Author:
Publisher: Odile Jacob
ISBN: 2738193307
Category :
Languages : en
Pages : 289
Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738193307
Category :
Languages : en
Pages : 289
Book Description
Publisher: Odile Jacob
ISBN: 2738193307
Category :
Languages : en
Pages : 289
Book Description
Emilie du Châtelet between Leibniz and Newton
Author: Ruth Hagengruber
Publisher: Springer Science & Business Media
ISBN: 9400720939
Category : Philosophy
Languages : en
Pages : 264
Book Description
Emilie du Châtelet was one of the most influential woman philosophers of the Enlightenment. Her writings on natural philosophy, physics, and mechanics had a decisive impact on important scientific debates of the 18th century. Particularly, she took an innovative and outstanding position in the controversy between Newton and Leibniz, one of the fundamental scientific discourses of that time. The contributions in this volume focus on this "Leibnitian turn". They analyze the nature and motivation of Emilie du Châtelet's synthesis of Newtonian and Leibnitian philosophy. Apart from the Institutions Physiques they deal with Emilie du Châtelet's annotated translation of Isaac Newton's Principia. The chapters presented here collectively demonstrate that her work was an essential contribution to the mediation between empiricist and rationalist positions in the history of science.
Publisher: Springer Science & Business Media
ISBN: 9400720939
Category : Philosophy
Languages : en
Pages : 264
Book Description
Emilie du Châtelet was one of the most influential woman philosophers of the Enlightenment. Her writings on natural philosophy, physics, and mechanics had a decisive impact on important scientific debates of the 18th century. Particularly, she took an innovative and outstanding position in the controversy between Newton and Leibniz, one of the fundamental scientific discourses of that time. The contributions in this volume focus on this "Leibnitian turn". They analyze the nature and motivation of Emilie du Châtelet's synthesis of Newtonian and Leibnitian philosophy. Apart from the Institutions Physiques they deal with Emilie du Châtelet's annotated translation of Isaac Newton's Principia. The chapters presented here collectively demonstrate that her work was an essential contribution to the mediation between empiricist and rationalist positions in the history of science.
L’écriture du bonheur dans le roman contemporain
Author: Ruth Amar
Publisher: Cambridge Scholars Publishing
ISBN: 1443828114
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Through the ages, the pursuit of Happiness has been at the heart of the needs and desires each individual would seek to fulfill, while as a concept, Happiness has always resonated strongly in poetic as well as philosophical, sociological and psychological contexts. But what about Happiness today, in a world dominated by technology, driven by productivity and dictated by efficiency? Does Happiness still feature in contemporary fiction in any significant way? Or has it perhaps gone underground, adopting different guises? Would we still call that “duty of happiness” that Pascal Bruckner saw as “present at the second half of the twentieth century” a relevant force today? Or has it waned perceptibly? The articles brought together in this volume seek to work out answers to these and similar questions, creatively addressing the imminent risks but also eagerly following up the intriguing possibilities one encounters when interrogating Happiness in the contemporary novel. Originally based on an international conference organized at the University of Haifa, Israel, in May 2010, the volume is structured around the axes we found useful as a basis for the various approaches towards Happiness in Europe and the historical and social events that influenced the writing of Happiness as they defined the 20th century and have impacted on the 21st: the Holocaust, the Soviet dystopia, consumerism, postmodernism, “everyday life,” the various as yet unarticulated new modes of life they have given rise to, and so on. A new writing of happiness then? At the very least this volume targets the contemporary novel without wanting to solidify works, instead taking into account the fluctuations Happiness has been subjected to, and the diversity and especially the paradoxes it has created, while we have been keen to preserve a “precise” reading of the texts and have felt compelled to respect and preserve the particular features that make the writings of the authors we focus on stand out. Thème philosophique aussi bien que poétique, sociologique et psychologique, le bonheur s’édifie à la mesure de chacun. « N’est-il pas vrai que, nous autres hommes, nous désirons tous être heureux ? » (Platon). Or dans notre monde actuel dominé par la technique, la recherche à outrance du productif et de l’efficacité, qu’en est-il du bonheur ? Est-il encore présent aux écritures romanesques contemporaines ? Sous quelles formes se présenterait sa recherche ? Ce « devoir de bonheur propre à la deuxième moitié du XXe siècle » dont parle Pascal Bruckner, continue-t-il toujours à être d’actualité ? S’est-il renforcé ou, au contraire, s’est-il affaibli? Le projet d’un questionnement du bonheur dans le roman contemporain comportait de gros risques, mais il offrait en même temps des possibilités stimulantes. A la suite du colloque international organisé à l’université de Haïfa en mai 2010, les textes réunis dans ce livre, cherchent à élaborer des éléments de réponse à ces questions. Le volume offre un état des lieux du bonheur dans le roman depuis 1980 et présente une large diversité d’approches, de définitions, d’interrogations sur l’écriture du bonheur sur trois décennies. Le recueil s’articule autour d’axes qui ont servi de base aux différentes approches du bonheur en Europe et d’événements historiques et sociaux qui ont pu influencer l’écriture du bonheur aux différentes périodes du XXe et XXe siècles, telles que l’Holocauste, la dystopie en Russie, le postmodernisme et le consumérisme, le quotidien, les différents paradoxes du bonheur, les nouveaux modes de vie. Nouvelle écriture du bonheur? Du moins, ce volume vise-t-il le contemporain sans figer les œuvres, tout en tenant compte des fluctuations du sujet, de sa diversité, de ses paradoxes surtout, tout en conservant la lecture précise des textes et en respectant la particularité de l’écriture des auteurs traités.
