de Bakker
Publisher:
ISBN: 9789004506046
Category : Classical literature
Languages : en
Pages :
Book Description
"Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyse ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature"--
Emotions and Narrative in Ancient Literature and Beyond
Author: Mathieu de Bakker
Publisher:
ISBN: 9789004506046
Category : Classical literature
Languages : en
Pages :
Book Description
"Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyse ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature"--
Publisher:
ISBN: 9789004506046
Category : Classical literature
Languages : en
Pages :
Book Description
"Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyse ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature"--
Emotions and Narrative in Ancient Literature and Beyond
Author:
Publisher: BRILL
ISBN: 9004506055
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Emotions are at the core of much ancient literature, from Achilles’ heartfelt anger in Homer’s Iliad to the pangs of love of Virgil’s Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
Publisher: BRILL
ISBN: 9004506055
Category : Literary Criticism
Languages : en
Pages : 834
Book Description
Emotions are at the core of much ancient literature, from Achilles’ heartfelt anger in Homer’s Iliad to the pangs of love of Virgil’s Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
Memory and Emotions in Antiquity
Author: George Kazantzidis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111345246
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111345246
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.
Immersion, Identification, and the Iliad
Author: Jonathan L. Ready
Publisher: Oxford University Press
ISBN: 0192870971
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
Publisher: Oxford University Press
ISBN: 0192870971
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
Thucydides: The Peloponnesian War Book VII
Author: Christopher Pelling
Publisher: Cambridge University Press
ISBN: 1316829839
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415–413 BCE). Book 7 opens with Athens seemingly on the point of victory, but the arrival of the Spartan commander Gylippus marks a change in fortunes and the Athenian commander Nicias is soon sending home a desperate plea for reinforcements. Three narrative masterpieces follow their arrival, first the eerie confusion of the night battle on the heights, then the naval clash in the Great Harbour, and finally the desperate attempt to escape and the slaughter at the river Assinarus. Following the sister commentary on Book 6, the Commentary offers students considerable help understanding the Greek while the Introduction discusses Thucydides' narrative skill and the part these books play in the architecture of the history.
Publisher: Cambridge University Press
ISBN: 1316829839
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415–413 BCE). Book 7 opens with Athens seemingly on the point of victory, but the arrival of the Spartan commander Gylippus marks a change in fortunes and the Athenian commander Nicias is soon sending home a desperate plea for reinforcements. Three narrative masterpieces follow their arrival, first the eerie confusion of the night battle on the heights, then the naval clash in the Great Harbour, and finally the desperate attempt to escape and the slaughter at the river Assinarus. Following the sister commentary on Book 6, the Commentary offers students considerable help understanding the Greek while the Introduction discusses Thucydides' narrative skill and the part these books play in the architecture of the history.
Ancient Anger
Author: Susanna Braund
Publisher: Cambridge University Press
ISBN: 113945000X
Category : Literary Collections
Languages : en
Pages : 337
Book Description
Anger is found everywhere in the ancient world, starting with the very first word of the Iliad and continuing through all literary genres and every aspect of public and private life. Yet it is only recently, as a variety of disciplines start to devote attention to the history and nature of the emotions, that Classicists, ancient historians and ancient philosophers have begun to study anger in antiquity with the seriousness and attention it deserves. This volume brings together a number of significant studies by authors from different disciplines and countries, on literary, philosophical, medical and political aspects of ancient anger from Homer until the Roman Imperial Period. It studies some of the most important ancient sources and provides a paradigmatic selection of approaches to them, and should stimulate further research on this important subject in a number of fields.
Publisher: Cambridge University Press
ISBN: 113945000X
Category : Literary Collections
Languages : en
Pages : 337
Book Description
Anger is found everywhere in the ancient world, starting with the very first word of the Iliad and continuing through all literary genres and every aspect of public and private life. Yet it is only recently, as a variety of disciplines start to devote attention to the history and nature of the emotions, that Classicists, ancient historians and ancient philosophers have begun to study anger in antiquity with the seriousness and attention it deserves. This volume brings together a number of significant studies by authors from different disciplines and countries, on literary, philosophical, medical and political aspects of ancient anger from Homer until the Roman Imperial Period. It studies some of the most important ancient sources and provides a paradigmatic selection of approaches to them, and should stimulate further research on this important subject in a number of fields.
