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Author: Paul Moody
Publisher: Springer
ISBN: 3319948032
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.
Author: Paul Moody
Publisher: Springer
ISBN: 3319948032
Category : Performing Arts
Languages : en
Pages : 224
Get Book Here
Book Description
This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI’s role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI’s amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the ‘limits’ of British cinema.
Author: Stephen Glynn
Publisher: Springer Nature
ISBN: 3031412222
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality.
Author: Wayne Byrne
Publisher: McFarland
ISBN: 1476674981
Category : Performing Arts
Languages : en
Pages : 315
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Book Description
In a prolific career spanning six decades, actor Burt Reynolds was one of the world's most famous stars of film and television. As much a folk hero as a Hollywood celebrity, he began as a stuntman and bit player in B Westerns and TV shows before landing a starring role on NBC's Riverboat (1959-1961). His breakthrough role in Deliverance (1972) made him famous and the sleeper hit Smokey and the Bandit (1977) made his name a household word. This first critical overview of Reynolds' work examines his complete filmography, featuring candid discussions with costars and collaborators, exclusive behind-the-scenes photos and a wealth of film stills.
Author: Margaret Cohen
Publisher: Princeton University Press
ISBN: 0691197970
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
In The Underwater Eye, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. Examining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 The Life Aquatic with Steve Zissou entirely in a pool, The Underwater Eye traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as 20,000 Leagues Under the Sea, Creature from the Black Lagoon, Sea Hunt, the Bond films, Jaws, The Abyss, and Titanic. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.
Author: Jonathan Melville
Publisher: Polaris
ISBN: 191353815X
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
A behind-the-scenes look at the making of the classic 1986 fantasy action-adventure film, featuring insights from the cast and crew. The story of an immortal Scottish warrior battling evil down through the centuries, Highlander fused a high-concept idea with the kinetic energy of a pop promo pioneer and Queen’s explosive soundtrack to become a cult classic. When two American producers took a chance on a college student’s script, they set in motion a chain of events involving an imploding British film studio, an experimental music video director still finding his filmmaking feet, a former James Bond with a spiralling salary, and the unexpected arrival of low-budget production company, Cannon Films. Author Jonathan Melville looks back at the creation of Highlander with the help of more than 60 cast and crew, including stars Christopher Lambert and Clancy Brown, as they talk candidly about the gruelling shoot that took them from the back alleys of London, to the far reaches of the Scottish Highlands, and onto the mean streets of 1980s New York City. With insights from Queen’s Brian May and Roger Taylor on the film’s iconic music, exclusive screenwriter commentary on unmade scripts, never-before-seen photos from private collections, and a glimpse into the promotional campaign that never was, if there can be only one book on Highlander then this is it! “A Kind of Magic: Making the Original Highlander tracks down an astonishing number of the film's cast and crew to give an unparalleled account of its creation . . . if you’re one of the film’s many fans this is the perfect companion.” —The Courier, Book of the Week, 9/10 As well as being the story of the Highlander film itself, it’s a fascinating look at the film-making process . . . Jonathan Melville’s A Kind of Magic: Making the Original Highlander is an absolute joy to read and an absolutely essential purchase for any Highlander fan.” —We Are Cult
Author: Oliver Boyd-Barrett
Publisher: Rowman & Littlefield
ISBN: 1538121565
Category : Language Arts & Disciplines
Languages : en
Pages : 345
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Book Description
Media Imperialism: Continuity and Change advances applied theoretical research on 21st century media imperialism. The volume includes established and emerging researchers in international communications who examine the geopolitical, economic, technological and cultural dimensions of 21st century media imperialism. The volume highlights and challenges how news, entertainment and social media uphold unequal power relations in the world. Written in an accessible style, this volume marries conceptual, theoretical sophistication, and concrete illustration with rich case studies and global examples. Chapters cover the complete media spectrum, from social media to Hollywood, to news and national propaganda in national and transnational analyses. Readers will find discussions that range from soft power and China to the USA’s empire of the internet to the rise of “Chindia” in a post-American media world. The volume is essential reading for upper level undergraduate, postgraduate and research communities across a wide range disciplines in the social science and the humanities.