Publisher: Cambridge Scholars Publishing
ISBN: 1443828114
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Through the ages, the pursuit of Happiness has been at the heart of the needs and desires each individual would seek to fulfill, while as a concept, Happiness has always resonated strongly in poetic as well as philosophical, sociological and psychological contexts. But what about Happiness today, in a world dominated by technology, driven by productivity and dictated by efficiency? Does Happiness still feature in contemporary fiction in any significant way? Or has it perhaps gone underground, adopting different guises? Would we still call that “duty of happiness” that Pascal Bruckner saw as “present at the second half of the twentieth century” a relevant force today? Or has it waned perceptibly? The articles brought together in this volume seek to work out answers to these and similar questions, creatively addressing the imminent risks but also eagerly following up the intriguing possibilities one encounters when interrogating Happiness in the contemporary novel. Originally based on an international conference organized at the University of Haifa, Israel, in May 2010, the volume is structured around the axes we found useful as a basis for the various approaches towards Happiness in Europe and the historical and social events that influenced the writing of Happiness as they defined the 20th century and have impacted on the 21st: the Holocaust, the Soviet dystopia, consumerism, postmodernism, “everyday life,” the various as yet unarticulated new modes of life they have given rise to, and so on. A new writing of happiness then? At the very least this volume targets the contemporary novel without wanting to solidify works, instead taking into account the fluctuations Happiness has been subjected to, and the diversity and especially the paradoxes it has created, while we have been keen to preserve a “precise” reading of the texts and have felt compelled to respect and preserve the particular features that make the writings of the authors we focus on stand out. Thème philosophique aussi bien que poétique, sociologique et psychologique, le bonheur s’édifie à la mesure de chacun. « N’est-il pas vrai que, nous autres hommes, nous désirons tous être heureux ? » (Platon). Or dans notre monde actuel dominé par la technique, la recherche à outrance du productif et de l’efficacité, qu’en est-il du bonheur ? Est-il encore présent aux écritures romanesques contemporaines ? Sous quelles formes se présenterait sa recherche ? Ce « devoir de bonheur propre à la deuxième moitié du XXe siècle » dont parle Pascal Bruckner, continue-t-il toujours à être d’actualité ? S’est-il renforcé ou, au contraire, s’est-il affaibli? Le projet d’un questionnement du bonheur dans le roman contemporain comportait de gros risques, mais il offrait en même temps des possibilités stimulantes. A la suite du colloque international organisé à l’université de Haïfa en mai 2010, les textes réunis dans ce livre, cherchent à élaborer des éléments de réponse à ces questions. Le volume offre un état des lieux du bonheur dans le roman depuis 1980 et présente une large diversité d’approches, de définitions, d’interrogations sur l’écriture du bonheur sur trois décennies. Le recueil s’articule autour d’axes qui ont servi de base aux différentes approches du bonheur en Europe et d’événements historiques et sociaux qui ont pu influencer l’écriture du bonheur aux différentes périodes du XXe et XXe siècles, telles que l’Holocauste, la dystopie en Russie, le postmodernisme et le consumérisme, le quotidien, les différents paradoxes du bonheur, les nouveaux modes de vie. Nouvelle écriture du bonheur? Du moins, ce volume vise-t-il le contemporain sans figer les œuvres, tout en tenant compte des fluctuations du sujet, de sa diversité, de ses paradoxes surtout, tout en conservant la lecture précise des textes et en respectant la particularité de l’écriture des auteurs traités.
