Icons - Texts - Iconotexts

Icons - Texts - Iconotexts PDF Author: Peter Wagner
Publisher: Walter de Gruyter
ISBN: 3110882590
Category : Literary Criticism
Languages : en
Pages : 428

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A-E

A-E PDF Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1548

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Watteau, Music, and Theater

Watteau, Music, and Theater PDF Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162

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Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.

Louvre Museum - Paintings

Louvre Museum - Paintings PDF Author: Nicolae Sfetcu
Publisher: Nicolae Sfetcu
ISBN:
Category : Art
Languages : en
Pages : 201

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Book Description
The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour Carrée. In 1594, Henri IV decided to unite the palace of the Louvre with the palace of the Tuileries built by Catherine de Medicis. The Cour Carrée was built by the architects Lemercier and then Le Vau, under the reign of Louis XIII and Louis XIV. The Department of Paintings currently has about 7,500 paintings (of which 3,400 are exposed), covering a period that goes from the Middle Ages to 1848 (date of the beginning of the Second Republic). By including the deposits, the collection is, with 12,660 works, the largest collection of ancient paintings in the world. With rare exceptions, the works after 1848 were transferred to the Musée d'Orsay when it was created in 1986.

The Triumph of Pleasure

The Triumph of Pleasure PDF Author: Georgia Cowart
Publisher: University of Chicago Press
ISBN: 0226116387
Category : History
Languages : en
Pages : 332

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Book Description
With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.

P-Z

P-Z PDF Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1644

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Library of Congress Subject Headings

Library of Congress Subject Headings PDF Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1480

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Encyclopedia of Comparative Iconography

Encyclopedia of Comparative Iconography PDF Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787933
Category : Art
Languages : en
Pages : 1072

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Book Description
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Of No Country I Know

Of No Country I Know PDF Author: David Ferry
Publisher: University of Chicago Press
ISBN: 9780226244877
Category : Poetry
Languages : en
Pages : 328

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Book Description
David Ferry'sOf No Country I Know: New and Selected Poems and Translationsprovides a wonderful gathering of the work of one of the great American poetic voices of the twentieth century. It brings together his new poems and translations, collected here for the first time; his booksStrangersandDwelling Placesin their entirety; selections from his first book,On the Way to the Island; and selections from his celebrated translations of the Babylonian epicGilgamesh, theOdes of Horace, and of Virgil'sEclogues. This is Ferry's fullest and most resonant book, demonstrating the depth and breadth of forty years of a life in poetry. "Though Ferry is perhaps best known for his eloquent translations of Horace and Virgil, "Of No Country I Know" demonstrates that he deserves acclaim for his own poetry as well."--Carmela Ciuraru,New York Times Book Review

Art and Identity in Spain, 1833–1956

Art and Identity in Spain, 1833–1956 PDF Author: Claudia Hopkins
Publisher: Bloomsbury Publishing
ISBN: 135042854X
Category : Art
Languages : en
Pages : 353

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Book Description
Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain's liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the Symbolist Rusiñol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiró and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco's Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism.