Author: Giorgio Bertellini
Publisher: University of Illinois Press
ISBN: 0252096851
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.
Author: Goran Gocić
Publisher: Wallflower Press
ISBN: 9781903364147
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
The Cinema of Emir Kusturica: Notes from the Underground is the first book on the Sarajevan film-maker to be published in English. With seven highly acclaimed films to his credit, Kusturica is already established as one of the most important of contemporary filmmakers, with each of his films winning prizes at major festivals around the world. In covering films such as Underground, Arizona Dream, and Black Cat, White Cat, this timely new study delves into diverse facets of Kusturica's work, much of which is passionately dedicated to the marginal and the outcast, as well as discourses of national and cultural identity.
Author: Dina Iordanova
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
With no less than two Golden Palms from Cannes and scores of other top awards, Bosnian-born Emir Kusturica is one of the most decorated and celebrated film directors in the world. Films such as Time of the Gypsies (1989) and Underground (1995) have captivated audiences with their extraordinary imagination, exuberant energy and challenging and often contentious subjectmatter. But Kusturica is also one of the most controversial directors working in cinema today. While many critics have praised his free-flying fantasy, others have found his films excessively exoticised and overdrawn. Some have publicly criticised his politics. He has an extensive international fan following who worship his work and think of him as a film-making genius, but there are also people who think of him as an opportunist. Dina Iordanova's study in the BFI World Directors series is a balanced examination of Kusturica's personality, films, artistry, and ideology. It acknowledges the contradictions but tries to understand and make them comprehensible to others. The text presents an overview of Kusturica's career from early films with their debt to Russian cinema and the Czech New Wave (Do you Remember Dolly Bell? 1981; When Father was Away on Business, 1985) to the most recent Black Cat White Cat (1998) and the 'rockumentary' Super 8 Story (2001). It pays tribute to his attractive and impressive aesthetics and investigates the particularities of his ideology. The author details Kusturica's artistic and personal roots dating back to socialist Sarejevo in the former Yugoslavia, examining the sources of his unique artistry, and the complex ideological and political issues that arise from their production and reception histories. Dina Iordanova's account presents a uniquely rounded view of this fascinating director showing how Kusturica's intensely held (though changing) Balkan affiliations lie at the root of a practice which has proved to be one of the latest and glorious flowerings of the European auteurist tradition.
Author: Ivo Andríc
Publisher: University of Chicago Press
ISBN: 9780226020457
Category : Fiction
Languages : en
Pages : 324
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Book Description
"A great stone bridge built three centuries ago in the heart of the Balkans ... stands witness to the countless lives played out upon it" and to the sufferings of the people of Bosnia.--Cover.
Author: Jean-Max Méjean
Publisher: Gremese Editore
ISBN: 9788873016250
Category :
Languages : fr
Pages : 136
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Book Description
Filmographie du metteur en scène bosniaque qui analyse chaque film, projets en voie de réalisation inclus.
Author: Giorgio Bertellini
Publisher: Il Castoro
ISBN: 9788880335740
Category : Performing Arts
Languages : it
Pages : 203
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Book Description
Author: Giaime Alonge
Publisher: Paravia Scriptorium
ISBN: 9788839561763
Category : Performing Arts
Languages : it
Pages : 169
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Book Description
Author: Pavle Levi
Publisher: Stanford University Press
ISBN: 9780804753685
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Author: Dragan Teodorović
Publisher:
ISBN:
Category : Rock musicians
Languages : en
Pages : 170
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Book Description
Author: Andrew Horton
Publisher: Univ of California Press
ISBN: 0520301250
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