Revealing Difference
Author: Jenene J. Allison
Publisher: University of Delaware Press
ISBN: 9780874135664
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
In fact, her originality extends far beyond this scale. Charriere's novels not only work with literary conventions, they work on these conventions. For example, the figure of the heroine, plotted according to a standard plot line, serves at a more complex level to undermine the image of woman embedded in the heroine. Most telling are heroines plotted in the context of the French Revolution; they reflect the repressive image of woman that would emerge from the combination of republican ideology with the growing emphasis on maternalism. Surprisingly modern in this regard, these novels confirm recent interpretations of the gendering of the social sphere after the Revolution.
Publisher: University of Delaware Press
ISBN: 9780874135664
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
In fact, her originality extends far beyond this scale. Charriere's novels not only work with literary conventions, they work on these conventions. For example, the figure of the heroine, plotted according to a standard plot line, serves at a more complex level to undermine the image of woman embedded in the heroine. Most telling are heroines plotted in the context of the French Revolution; they reflect the repressive image of woman that would emerge from the combination of republican ideology with the growing emphasis on maternalism. Surprisingly modern in this regard, these novels confirm recent interpretations of the gendering of the social sphere after the Revolution.
Santé !
Author: Bertrand Sanchez
Publisher: Lulu.com
ISBN: 1326007246
Category :
Languages : en
Pages : 205
Book Description
Publisher: Lulu.com
ISBN: 1326007246
Category :
Languages : en
Pages : 205
Book Description
Debating the Woman Question in the French Third Republic, 1870–1920
Author: Karen Offen
Publisher: Cambridge University Press
ISBN: 1316991598
Category : History
Languages : en
Pages : 711
Book Description
Karen Offen offers a magisterial reconstruction and analysis of the debates around relations between women and men, how they are constructed, and how they should be organized, that raged in France and its French-speaking neighbors from 1870 to 1920. The 'woman question' encompassed subjects from maternity and childbirth, and the upbringing and education of girls to marriage practices and property law, the organization of households, the distribution of work inside and outside the household, intimate sexual relations, religious beliefs and moral concerns, government-sanctioned prostitution, economic and political citizenship, and the politics of population growth. The book shows how the expansion of economic opportunities for women and the drop in the birth rate further exacerbated the debates over their status, roles, and possibilities. With the onset of the First World War, these debates were temporarily placed on hold, but they would be revived by 1916 and gain momentum during France's post-war recovery.
Publisher: Cambridge University Press
ISBN: 1316991598
Category : History
Languages : en
Pages : 711
Book Description
Karen Offen offers a magisterial reconstruction and analysis of the debates around relations between women and men, how they are constructed, and how they should be organized, that raged in France and its French-speaking neighbors from 1870 to 1920. The 'woman question' encompassed subjects from maternity and childbirth, and the upbringing and education of girls to marriage practices and property law, the organization of households, the distribution of work inside and outside the household, intimate sexual relations, religious beliefs and moral concerns, government-sanctioned prostitution, economic and political citizenship, and the politics of population growth. The book shows how the expansion of economic opportunities for women and the drop in the birth rate further exacerbated the debates over their status, roles, and possibilities. With the onset of the First World War, these debates were temporarily placed on hold, but they would be revived by 1916 and gain momentum during France's post-war recovery.
Women on Their Own
Author: Rudolph Bell
Publisher: Rutgers University Press
ISBN: 0813547768
Category : History
Languages : en
Pages : 283
Book Description
Despite what would seem some apparent likenesses, single men and single women are perceived in very different ways. Bachelors are rarely considered "lonely" or aberrant. They are not pitied. Rather, they are seen as having chosen to be "footloose and fancy free" to have sports cars, boats, and enjoy a series of unrestrictive relationships. Single women, however, do not enjoy such an esteemed reputation. Instead they have been viewed as abnormal, neurotic, or simply undesirable-attitudes that result in part from the long-standing belief that single women would not have chosen her life. Even the single career-woman is seldom viewed as enjoying the success she has achieved. No one believes she is truly fulfilled. Modern American culture has raised generations of women who believed that their true and most important role in society was to get married and have children. Anything short of this role was considered abnormal, unfulfilling, and suspect. This female stereotype has been exploited and perpetuated by some key films in the late 40's and early 50's. But more recently we have seen a shift in the cultural view of the spinster. The erosion of the traditional nuclear family, as well as a larger range of acceptable life choices, has caused our perceptions of unmarried women to change. The film industry has reflected this shift with updated stereotypes that depict this cultural trend. The shift in the way we perceive spinsters is the subject of current academic research which shows that a person's perception of particular societal roles influences the amount of stress or depression they experience when in that specific role. Further, although the way our culture perceives spinsters and the way the film industry portrays them may be evolving, we still are still left with a negative stereotype. Themes of choice and power have informed the lives of single women in all times and places. When considered at all in a scholarly context, single women have often been portrayed as victims, unhappily subjected to forces beyond their control. This collection of essays about "women on their own" attempts to correct that bias, by presenting a more complex view of single women in nineteenth- and twentieth-century United States and Europe. Topics covered in this book include the complex and ambiguous roles that society assigns to widows, and the greater social and financial independence that widows have often enjoyed; widow culture after major wars; the plight of homeless, middle-class single women during the Great Depression; and comparative sociological studies of contemporary single women in the United States, Britain, Ireland, and Cuba. Composed of papers presented to the Rutgers Center for Historical Analysis project on single women, this collection incorporates the work of specialists in anthropology, art history, history, and sociology. It is deeply connected with the emerging field of singleness studies (to which the RCHA has contributed an Internet-based bibliography of more than 800 items). All of the essays are new and have not been previously published.
