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Author: A. Garnai
Publisher: Springer
ISBN: 0230250718
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Revolutionary Imaginings in the 1790s discusses the work of three prominent women writers by focusing on the response to the French Revolution and the struggle for reform in Britain. Examining previously-neglected texts as well as more familiar ones, the book contributes to our understanding of a period of intense political and literary engagement.
Author: A. Garnai
Publisher: Springer
ISBN: 0230250718
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Revolutionary Imaginings in the 1790s discusses the work of three prominent women writers by focusing on the response to the French Revolution and the struggle for reform in Britain. Examining previously-neglected texts as well as more familiar ones, the book contributes to our understanding of a period of intense political and literary engagement.
Author: Mrs. Inchbald
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 94
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Book Description
Author: Annibel Jenkins
Publisher: University Press of Kentucky
ISBN: 0813159644
Category : Biography & Autobiography
Languages : en
Pages : 624
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Book Description
Elizabeth Simpson Inchbald (1753–1821) was one of the leading literary figures of the late eighteenth century—an actress, a successful playwright and editor of several collections of plays, a popular novelist, and a drama critic. Considered a beautiful, independent woman, Inchbald was much involved in the theatrical, literary, and publishing life of London. Elizabeth Simpson ran away from home at age eighteen to seek fame as an actress in London and quickly married Joseph Inchbald, an actor twice her age. They toured the stage together until his sudden death in 1779. She made her London stage debut a year later, and her writing debut came in 1784 with the play The Mogul Tale; Or, The Descent of the Balloon. Over the next two decades she wrote or adapted twenty-one plays: comedies, farces, and works from French and German, including the version of Kotzebue's Lovers' Vows, later used in Jane Austen's Mansfield Park. Inchbald's acclaimed first novel, A Simple Story, prefigured the work of later women writers such as Austen. Using material from Inchbald's own pocket books detailing her daily life (she destroyed most of her letters and journals late in her life at the advice of her Catholic confessor) as well as a wealth of other sources, Annibel Jenkins tells for the first time not only the full story of Mrs. Inchbald's life but also provides a fascinating look at the society and politics, both public and private, of London in the late eighteenth and early nineteenth centuries.
Author: Elizabeth Inchbald
Publisher:
ISBN: 9781409968566
Category : Drama
Languages : en
Pages : 48
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Book Description
Elizabeth Inchbald, nee Simpson (1753-1821) was an English novelist, actress, and dramatist. At the age of 19 she went to London in order to act. In 1772 she agreed to marry the actor Joseph Inchbald (1735-1779). For four years the couple toured Scotland with West Digges's theatre company, a demanding life. After Joseph Inchbald's death in 1779, she continued to act for several years, in Dublin, London, and elsewhere. Between 1784 and 1805 she had nineteen of her comedies, sentimental dramas, and farces (many of which were translations from the French) performed at London theatres. Eighteen of her plays were published, though she wrote several more; the exact number is in dispute though most recent commentators claim between 21and 23. Her two novels have been frequently reprinted. She also did considerable editorial and critical work. A four-volume autobiography was destroyed before her death upon the advice of her confessor, but she left some of her diaries. The latter are currently held at the Folger Shakespeare Library and an edition was recently published.
Author: Mrs. Inchbald
Publisher: BoD – Books on Demand
ISBN: 3732691381
Category : Fiction
Languages : en
Pages : 345
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Book Description
Reproduction of the original: A Simple Story by Mrs. Inchbald
Author: Catherine Burroughs
Publisher: Cambridge University Press
ISBN: 9780521662246
Category : Drama
Languages : en
Pages : 366
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Book Description
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
Author: Mary Anne Schofield
Publisher: University of Delaware Press
ISBN: 9780874133653
Category : Fiction
Languages : en
Pages : 236
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Book Description
This work concentrates on how eighteenth-century feminine novelists articulate the concerns important to women's lives and fates, and argues that these novelists used their romances to combat the controlling ideologies of the age.
Author: Marcie Frank
Publisher: Rutgers University Press
ISBN: 1684481694
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
2020 Choice Outstanding Academic Title Marcie Frank’s study traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel’s narrative form and to the modern organization of literature. Drawing on media theory and focusing on the less-examined narrative contributions of such authors as Aphra Behn, Frances Burney, and Elizabeth Inchbald, alongside those of Samuel Richardson, Henry Fielding, and Jane Austen, The Novel Stage tells the story of the novel as it was shaped by the stage. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Myrna Santos
Publisher: Cambridge Scholars Publishing
ISBN: 1443872962
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
An Introvert in an Extrovert World: Essays on the Quiet Ones is a multi-disciplinary anthology about introversion in the world of extroversion. Susan Cain’s book, Quiet, recently addressed the complexities of an issue that was initially raised by Carl Jung, and this anthology expands the analysis of the challenges faced by those who are considered to be introverts – those who prefer reading to partying, listening to speaking – living in a world of people who cannot understand their quieter ways. Introverts are innovative and make significant contributions, but dislike self-promotion. They derive their energy from quiet rejuvenation, as opposed to acquiring renewed energy from being surrounded by, and interacting with, multitudes of people. That they are typically labeled “quiet” often suggests negative connotations. However, from Van Gogh’s Sunflowers to the invention of the personal computer, the contributions of the “quiet ones” have made an immeasurable and invaluable impact on our society. An Introvert in an Extrovert World contains analyses of popular culture, literature, television, film, and social media, as well as poignant personal narrative examples of the lives of these two contrasting personality types. Examples of the pain, conflict, repression, and even humor related to introversion in everyday life are manifested in this collection of articles that span the spectrum of human nature. The volume looks at the unlikely professions that the populace would attribute to the introvert: from teacher/professor and actor to politician and even gladiator. The reader is given an understanding of different characters in literary works and their connection to introversion, visits the spectrum of social media and the pluses and minuses therein, and is provided with examples of how to promote one’s writing for publication whilst being an introvert. Within the pages of this book, there are many and varied topics and intuitive insights traversing several situations that relate to the “quiet” world of introversion.
Author: Willow White
Publisher: Rutgers University Press
ISBN: 1644533421
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
Feminist Comedy: Women Playwrights of London identifies the eighteenth-century comedic stage as a key site of feminist critique, practice, and experimentation. While the history of feminism and comedy is undeniably vexed, by focusing on five women playwrights of the latter half of the eighteenth century--Catherine Clive, Frances Brooke, Frances Burney, Hannah Cowley, and Elizabeth Inchbald--this book demonstrates that stage comedy was crucial to these women’s professional success in a male-dominated industry and reveals a unifying thread of feminist critique that connects their works. Though male detractors denied women’s comic ability throughout the era, eighteenth-century women playwrights were on the cutting edge of comedy and their work had important feminist influence that can be traced to today’s stages and screens.
