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Author: Einav Katan-Schmid
Publisher: Springer
ISBN: 1137601868
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, Embodied Philosophy in Dance deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence.
Author: Einav Katan-Schmid
Publisher: Springer
ISBN: 1137601868
Category : Performing Arts
Languages : en
Pages : 228
Get Book
Book Description
Representing the first comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach, this book follows the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company. Considering the body as a means of expression, Embodied Philosophy in Dance deciphers forms of meaning in dance as a medium for perception and realization within the body. In doing so, the book addresses embodied philosophies of mind, hermeneutics, pragmatism, and social theories in order to illuminate the perceptual experience of dancing. It also reveals the interconnections between physical and mental processes of reasoning and explores the nature of physical intelligence.
Author: Einav Katan-Schmid
Publisher: Performance Philosophy
ISBN: 9781349956296
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This book examines the sensual and mental emphases of the movement research practiced by dancers of the Batsheva Dance Company and provides a comprehensive analysis of Gaga and Ohad Naharin's aesthetic approach.
Author: Kimerer L. LaMothe
Publisher: Columbia University Press
ISBN: 023153888X
Category : Philosophy
Languages : en
Pages : 305
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Book Description
Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
Author: Yvonne Daniel
Publisher: University of Illinois Press
ISBN: 9780252072079
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Landmark interdisciplinary study of religious systems through their dance performances
Author: Eric Mullis
Publisher: Springer Nature
ISBN: 3030293149
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia). Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden’s Angels in the Architecture (2012), Martha Clarke’s Angel Reapers (2015) and Ralph Lemon’s Geography trilogy (2005). The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process.
Author: Felicia Hughes-Freeland
Publisher: Berghahn Books
ISBN: 9781845455217
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change.
Author: Laura Cull Ó Maoilearca
Publisher: Routledge
ISBN: 1000056899
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.
Author: Jane Desmond
Publisher: Duke University Press
ISBN: 9780822319429
Category : Performing Arts
Languages : en
Pages : 412
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Book Description
On dance and culture
Author: Shay Welch
Publisher: Springer
ISBN: 3030049361
Category : Philosophy
Languages : en
Pages : 215
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Book Description
This book investigates the phenomenological ways that dance choreographing and dance performance exemplify both Truth and meaning-making within Native American epistemology, from an analytic philosophical perspective. Given that within Native American communities dance is regarded both as an integral cultural conduit and “a doorway to a powerful wisdom,” Shay Welch argues that dance and dancing can both create and communicate knowledge. She explains that dance—as a form of oral, narrative storytelling—has the power to communicate knowledge of beliefs and histories, and that dance is a form of embodied narrative storytelling. Welch provides analytic clarity on how this happens, what conditions are required for it to succeed, and how dance can satisfy the relational and ethical facets of Native epistemology.
Author: Anna Pakes
Publisher: Oxford University Press, USA
ISBN: 0199988218
Category : Performing Arts
Languages : en
Pages : 377
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Book Description
Dance is often considered an ephemeral art, one that disappears nearly as soon as it materializes, leaving no physical object behind. While most cultural works are tangible, like books in print and framed artworks on display, the practice of dance remains more elusive. Dance involves peopletrying to embody some abstract, unwritten thing that exists before - and survives beyond - their particular acts of dancing. But what exactly is that thing? For that matter, what is a dance? And do dances continue to exist when not performed? Anna Pakes seeks to answer these questions and more inthis exciting new volume, which investigates what sort of thing dance really is.Focusing on Western theater dance, Choreography Invisible: The Disappearing Work of Dance explores the metaphysics of dance and choreographic works. The volume traces the different ways dances have been conceptualized across time, through such lenses as the cultural theory of Derrida, the philosophyof Ranciere and Baidou, and contemporary dance theory. It examines how dances have survived through time, and what it means for a dance work to be forgotten and lost. In her exploration of the amorphous and fleeting nature of dance as a cultural object, Pakes ultimately transforms the way weunderstand the very nature of art.