Publisher: Rutgers University Press
ISBN: 0813547768
Category : History
Languages : en
Pages : 283
Book Description
Despite what would seem some apparent likenesses, single men and single women are perceived in very different ways. Bachelors are rarely considered "lonely" or aberrant. They are not pitied. Rather, they are seen as having chosen to be "footloose and fancy free" to have sports cars, boats, and enjoy a series of unrestrictive relationships. Single women, however, do not enjoy such an esteemed reputation. Instead they have been viewed as abnormal, neurotic, or simply undesirable-attitudes that result in part from the long-standing belief that single women would not have chosen her life. Even the single career-woman is seldom viewed as enjoying the success she has achieved. No one believes she is truly fulfilled. Modern American culture has raised generations of women who believed that their true and most important role in society was to get married and have children. Anything short of this role was considered abnormal, unfulfilling, and suspect. This female stereotype has been exploited and perpetuated by some key films in the late 40's and early 50's. But more recently we have seen a shift in the cultural view of the spinster. The erosion of the traditional nuclear family, as well as a larger range of acceptable life choices, has caused our perceptions of unmarried women to change. The film industry has reflected this shift with updated stereotypes that depict this cultural trend. The shift in the way we perceive spinsters is the subject of current academic research which shows that a person's perception of particular societal roles influences the amount of stress or depression they experience when in that specific role. Further, although the way our culture perceives spinsters and the way the film industry portrays them may be evolving, we still are still left with a negative stereotype. Themes of choice and power have informed the lives of single women in all times and places. When considered at all in a scholarly context, single women have often been portrayed as victims, unhappily subjected to forces beyond their control. This collection of essays about "women on their own" attempts to correct that bias, by presenting a more complex view of single women in nineteenth- and twentieth-century United States and Europe. Topics covered in this book include the complex and ambiguous roles that society assigns to widows, and the greater social and financial independence that widows have often enjoyed; widow culture after major wars; the plight of homeless, middle-class single women during the Great Depression; and comparative sociological studies of contemporary single women in the United States, Britain, Ireland, and Cuba. Composed of papers presented to the Rutgers Center for Historical Analysis project on single women, this collection incorporates the work of specialists in anthropology, art history, history, and sociology. It is deeply connected with the emerging field of singleness studies (to which the RCHA has contributed an Internet-based bibliography of more than 800 items). All of the essays are new and have not been previously published.
Women's Writing in Nineteenth-Century France
Author: Alison Finch
Publisher: Cambridge University Press
ISBN: 9780521631860
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
This is the most complete critical survey to date of women's literature in nineteenth-century France. Alison Finch's wide-ranging analysis of some 60 writers reflects the rich diversity of a century that begins with Mme de Staël's cosmopolitanism and ends with Rachilde's perverse eroticism. Finch's study brings out the contribution not only of major figures like George Sand but also of many other talented and important writers who have been unjustly rejected, including Flora Tristan, Claire de Duras and Delphine de Girardin. Her account opens new perspectives on the interchange between male and female authors and on women's literary traditions during the period. She discusses popular and serious writing: fiction, verse, drama, memoirs, journalism, feminist polemic, historiography, travelogues, children's tales, religious and political thought - often brave, innovative texts linked to women's social and legal status in an oppressive society. Extensive reference features include bibliographical guides to texts and writers.
