Author: Vincent L. Barnett
Publisher: Routledge
ISBN: 1317145151
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.
Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman
Author: Vincent L. Barnett
Publisher: Routledge
ISBN: 1317145151
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.
Publisher: Routledge
ISBN: 1317145151
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
The first full-length study of the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman examines Glyn’s work as a novelist in the United Kingdom followed by her success in Hollywood where she adapted her popular romantic novels into films. Making extensive use of newly available archival materials, Vincent L. Barnett and Alexis Weedon explore Glyn’s experiences from multiple perspectives, including the artistic, legal and financial aspects of the adaptation process. At the same time, they document Glyn’s personal and professional relationships with a number of prominent individuals in the Hollywood studio system, including Louis B. Mayer and Irving Thalberg. The authors contextualize Glyn’s involvement in scenario-writing in relationship to other novelists in Hollywood, such as Edgar Wallace and Arnold Bennett, and also show how Glyn worked across Europe and America to transform her stories into other forms of media such as plays and movies. Providing a new perspective from which to understand the historical development of both British and American media industries in the first half of the twentieth century, this book will appeal to historians working in the fields of cultural and film studies, publishing and business history.
Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman
Author: Vincent L. Barnett
Publisher:
ISBN: 9781315579061
Category : Authors
Languages : en
Pages : 236
Book Description
Publisher:
ISBN: 9781315579061
Category : Authors
Languages : en
Pages : 236
Book Description
Elinor Glyn and Her Legacy
Author: Karen Randell
Publisher: Taylor & Francis
ISBN: 1000987736
Category : Social Science
Languages : en
Pages : 122
Book Description
This book reviews the cross-disciplinary debate sparked by renewed interest in Elinor Glyn’s life and legacy by film scholars and literary and feminist historians and offers a range of views of Glyn's cultural and historical significance and areas for future research. Elinor Glyn was a celebrity figure in the 1920s. In the magazines she gave tips on beauty and romance, on keeping your man and on the contentious issue of divorce. Her racy stories were turned into films – most famously, Three Weeks (1924) and It (1927). Decades on the ‘It Girl’ remains in common currency, defining the sexy, sassy and alluring young woman. She was beloved by readers of romance, and her films were distributed widely in Europe and the Americas. They were viewed by the judiciary as scandalous, but by others—Hollywood and the Spanish Catholic Church—as acceptably conservative. Glyn has become a peripheral figure in histories of this period, marginalized in accounts of the youth-centred ‘flapper era’. This book features scholarship by Stacy Gillis, Annette Kuhn, Nickianne Moody, Caterina Riba and Carme Sanmartí, Lisa Stead, Karen Randell, and Alexis Weedonand includes, translated for the first time, the intertitles for Márton Garas, 1917 film of Three Weeks, Három hét by Orsolya Zsuppán. The chapters in this book were originally published as a special issue of Women: A Cultural Review.
Publisher: Taylor & Francis
ISBN: 1000987736
Category : Social Science
Languages : en
Pages : 122
Book Description
This book reviews the cross-disciplinary debate sparked by renewed interest in Elinor Glyn’s life and legacy by film scholars and literary and feminist historians and offers a range of views of Glyn's cultural and historical significance and areas for future research. Elinor Glyn was a celebrity figure in the 1920s. In the magazines she gave tips on beauty and romance, on keeping your man and on the contentious issue of divorce. Her racy stories were turned into films – most famously, Three Weeks (1924) and It (1927). Decades on the ‘It Girl’ remains in common currency, defining the sexy, sassy and alluring young woman. She was beloved by readers of romance, and her films were distributed widely in Europe and the Americas. They were viewed by the judiciary as scandalous, but by others—Hollywood and the Spanish Catholic Church—as acceptably conservative. Glyn has become a peripheral figure in histories of this period, marginalized in accounts of the youth-centred ‘flapper era’. This book features scholarship by Stacy Gillis, Annette Kuhn, Nickianne Moody, Caterina Riba and Carme Sanmartí, Lisa Stead, Karen Randell, and Alexis Weedonand includes, translated for the first time, the intertitles for Márton Garas, 1917 film of Three Weeks, Három hét by Orsolya Zsuppán. The chapters in this book were originally published as a special issue of Women: A Cultural Review.