Divine Assemblies in Early Greek and Babylonian Epic
Author: Bernardo Ballesteros
Publisher: Oxford University Press
ISBN: 0198924615
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
In early Greek and Near Eastern myth and religion, the gods govern the cosmos. In narrative poetry, they are frequently portrayed through scenes of divine assembly. Did Homer and early Greek poets inherit this feature from their more ancient neighbours? And what can comparison tell us besides? This book is the first to chart divine assembly scenes in ancient Babylonian and early Greek epic. It asks why similarities between the two corpora exist, and exploits those similarities to enhance understanding of Mesopotamian and early Greek literature and religion. The book discusses Sumerian narrative poems, the Akkadian works Atra-ḫasīs, Anzû, Enūma eliš, Erra and Išum and the Epic of Gilgameš; Homer's Iliad, the Odyssey, Hesiod's Theogony and some Homeric Hymns. It studies poetic technique and probes further comparisons with Sanskrit, Old Norse, Polynesian, and Aztec mythology. It argues that Greek speakers are unlikely to have inherited the divine assembly from the Near East. Still, one can posit a long-term process of oral contact and communication fostered by common poetic structures and religious affinities. In a second part pursuing a mythological and religious comparison, the book concentrates on ideas about the cosmos and humankind, and on power dynamics within the pantheon as well as between gods and mortals. A focus on the head of the pantheon and on concepts of divine prerogatives illuminates culture-specific differences which can be related to historical socio-political discourses. The book develops a systematic approach to questions of cross-cultural literary comparison in the ancient world.
Publisher: Oxford University Press
ISBN: 0198924615
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
In early Greek and Near Eastern myth and religion, the gods govern the cosmos. In narrative poetry, they are frequently portrayed through scenes of divine assembly. Did Homer and early Greek poets inherit this feature from their more ancient neighbours? And what can comparison tell us besides? This book is the first to chart divine assembly scenes in ancient Babylonian and early Greek epic. It asks why similarities between the two corpora exist, and exploits those similarities to enhance understanding of Mesopotamian and early Greek literature and religion. The book discusses Sumerian narrative poems, the Akkadian works Atra-ḫasīs, Anzû, Enūma eliš, Erra and Išum and the Epic of Gilgameš; Homer's Iliad, the Odyssey, Hesiod's Theogony and some Homeric Hymns. It studies poetic technique and probes further comparisons with Sanskrit, Old Norse, Polynesian, and Aztec mythology. It argues that Greek speakers are unlikely to have inherited the divine assembly from the Near East. Still, one can posit a long-term process of oral contact and communication fostered by common poetic structures and religious affinities. In a second part pursuing a mythological and religious comparison, the book concentrates on ideas about the cosmos and humankind, and on power dynamics within the pantheon as well as between gods and mortals. A focus on the head of the pantheon and on concepts of divine prerogatives illuminates culture-specific differences which can be related to historical socio-political discourses. The book develops a systematic approach to questions of cross-cultural literary comparison in the ancient world.
Byzantine Commentaries on Ancient Greek Texts, 12th15th Centuries
Author: Baukje van den Berg
Publisher: Cambridge University Press
ISBN: 131651465X
Category : History
Languages : en
Pages : 397
Book Description
Addresses the importance of ancient literature for Byzantine society and explores various ways of recycling and understanding ancient works.
Publisher: Cambridge University Press
ISBN: 131651465X
Category : History
Languages : en
Pages : 397
Book Description
Addresses the importance of ancient literature for Byzantine society and explores various ways of recycling and understanding ancient works.
Xenophon’s ›Anabasis‹ and its Reception
Author: Tim Rood
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110793431
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions. The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations). Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110793431
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions. The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations). Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.
Narratives in Silius Italicus’ Punica
Author: Pieter Van Den Broek
Publisher: BRILL
ISBN: 9004685839
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This study investigates the role of embedded narratives in Silius Italicus’ Punica, an epic from the late first century AD on the Second Punic War (218–202 BC). At first sight, these narratives seem to be loosely ‘embedded’ in the epic, having their own plot and being situated in a different time or place than the main narrative. A closer look reveals, however, that they foreshadow or recall elements that are found elsewhere in the epic. In this way, they serve as ‘mirrors’ of the main narrative. The larger part of this book consists of four detailed case studies.
Publisher: BRILL
ISBN: 9004685839
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This study investigates the role of embedded narratives in Silius Italicus’ Punica, an epic from the late first century AD on the Second Punic War (218–202 BC). At first sight, these narratives seem to be loosely ‘embedded’ in the epic, having their own plot and being situated in a different time or place than the main narrative. A closer look reveals, however, that they foreshadow or recall elements that are found elsewhere in the epic. In this way, they serve as ‘mirrors’ of the main narrative. The larger part of this book consists of four detailed case studies.