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Author: Morrison Comegys Boyd
Publisher: University of Pennsylvania Press
ISBN: 1512800724
Category : Music
Languages : en
Pages : 396
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: Morrison Comegys Boyd
Publisher: University of Pennsylvania Press
ISBN: 1512800724
Category : Music
Languages : en
Pages : 396
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: Michael Fleming
Publisher: Boydell & Brewer
ISBN: 1783274212
Category : MUSIC
Languages : en
Pages : 326
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Book Description
Uses the rare depictions of musical instruments and musical sources found on the Eglantine Table to understand the musical life of the Elizabethan age and its connection to aspects of culture now treated as separate disciplines ofhistorical study.
Author: Morrison Comegys Boyd
Publisher: University of Pennsylvania Press Anniversary Collection
ISBN:
Category : Music
Languages : en
Pages : 402
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Book Description
The period represented by the reigns of Queen Elizabeth I and King James I of England was noteworthy not only for its literature and art but for its music. This volume offers a summary of the works on music theory published in England during that period, and illuminates Elizabethan attitudes toward music in theory and practice. Some of the works summarized treat elementary subjects such as scales, time signatures, and the correct use of chords; some take up more complex themes, such as advanced counterpoint, canon, and composition. Other sources provide detailed descriptions of common instruments, and discuss their use in composition and in the home. In addition to quoting many Elizabethan commentators on the proper use of music in the schools and in the church, the author cites Puritan attacks on music. He includes information on all the leading cathedral organists, as well as on choirboy actors and their organist teachers, and he devotes a chapter to the use of music in the plays of Shakespeare and others. Although it was the author's original intention to present only criticism written by Elizabethans, he decided to include, as a necessary aid to the reader, a brief description of the music criticized and to add a modern appraisal of it. Consequently, since all the books of compositions published in the years 1558-1625, chiefly madrigal and lute pieces, but also some church music are mentioned, with some comment on both the music and their composers, Dr. Boyd's study will serve as an excellent short history of Elizabethan music.
Author: Katrine K. Wong
Publisher: Routledge
ISBN: 1136169709
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.
Author: Frederick William Sternfeld
Publisher: Psychology Press
ISBN: 9780415353274
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
First published in 1963. When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure.
Author: Katie Bank
Publisher: Routledge
ISBN: 1000169677
Category : History
Languages : en
Pages : 294
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Book Description
Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.
Author: Joseph M. Ortiz
Publisher: Cornell University Press
ISBN: 0801461405
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music’s illegibility rather than come to terms with its actual effects. In Broken Harmony Joseph M. Ortiz revises our understanding of music’s relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged. Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare’s plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter’s Tale) and Milton’s A Maske, Ortiz challenges the consensus that music’s affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music’s function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.
Author: Curtis
Publisher: BRILL
ISBN: 9004610936
Category : History
Languages : en
Pages : 270
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Book Description
Author: John Caldwell
Publisher: Courier Corporation
ISBN: 9780486248516
Category : Music
Languages : en
Pages : 376
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Book Description
English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.
Author: K. Dawn Grapes
Publisher: Routledge
ISBN: 1351580515
Category : Music
Languages : en
Pages : 237
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Book Description
John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.
