Author: William G. Andrews
Publisher: Alfred Music
ISBN: 9781457496707
Category : Music
Languages : en
Pages : 164
Book Description
Provides students with music from the great composers to study before attempting to write themselves. Discussion of the elements of music pertinent to an understanding of the 18th century counterpoint are included.
Elements of 18th Century Counterpoint
Author: William G. Andrews
Publisher: Alfred Music
ISBN: 9781457496707
Category : Music
Languages : en
Pages : 164
Book Description
Provides students with music from the great composers to study before attempting to write themselves. Discussion of the elements of music pertinent to an understanding of the 18th century counterpoint are included.
Publisher: Alfred Music
ISBN: 9781457496707
Category : Music
Languages : en
Pages : 164
Book Description
Provides students with music from the great composers to study before attempting to write themselves. Discussion of the elements of music pertinent to an understanding of the 18th century counterpoint are included.
Elements of 18th Century Counterpoint
Author: William G. Andrews
Publisher: G.V. Thompson Music
ISBN:
Category : Counterpoint
Languages : en
Pages : 153
Book Description
Publisher: G.V. Thompson Music
ISBN:
Category : Counterpoint
Languages : en
Pages : 153
Book Description
A Practical Approach to 18th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
A Practical Approach to Eighteenth-century Counterpoint
Author: Robert Gauldin
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 360
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 360
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
A Practical Approach to 18th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland PressInc
ISBN: 9781478604709
Category : Music
Languages : en
Pages : 335
Book Description
This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.--Provided by publisher
Publisher: Waveland PressInc
ISBN: 9781478604709
Category : Music
Languages : en
Pages : 335
Book Description
This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.--Provided by publisher
The Craft of Tonal Counterpoint
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Study of Counterpoint
Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
A Conductor's Guide to Nineteenth-century Choral-orchestral Works
Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356
Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356
Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
Book Description
Canadiana
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 732
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 732
Book Description