Publisher: Cambridge University Press
ISBN: 9780521631860
Category : Literary Criticism
Languages : en
Pages : 342
Book Description
This is the most complete critical survey to date of women's literature in nineteenth-century France. Alison Finch's wide-ranging analysis of some 60 writers reflects the rich diversity of a century that begins with Mme de Staël's cosmopolitanism and ends with Rachilde's perverse eroticism. Finch's study brings out the contribution not only of major figures like George Sand but also of many other talented and important writers who have been unjustly rejected, including Flora Tristan, Claire de Duras and Delphine de Girardin. Her account opens new perspectives on the interchange between male and female authors and on women's literary traditions during the period. She discusses popular and serious writing: fiction, verse, drama, memoirs, journalism, feminist polemic, historiography, travelogues, children's tales, religious and political thought - often brave, innovative texts linked to women's social and legal status in an oppressive society. Extensive reference features include bibliographical guides to texts and writers.
Intellectual Tacking
Author: Jacqueline Letzter
Publisher: Rodopi
ISBN: 9789042002906
Category : Education in literature
Languages : en
Pages : 230
Book Description
Isabelle de Charrière (Belle van Zuylen) has been known primarily as a novelist who experimented with narrative techniques to express her concern about the oppression of women in her society. Most scholarship has focused on only a small part of her work, her pre-revolutionary novels. This is one of the first synthetic studies of Charrière's entire oeuvre, and it turns its attention to Charrière's overlooked contribution as an intellectual in the eighteenth-century debate over education. In addition, Letzter analyzes the rhetorical and discursive strategies Charrière employed to insert herself in this debate; a debate from which she was excluded because she was a woman and she was not French. Letzter's model for this analysis is the rhetorical figure of tacking, a nautical term used by Charrière herself in order to describe her tactics for intellectual engagement within the gendered environment the gendered environment of revolutionary debate. Letzter demonstrates Charrière's contribution as an important intellectual of the Revolution and of the post-revolutionary period, whose significance resided in her ability to express her ambivalence toward the theories and ideologies that ceaselessly imposed themselves on women.
Publisher: Rodopi
ISBN: 9789042002906
Category : Education in literature
Languages : en
Pages : 230
Book Description
Isabelle de Charrière (Belle van Zuylen) has been known primarily as a novelist who experimented with narrative techniques to express her concern about the oppression of women in her society. Most scholarship has focused on only a small part of her work, her pre-revolutionary novels. This is one of the first synthetic studies of Charrière's entire oeuvre, and it turns its attention to Charrière's overlooked contribution as an intellectual in the eighteenth-century debate over education. In addition, Letzter analyzes the rhetorical and discursive strategies Charrière employed to insert herself in this debate; a debate from which she was excluded because she was a woman and she was not French. Letzter's model for this analysis is the rhetorical figure of tacking, a nautical term used by Charrière herself in order to describe her tactics for intellectual engagement within the gendered environment the gendered environment of revolutionary debate. Letzter demonstrates Charrière's contribution as an important intellectual of the Revolution and of the post-revolutionary period, whose significance resided in her ability to express her ambivalence toward the theories and ideologies that ceaselessly imposed themselves on women.
Finding Emilie
Author: Laurel Corona
Publisher: Simon and Schuster
ISBN: 1439197679
Category : Fiction
Languages : en
Pages : 441
Book Description
Woman is born free, and everywhere she is in corsets. . . . Lili du Châtelet yearns to know more about her mother, the brilliant French mathematician Emilie. But the shrouded details of Emilie’s unconventional life—and her sudden death—are elusive. Caught between the confines of a convent upbringing and the intrigues of the Versailles court, Lili blossoms under the care of a Parisian salonnière as she absorbs the excitement of the Enlightenment, even as the scandalous shadow of her mother’s past haunts her and puts her on her own path of self-discovery. Laurel Corona’s breathtaking new novel, set on the eve of the French Revolution, vividly illuminates the tensions of the times, and the dangerous dance between the need to conform and the desire to chart one’s own destiny and journey of the heart.
Publisher: Simon and Schuster
ISBN: 1439197679
Category : Fiction
Languages : en
Pages : 441
Book Description
Woman is born free, and everywhere she is in corsets. . . . Lili du Châtelet yearns to know more about her mother, the brilliant French mathematician Emilie. But the shrouded details of Emilie’s unconventional life—and her sudden death—are elusive. Caught between the confines of a convent upbringing and the intrigues of the Versailles court, Lili blossoms under the care of a Parisian salonnière as she absorbs the excitement of the Enlightenment, even as the scandalous shadow of her mother’s past haunts her and puts her on her own path of self-discovery. Laurel Corona’s breathtaking new novel, set on the eve of the French Revolution, vividly illuminates the tensions of the times, and the dangerous dance between the need to conform and the desire to chart one’s own destiny and journey of the heart.