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Author: Ella Hepworth Dixon
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Book Description
Author: Ella Hepworth Dixon
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
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Book Description
Author: Valerie Fehlbaum
Publisher: Taylor & Francis
ISBN: 1351940791
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer. After an initial popularity, however, Ella Hepworth Dixon's work, like that of the majority of her contemporaries, remained largely unread for decades. In her new study, Valerie Fehlbaum sheds light on Dixon's life and work, and provides profound insight not only into Dixon herself but into the multifaceted character of the 'New Woman' writer that Dixon typified. The figure of the New Woman as representing new-found intellectual, social, and political freedom came to the fore towards the end of the nineteenth century when the term 'woman' was being interrogated on every imaginable level. In heated debates about woman's nature, primary questions such as 'what is a woman?' and 'what does a woman want?' were accompanied by subsidiary controversies about the precise role she should play in society. Fehlbaum's re-evaluation of Dixon's varied literary output enhances our understanding of this period of radical change for women, and shows that Ella Hepworth Dixon's writing remains as lively and pertinent today as it was when it was first published.
Author: Valerie Fehlbaum
Publisher: Routledge
ISBN: 1351940783
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In a career that spanned over forty years, Ella Hepworth Dixon (1857-1932) was alternately journalist, critic, essayist, short story writer, novelist, editor of a women's magazine, dramatist, and autobiographer. After an initial popularity, however, Ella Hepworth Dixon's work, like that of the majority of her contemporaries, remained largely unread for decades. In her new study, Valerie Fehlbaum sheds light on Dixon's life and work, and provides profound insight not only into Dixon herself but into the multifaceted character of the 'New Woman' writer that Dixon typified. The figure of the New Woman as representing new-found intellectual, social, and political freedom came to the fore towards the end of the nineteenth century when the term 'woman' was being interrogated on every imaginable level. In heated debates about woman's nature, primary questions such as 'what is a woman?' and 'what does a woman want?' were accompanied by subsidiary controversies about the precise role she should play in society. Fehlbaum's re-evaluation of Dixon's varied literary output enhances our understanding of this period of radical change for women, and shows that Ella Hepworth Dixon's writing remains as lively and pertinent today as it was when it was first published.
Author: Ella Hepworth Dixon
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
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Book Description
Author: Christine Bayles Kortsch
Publisher: Routledge
ISBN: 1317148002
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
Author: Ella Hepworth Dixon
Publisher: Legare Street Press
ISBN: 9781020738418
Category :
Languages : en
Pages : 0
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Book Description
In this groundbreaking novel, Ella Hepworth Dixon tells the story of a young woman's journey from humble beginnings to a life of success and independence. Filled with social commentary and insights into the rapidly changing world of the late 19th century, this book remains a classic of feminist literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Emma Liggins
Publisher: Manchester University Press
ISBN: 1526111640
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s. Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.
Author: George Gissing
Publisher:
ISBN:
Category : Authors
Languages : en
Pages : 356
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Book Description
Author: Marie Hendry
Publisher: Cambridge Scholars Publishing
ISBN: 1527530477
Category : History
Languages : en
Pages : 117
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Book Description
Many female Victorian-era heroines find themselves expressing a form of loneliness directly connected to their lack of agency. Loneliness is defined by a lack, and it is this that is prevalent to these characters’ discussion of the social structures that define their lives. As there is no way to easily discuss a lack of agency without stating that there is something missing from the root agency, loneliness is an expression of missing components. This work analyses this “lack” found in loneliness as a trope to discuss a social lack. Many novels are crucial to this discussion, and this book focuses on Charlotte Brontë’s Villette (1853), Anne Brontë’s Tenant of Wildfell Hall (1848), George Eliot’s The Mill on the Floss (1860), Thomas Hardy’s Tess of the d’Urbervilles (1892), Florence Marryat’s The Blood of the Vampire (1897) and Ella Hepworth Dixon’s The Story of a Modern Woman (1894) to trace the evolution of the double use of lack in the nineteenth-century novel.
Author: Laura Engel
Publisher: Springer
ISBN: 1137589329
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.