Transforming Faces for the Screen
Author: Karen Randell
Publisher: Springer Nature
ISBN: 3031400291
Category : Performing Arts
Languages : en
Pages : 149
Book Description
This book brings together research from medical and film archives to illustrate the cultural impact of film and literature in its relationship to the discourse of plastic surgery in the 1920s. This different take on reading the body after the First World War enables students of multiple disciplines, and readers interested in both Hollywood and post-war culture, to understand some of the complexities of medical interventions gained after the First World War and the way in which they filtered into the world of Hollywood film making. It also allows readers who may not be familiar with these two 1920s stars to access the films of Lon Chaney and the books and films of Elinor Glyn and gain new insights into 1920s visual culture. For ease of readership, the book is organised so that each of the main chapters focuses on a particular film (either Lon Chaney or Elinor Glyn). This is particularly useful for use in the classroom or for online education. Readers can refer to the film directly, aided by illustrations of frames from the films. This book tells the story of how two stars of Hollywood film transformed their character’s faces on screen through a close reading of three films in the 1920s. It reveals how they applied their embodied knowledge of surgery and surgical procedures to broaden their audience’s emotional and intellectual understanding of the treatment of deformity and disability.
Publisher: Springer Nature
ISBN: 3031400291
Category : Performing Arts
Languages : en
Pages : 149
Book Description
This book brings together research from medical and film archives to illustrate the cultural impact of film and literature in its relationship to the discourse of plastic surgery in the 1920s. This different take on reading the body after the First World War enables students of multiple disciplines, and readers interested in both Hollywood and post-war culture, to understand some of the complexities of medical interventions gained after the First World War and the way in which they filtered into the world of Hollywood film making. It also allows readers who may not be familiar with these two 1920s stars to access the films of Lon Chaney and the books and films of Elinor Glyn and gain new insights into 1920s visual culture. For ease of readership, the book is organised so that each of the main chapters focuses on a particular film (either Lon Chaney or Elinor Glyn). This is particularly useful for use in the classroom or for online education. Readers can refer to the film directly, aided by illustrations of frames from the films. This book tells the story of how two stars of Hollywood film transformed their character’s faces on screen through a close reading of three films in the 1920s. It reveals how they applied their embodied knowledge of surgery and surgical procedures to broaden their audience’s emotional and intellectual understanding of the treatment of deformity and disability.
Feminist Activism, Travel and Translation Around 1900
Author: Johanna Gehmacher
Publisher: Springer Nature
ISBN: 3031427637
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This open access book takes the biographical case of German feminist Käthe Schirmacher (1865–1930), a multilingual translator, widely travelled writer of fiction and non-fiction, and a disputatious activist to examine the travel and translation of ideas between the women’s movements that emerged in many countries in the late 19th and early 20th century. It discusses practices such as translating, interpreting, and excerpting from journals and books that spawned and supported transnational civic spaces and develops a theoretical framework to analyse these practices. It examines translations of literary, scholarly and political texts and their contexts. The book will be of interest to academics as well as undergraduate and postgraduate students in the fields of modern history, women’s and gender history, cultural studies, transnational and transfer history, translation studies, history and theory of biography.
Publisher: Springer Nature
ISBN: 3031427637
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This open access book takes the biographical case of German feminist Käthe Schirmacher (1865–1930), a multilingual translator, widely travelled writer of fiction and non-fiction, and a disputatious activist to examine the travel and translation of ideas between the women’s movements that emerged in many countries in the late 19th and early 20th century. It discusses practices such as translating, interpreting, and excerpting from journals and books that spawned and supported transnational civic spaces and develops a theoretical framework to analyse these practices. It examines translations of literary, scholarly and political texts and their contexts. The book will be of interest to academics as well as undergraduate and postgraduate students in the fields of modern history, women’s and gender history, cultural studies, transnational and transfer history, translation studies, history and theory of biography.
Women, Celebrity and Cultures of Ageing
Author: Deborah Jermyn
Publisher: Springer
ISBN: 113749512X
Category : Social Science
Languages : en
Pages : 215
Book Description
This book studies the relationship between women, ageing and celebrity. Focusing on an array of case studies and star/celebrity images, it aims to examine the powerful, contradictory and sometimes celebratory ways in which celebrity culture offers a crucial site for the contemporary and historical construction of discourses on ageing femininities.
Publisher: Springer
ISBN: 113749512X
Category : Social Science
Languages : en
Pages : 215
Book Description
This book studies the relationship between women, ageing and celebrity. Focusing on an array of case studies and star/celebrity images, it aims to examine the powerful, contradictory and sometimes celebratory ways in which celebrity culture offers a crucial site for the contemporary and historical construction of discourses on ageing femininities.
