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Author: Jarlath Killeen
Publisher: Edinburgh University Press
ISBN: 0748690816
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Jarlath Killeen
Publisher: Edinburgh University Press
ISBN: 0748690816
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Jarlath Killeen
Publisher: Four Courts Press
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 248
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Book Description
This book examines the formation of Anglican identity in Ireland throughout the long, 18th century. Beginning with the 1641 Rebellion, which constitutes the inaugurating event of Anglican Ireland, the book traces the convolutions of this identity through to the Act of Union in 1801. It argues that Gothicism is the basic modality in which Anglican Ireland found expression, and traces the themes and modes of Gothic writing in political tracts, philosophical pamphlets, graveyard poetry, aesthetic treatises, and Gothic novels. In linking these diffuse modes of writing through their common recourse to a Gothic language, this book produces a psycho-history of the Anglican mind.
Author: Jerrold E. Hogle
Publisher: Cambridge University Press
ISBN: 1107494486
Category : Literary Criticism
Languages : en
Pages : 526
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Book Description
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Author: Kamilla Elliott
Publisher: JHU Press
ISBN: 1421408643
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Examples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class. Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of “picture identification” (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.
Author: Markman Ellis
Publisher:
ISBN: 9780748611959
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
"Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from recent psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of gothic fiction. Illustrated with ten black and white plates and including an up-to-date bibliography, this will be an ideal text for all those with an interest in the Gothic."--BOOK JACKET.
Author: Margot Gayle Backus
Publisher: Post-Contemporary Intervention
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
Author: Ronald Kelly
Publisher: Crossroad Press
ISBN:
Category : Fiction
Languages : en
Pages : 134
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Book Description
When Irish eyes are dying Breath chills till time is over, Death pulls slowly graveward To rest ’neath sod and clover… Ireland… Sweet Erin…The Emerald Isle. In the bright and bonnie light of day, it is a place of beauty, history, and good humor. Of rolling green hills and stone walls at every step of a mile. A kind blessing for health and happiness, and a pint in your hand at the village pub… as well as the sound of fife and fiddle, the lilting tune of laughter, and the cheerful dance of a jig. But, as the sun takes leave and dusk descends, deep shadows and the dank of an evening mist claim the Land of Saints. Within the cloak of night, boogies and beasties roam the moors, keen for the echo of lonesome footsteps and the alluring scent of fear and dread. Banshee, selkie, leprechaun, and fairy alike. The restless spirit of the Sluagh and the bestial form of the werewolf, hungry and on the prowl. In Irish Gothic: Tales of Celtic Horror, Ronald Kelly returns to the land of his ancestry and explores the dark superstition and frightful folklore of Ol’ Éire. Seven stories of Celtic gothic terror… tales to quicken the beat of the heart and chill one’s bones to the very marrow.
Author: Gregory Castle
Publisher:
ISBN: 1107176727
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
This book attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns.
Author: Joseph O'Connor
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156029667
Category : Fiction
Languages : en
Pages : 436
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Book Description
St. Petersburg High school juniors Dicey Bell, a baseball star, and Jack Chen, who loves science and role-playing games, discover a mutual attraction when paired for a project, but on their first date, a zombie-producing fungus sends them on the run.
Author: Alison Milbank
Publisher:
ISBN: 0198824467
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
