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Author: Emily Kame Kngwarreye
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
"Emily Kame Kngwarreye (c. 1910-1996) was a senior member of the Anmatyerre community resident at Utopia, a former cattle station, now reclaimed by its Aboriginal land owners. She is widely regarded as one of the most notable Aboriginal artists of recent times and the pre-eminent woman artist of the desert region. The remarkable painterly and conceptual originality of her work extended her influence well beyond the previous reach of contemporary Aboriginal art and attracted widespread international interest." "This book looks at Emily Kngwarreye's paintings from very different viewpoints: Jennifer Isaacs approaches and explains their meaning as part of Anmatyerre women's culture, and gives a history of the art's development and patronage; Terry Smith examines the works as forming part of the leading edge of contemporary abstract painting; Judith Ryan describes and explores the major works by Emily Kngwarreye from the collection of the National Gallery of Victoria; and Donald and Janet Holt give personal accounts of Emily's art and life at Delmore Downs Station." --Book Jacket.
Author: Emily Kame Kngwarreye
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
Get Book Here
Book Description
"Emily Kame Kngwarreye (c. 1910-1996) was a senior member of the Anmatyerre community resident at Utopia, a former cattle station, now reclaimed by its Aboriginal land owners. She is widely regarded as one of the most notable Aboriginal artists of recent times and the pre-eminent woman artist of the desert region. The remarkable painterly and conceptual originality of her work extended her influence well beyond the previous reach of contemporary Aboriginal art and attracted widespread international interest." "This book looks at Emily Kngwarreye's paintings from very different viewpoints: Jennifer Isaacs approaches and explains their meaning as part of Anmatyerre women's culture, and gives a history of the art's development and patronage; Terry Smith examines the works as forming part of the leading edge of contemporary abstract painting; Judith Ryan describes and explores the major works by Emily Kngwarreye from the collection of the National Gallery of Victoria; and Donald and Janet Holt give personal accounts of Emily's art and life at Delmore Downs Station." --Book Jacket.
Author: Dacou Aboriginal Art
Publisher:
ISBN: 9780646523644
Category : Anmatyerre (Australian people)
Languages : en
Pages : 0
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Book Description
Emily loved using exuberantly rich and vibrant colours, and her compositions of expressive dots and animated lines were always energetic and exciting. She worked in many different styles but her spirited gestures always reflected some aspect of her Dreamings and Alhalkere country for which she was a custodian.
Author: Emily Kame Kngwarreye
Publisher:
ISBN: 9781760760731
Category :
Languages : en
Pages : 96
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Book Description
A new series of monographs on Australian female artists, selected with series editor Natalie King, curator and Enterprise Professor at the Victorian College of the Arts. These books are compact yet perfectly formed. They comprise 96 pages of the artist's favourite works - designed for optimum visual impact and to reach anyone who is inspired by art and beauty. The extra frisson for these titles comes in the introduction. For each monograph, one luminary from another field will write a personal, powerful essay of 1200 words. It could be an ode to one particular painting; it could be a parallel narrative inspired by themes in the artist's work.
Author: Emily Kame Kngwarreye
Publisher:
ISBN: 9780958762755
Category : Aboriginal Australians
Languages : en
Pages : 16
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Book Description
Author: Kari Herbert
Publisher: National Geographic Books
ISBN: 0500651965
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Wonderfully illustrated throughout, this book tells inspiring stories of fifteen women artists who made a lasting impact on art and the world through their lives and work. A richly illustrated book, We Are Artists celebrates the life and work of fifteen female artists from around the globe and the distinctive mark they made on art. Presented as a collection of exciting biographical stories, each section reveals how the artist’s unique approach and perspective provided art and society with a new way of seeing things. We Are Artists places the spotlight on women painters, sculptors, printmakers, illustrators, designers, and craftswomen who created monumental artwork, often against daunting odds. The book includes reproductions of modern and contemporary artwork by Frida Kahlo, Yayoi Kusama, Georgia O’Keeffe, Alma Thomas, and Kenojuak Ashevak, to name a few. Through their personal stories, readers will learn about the art movements each artist worked in and the influence they exerted on both the art world and society as a whole. This book starts to rewrite art history for the next generation, and will inspire young readers and artists everywhere.