Off to the Pictures
Author: Lisa Stead
Publisher: Edinburgh University Press
ISBN: 0748694897
Category : Performing Arts
Languages : en
Pages : 232
Book Description
Examines womens constructions of selfhood through film and literature in interwar BritainOff to the Pictures: Cinemagoing, Womens Writing and Movie Culture in Interwar Britain offers a rich new exploration of interwar womens fictions and their complex intersections with cinema. Interrogating a range of writings, from newspapers and magazines to middlebrow and modernist fictions, the book takes the reader through the diverse print and storytelling media that women constructed around interwar film-going, arguing that literary forms came to constitute an intermedial gendered cinema culture at this time.Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinemas place in the fictions and critical writings of major literary figures such as Winifred Holtby, Stella Gibbons, Elizabeth Bowen, Jean Rhys, Elinor Glyn, C. A. Lejeune and Iris Barry. Through the lens of feminist film historiography, Off to the Pictures presents a bold new view of interwar cinema culture, read through the creative reflections of the women who experienced it.
Publisher: Edinburgh University Press
ISBN: 0748694897
Category : Performing Arts
Languages : en
Pages : 232
Book Description
Examines womens constructions of selfhood through film and literature in interwar BritainOff to the Pictures: Cinemagoing, Womens Writing and Movie Culture in Interwar Britain offers a rich new exploration of interwar womens fictions and their complex intersections with cinema. Interrogating a range of writings, from newspapers and magazines to middlebrow and modernist fictions, the book takes the reader through the diverse print and storytelling media that women constructed around interwar film-going, arguing that literary forms came to constitute an intermedial gendered cinema culture at this time.Using detailed case studies, this innovative book draws upon new archival research, industrial analysis and close textual readings to consider cinemas place in the fictions and critical writings of major literary figures such as Winifred Holtby, Stella Gibbons, Elizabeth Bowen, Jean Rhys, Elinor Glyn, C. A. Lejeune and Iris Barry. Through the lens of feminist film historiography, Off to the Pictures presents a bold new view of interwar cinema culture, read through the creative reflections of the women who experienced it.
J.S. Bach
Author: George B. Stauffer
Publisher: Oxford University Press
ISBN: 0197558054
Category : Art
Languages : en
Pages : 289
Book Description
Publisher: Oxford University Press
ISBN: 0197558054
Category : Art
Languages : en
Pages : 289
Book Description
Companion to the History of the Book
Author: Simon Eliot
Publisher: John Wiley & Sons
ISBN: 1119018218
Category : Literary Criticism
Languages : en
Pages : 976
Book Description
The celebrated text on the history of the book, completely revised, updated and expanded The revised and updated edition of The Companion to the History of the Book offers a global survey of the book’s history, through print and electronic text. Already well established as a standard survey of the historiography of the book, this new, expanded edition draws on a decade of advanced scholarship to present current research on paper, printing, binding, scientific publishing, the history of maps, music and print, the profession of authorship and lexicography. The text explores the many approaches to the book from the early clay tablets of Sumer, Assyria and Babylonia to today’s burgeoning electronic devices. The expert contributions delve into such fascinating topics as archives and paperwork, and present new chapters on Arabic script, the Slavic, Canadian, African and Australasian book, new textual technologies, and much more. Containing a wealth of illustrative examples and case studies to dramatize the exciting history of the book, the text is designed for academics, students and anyone interested in the subject.
Publisher: John Wiley & Sons
ISBN: 1119018218
Category : Literary Criticism
Languages : en
Pages : 976
Book Description
The celebrated text on the history of the book, completely revised, updated and expanded The revised and updated edition of The Companion to the History of the Book offers a global survey of the book’s history, through print and electronic text. Already well established as a standard survey of the historiography of the book, this new, expanded edition draws on a decade of advanced scholarship to present current research on paper, printing, binding, scientific publishing, the history of maps, music and print, the profession of authorship and lexicography. The text explores the many approaches to the book from the early clay tablets of Sumer, Assyria and Babylonia to today’s burgeoning electronic devices. The expert contributions delve into such fascinating topics as archives and paperwork, and present new chapters on Arabic script, the Slavic, Canadian, African and Australasian book, new textual technologies, and much more. Containing a wealth of illustrative examples and case studies to dramatize the exciting history of the book, the text is designed for academics, students and anyone interested in the subject.
Creative Practice Research in the Age of Neoliberal Hopelessness
Author: Agnieszka Piotrowska
Publisher: Edinburgh University Press
ISBN: 1474463584
Category : Education
Languages : en
Pages : 344
Book Description
Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge.
Publisher: Edinburgh University Press
ISBN: 1474463584
Category : Education
Languages : en
Pages : 344
Book Description
Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge.