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Author: Rick de Villiers
Publisher: Edinburgh University Press
ISBN: 1474479065
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>
Author: Rick de Villiers
Publisher: Edinburgh University Press
ISBN: 1474479065
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>
Author: John D. Morgenstern
Publisher: Liverpool University Press
ISBN: 1802074325
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of Oxford David E. Chinitz, Loyola University Chicago Anthony Cuda, University of North Carolina–Greensboro Robert Crawford, University of St Andrews Frances Dickey, University of Missouri John Haffenden, University of Sheffield Benjamin G. Lockerd, Grand Valley State University Gail McDonald, Goldsmiths, University of London Gabrielle McIntire, Queen’s University Jahan Ramazani, University of Virginia Christopher Ricks, Boston University Ronald Schuchard, Emory University Vincent Sherry, Washington University at St. Louis
Author: Rick de Villiers
Publisher: Edinburgh University Press
ISBN: 1474479057
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
<h4>Explores the relation between humility and humiliation in the works of T. S. Eliot and Samuel Beckett</h4>
<ul><li>Offers the first book-length comparative study of T. S. Eliot and Samuel Beckett</li>
<li>Develops a literary theory of humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology</li>
<li>Explores the relation between negative affect, ethics and aesthetics</li></ul>
<p>Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. As this study suggests, like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering – and possible responses to such states. Tracing the relation between negative affect, ethics, and aesthetics, <i>Eliot and Beckett’s Low Modernism</i> demonstrates how these two major modernists recuperate the affinity between humility and humiliation – concepts whose definitions have largely been determined by philosophy and theology.</p>
Author: Michael Y. Bennett
Publisher: Taylor & Francis
ISBN: 1040001610
Category : Literary Criticism
Languages : en
Pages : 803
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Book Description
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author: Jean-Michel Rabaté
Publisher: Taylor & Francis
ISBN: 1040126227
Category : Psychology
Languages : en
Pages : 244
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Book Description
This book explores the importance of Lacan’s role as an irritant within psychoanalysis, and how Freud and Lacan saw that as key to ensuring that psychoanalysis remained fresh and vital rather than becoming obsolescent. Drawing on Freud’s thinking as well as Lacan’s, Rabate examines how Lacan’s unwillingness to allow psychoanalytic thinking to become stale or pigeonholed into one part of life was key in his thinking. By constantly returning to psychoanalytic ideas in new and evolving ways, Lacan kept psychoanalysis moving and changing, much as Socrates did for philosophical thinking in classical Athens. This ‘gadfly’ or irritant role gave him free reign to explore all aspects of psychoanalytic thinking and treatment, and how it can permeate all aspects of life, both in the consulting room and beyond. Drawing on a deep understanding of Lacan’s work as well as Freud’s, this book is key reading for all those seeking to understand why Lacan’s work remains so important and so challenging for contemporary psychoanalysis.
Author: Steven Connor
Publisher: Cambridge University Press
ISBN: 1139993119
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Steven Connor, one of the most influential critics of twentieth-century literature and culture, has spent much of his career writing and thinking about Samuel Beckett. This book presents Connor's finest published work on Beckett alongside fresh essays that explore how Beckett has shaped major themes in modernism and twentieth-century literature. Through discussions of sport, nausea, slowness, flies, the radio switch, religion and academic life, Connor shows how Beckett's writing is characteristic of a distinctively mundane or worldly modernism, arguing that it is well-attuned to our current concern with the stressed relations between the human and natural worlds. Through Connor's analysis, Beckett's prose, poetry and dramatic works animate a modernism profoundly concerned with life, worldly existence and the idea of the world as such. Lucid, provocative, wide-ranging, and richly informed by critical and cultural theory, this book is required reading for anyone teaching or studying Beckett, modernism and twentieth-century literary studies.
Author: Jennifer Birkett
Publisher: Routledge
ISBN: 131788583X
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Bringing together seminal writings on Beckett from the 1950s and 1960s with critical readings from the 1980s and 1990s, this collection is inspired by a wide variety of literary-theoretical approaches and covers the whole range of Beckett's creative work. Following an up-to-date review and analysis of Beckett criticism, fifteen extracts of Beckett criticism are introduced and set in context by editors' headnotes. The book aims to make easily accessible to students and scholars stimulating and innovative writing on the work of Samuel Beckett, representing the wide range of new perspectives opened up by contemporary critical theory: philosophical, political and psychoanalytic criticism, feminist and gender studies, semiotics, and reception theory.
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 9780393052053
Category : Architecture
Languages : en
Pages : 664
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Book Description
This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.
Author: David Lloyd
Publisher: Edinburgh University Press
ISBN: 1474415733
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.
Author: JANE. MARCUS
Publisher:
ISBN: 9781835538746
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
In the wake of inadequate histories of radical writing and activism, Nancy Cunard: Perfect Stranger rejects stereotypes of Cunard as spoiled heiress and "sexually dangerous New Woman," offering instead a bold, unapologetic, evidence-based portrait of a woman and her significant contributions to 21st century considerations of gender, race, and class.