Author: Andrew Spicer
Publisher: Manchester University Press
ISBN: 1526119129
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
Sean Connery was one of cinema’s most iconic stars. Born to a working-class family in Edinburgh, he held jobs as a milkman and an artist’s model before making the move into acting. The role of James Bond earned him global fame, but threatened to eclipse his identity as an actor. This book offers a new perspective on Connery’s career. It pays special attention to his star status, while arguing that he was a risk-taking actor who fashioned an impressive body of work. Beginning with Connery’s early appearances on stage and television, including well-received performances in Shakespeare and Tolstoy, the book goes on to explore the Bond phenomenon and Connery’s long struggle to reinvent himself. An Oscar-winning performance in The Untouchables marked the beginning of a second period of stardom, during which Connery successfully developed the character of the father-mentor. Ten years after his retirement from acting, he was still rated as the most popular British star among American audiences. Exploring how Connery’s performances combine to form an all-encompassing screen legend, the book also considers how the actor embodied national identity, both on screen and through his public role as an activist campaigning for Scottish independence.
Author: Wheeler W. Dixon
Publisher: SUNY Press
ISBN: 9780791418611
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
Re-Viewing British Cinema, 1900-1992 is a collection of essays on British cinema history and practice. It offers both the casual reader and the film scholar a different view of British filmmaking during the past century. Arranged in chronological order, the book explores those areas of British cinema that have not been fully examined in other works and also offers fresh interpretations of a number of classic films. From the work of Frederic Villiers, the pioneering British newsreel cameraman who at the turn of the century brought home images of battlefield carnage, to essays on the British "B" film and the long-forgotten "Independent Frame" method of film production, to new readings of classics such as The Red Shoes, Passport to Pimlico, and Peeping Tom, the authors offer a look behind the scenes of the British film industry and engage the reader in some of the most compelling interpretational and historical issues of recent film history and critical theory. In addition, the volume contains a number of interviews with such key directors as Stephen Frears, Terence Davies, Wendy Toye, and Lindsay Anderson and also pays particular attention to the work of early twentieth-century British feminist filmmakers whose films have often been ignored by conventional film theory and history. It also offers new material on the British "film noir," the English horror film, and the pioneering gay director Brian Desmond Hurst. Taken as a whole, this book presents an entirely new series of viewpoints on British film practice, theory, and reception and affords a fresh and vibrant view of the British film medium.
Author: Stephen Glynn
Publisher: Springer Nature
ISBN: 303113401X
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
This book constitutes the first monograph dedicated to an academic analysis of David Bowie’s appearances in film. Through close textual analysis together with production and reception histories, Bowie’s ‘silver screen’ career is explored in full. The book covers performance documentaries such as Ziggy Stardust and the Spiders from Mars, star vehicles ranging from the eulogised The Man Who Fell to Earth to the excoriated Just a Gigolo, plus roles from the horror chic of The Hunger and cult fantasy of Labyrinth to the valiant high-brow Baal and vainglorious high-budget Absolute Beginners, ending with Bowie as Bowie in Bandslam and others as ‘Bowie’ in Velvet Goldmine and Stardust. Alongside showing his willingness to experiment (and at times fail) across a variety of genres, this study investigates Bowie’s performative style that, while struggling to accommodate the requirements of cinematic realism, fits more harmoniously with alternative production codes and aesthetics. More broadly, by exploring the commercial, socio-cultural and ideological significance of Bowie on film, the book demonstrates how notions of gender, sexuality and identity formation, plus commodity and cultural capital, function and fluctuate in contemporary society.
Author: A.L. Rees
Publisher: Bloomsbury Publishing
ISBN: 1838714197
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