Author: Museum Ludwig
Publisher:
ISBN: 9781907372148
Category : Art
Languages : en
Pages : 0
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Book Description
Remembering Forward presents works by nine of the most prominent Australian Aboriginal artists: Paddy Bedford, Emily Kame Kngwarreye, Queenie McKenzie, Dorothy Napangardi, Rover Thomas, Ronnie Tjampitjinpa, Clifford Possum Tjapaltjarri, Tim Leura Tjapaltjarri and Turkey Tolson Tjupurrula. Their works are situated in, and generate, a peculiar tension between traditional and modern and past and present. On the one hand, they usually take as their subject the so called 'Dreamtime' of prehistory from which myths of the earth's and humankind's creation have been handed down. In that regard they are deeply traditional. On the other, these artists have radically changed their medium and method of art-making over the last forty years. Inherited practices of sand- and body-painting have been transformed such that the paintings are executed in acrylic on canvas or other portable media. These changes afforded the artists entry to the global art market. Thus they have adjusted to address an outside public and keep the images free of those parts of the Dreamings that, in their own culture, are reserved for the initiated.
Author: Pauline E. McLeod
Publisher: Bloomsbury Publishing USA
ISBN: 031300983X
Category : Language Arts & Disciplines
Languages : en
Pages : 164
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Book Description
Take a journey into the fascinating world of Australia's Aboriginal culture with this unique collection of 33 authentic, unaltered stories brought to you by three Aboriginal storyteller custodians! Unlike other compilations of tales that were modified and published without permission from the Aboriginal people, these stories are now presented with approval from Aboriginal elders in an effort to help foster a better understanding of the history and culture of the Aboriginal people. Gadi Mirrabooka, which means below the Southern Cross, introduces wonderful tales from the Dreamtime, the mystical period of Aboriginal beginning. Through these stories you can learn about customs and values, animal psychology, hunting and gathering skills, cultural norms, moral behavior, the spiritual belief system, survival skills, and food resources. A distinctive and absolutely compelling story collection, this book is an immensely valuable treasure for educators, parents, children, and adult readers. Grades K-A
Author: Stephen Mould
Publisher: Routledge
ISBN: 1000338606
Category : Music
Languages : en
Pages : 178
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Book Description
Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.
Author: Erin Manning
Publisher: MIT Press
ISBN: 0262518007
Category : Social Science
Languages : en
Pages : 279
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Book Description
A new philosophy of movement that explores the active relation between sensation and thought through the prisms of dance, cinema, art, and new media. With Relationscapes, Erin Manning offers a new philosophy of movement challenging the idea that movement is simple displacement in space, knowable only in terms of the actual. Exploring the relation between sensation and thought through the prisms of dance, cinema, art, and new media, Manning argues for the intensity of movement. From this idea of intensity—the incipiency at the heart of movement—Manning develops the concept of preacceleration, which makes palpable how movement creates relational intervals out of which displacements take form. Discussing her theory of incipient movement in terms of dance and relational movement, Manning describes choreographic practices that work to develop with a body in movement rather than simply stabilizing that body into patterns of displacement. She examines the movement-images of Leni Riefenstahl, Étienne-Jules Marey, and Norman McLaren (drawing on Bergson's idea of duration), and explores the dot-paintings of contemporary Australian Aboriginal artists. Turning to language, Manning proposes a theory of prearticulation claiming that language's affective force depends on a concept of thought in motion. Relationscapes takes a “Whiteheadian perspective,” recognizing Whitehead's importance and his influence on process philosophers of the late twentieth century—Deleuze and Guattari in particular. It will be of special interest to scholars in new media, philosophy, dance studies, film theory, and art history.
Author: Will Stubbs
Publisher:
ISBN: 9781921953316
Category : Aboriginal Australians
Languages : en
Pages : 207
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Book Description
Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.
