Author: Eleanor Anne Ormerod
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 440
Book Description
Eleanor Ormerod, LL D., Economic Entomologist
Author: Eleanor Anne Ormerod
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 440
Book Description
Eleanor Ormerod, LL D., Economic Entomologist
Author: Eleanor Anne Ormerod
Publisher:
ISBN:
Category : Entomology
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Entomology
Languages : en
Pages : 348
Book Description
Eleanor Ormerod, LL. D
Author: Eleanor An; Ormerod
Publisher:
ISBN: 9781330614921
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
Excerpt from Eleanor Ormerod, LL. D: Economic Entomologist, Autobiography and Correspondence The idea that Miss Ormerod should write her biography originated with the present writer during one of many visits paid to her at St. Albans. Miss Ormerod had unfolded in charming language and with admirable lucidity and fluency some interesting chapters of her personal experiences and reminiscences. The first working plan of the project involved the concealment of a shorthand writer behind a screen in the dining-room while dinner was proceeding, and while the examination of ethnological specimens or other attractive objects gave place for a time to general conversation on subjects grown interesting by age. Although the shorthand writer was selected and is several times referred to in letters written about this period (pp. 304-7), Miss Ormerod, on due reflection, felt that the presence, though unseen, of a stranger at these meetings in camera would make the position unnatural, and dislocate the association of ideas to the detriment of the narrative. She then bethought herself of the method of writing down at leisure moments, from time to time as a suitable subject occurred to her, rough notes (p. 122) to be elaborated later, and when after a time a subject had been exhausted, the rough notes were re-written and welded into a narrative (pp. 304-21). Some four or five of the early chapters were thus treated and then typewritten, but the remainder of the Autobiography was left in crude form, requiring much piecing together and editorial trimming. Had the book been produced on the original plan, it was proposed to name it "Recollections of Changing Times." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781330614921
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
Excerpt from Eleanor Ormerod, LL. D: Economic Entomologist, Autobiography and Correspondence The idea that Miss Ormerod should write her biography originated with the present writer during one of many visits paid to her at St. Albans. Miss Ormerod had unfolded in charming language and with admirable lucidity and fluency some interesting chapters of her personal experiences and reminiscences. The first working plan of the project involved the concealment of a shorthand writer behind a screen in the dining-room while dinner was proceeding, and while the examination of ethnological specimens or other attractive objects gave place for a time to general conversation on subjects grown interesting by age. Although the shorthand writer was selected and is several times referred to in letters written about this period (pp. 304-7), Miss Ormerod, on due reflection, felt that the presence, though unseen, of a stranger at these meetings in camera would make the position unnatural, and dislocate the association of ideas to the detriment of the narrative. She then bethought herself of the method of writing down at leisure moments, from time to time as a suitable subject occurred to her, rough notes (p. 122) to be elaborated later, and when after a time a subject had been exhausted, the rough notes were re-written and welded into a narrative (pp. 304-21). Some four or five of the early chapters were thus treated and then typewritten, but the remainder of the Autobiography was left in crude form, requiring much piecing together and editorial trimming. Had the book been produced on the original plan, it was proposed to name it "Recollections of Changing Times." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Eleanor Ormerod, LL.D., Economic Entomologist
Author: Eleanor Anne Ormerod
Publisher:
ISBN:
Category : Entomologists
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Entomologists
Languages : en
Pages : 442
Book Description
Eleanor Ormerod, LL. D. , Economic Entomologist
Author: Robert Wallace
Publisher: Palala Press
ISBN: 9781346669618
Category :
Languages : en
Pages : 440
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Palala Press
ISBN: 9781346669618
Category :
Languages : en
Pages : 440
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Entomologist
Author:
Publisher:
ISBN:
Category : Entomology
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Entomology
Languages : en
Pages : 442
Book Description
Beyond the Victorian/ Modernist Divide
Author: Anne-Florence Gillard-Estrada
Publisher: Routledge
ISBN: 1351333232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.
Publisher: Routledge
ISBN: 1351333232
Category : Literary Criticism
Languages : en
Pages : 381
Book Description
Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.
The Biographical Dictionary of Women in Science
Author: Marilyn Ogilvie
Publisher: Routledge
ISBN: 1135963436
Category : Biography & Autobiography
Languages : en
Pages : 798
Book Description
Volume 2 of 2.
Publisher: Routledge
ISBN: 1135963436
Category : Biography & Autobiography
Languages : en
Pages : 798
Book Description
Volume 2 of 2.
Victorian Cultures of Liminality
Author: Amina Alyal
Publisher: Cambridge Scholars Publishing
ISBN: 1527515621
Category : Art
Languages : en
Pages : 246
Book Description
This volume is unique in its focus on cross-fertilisation in the arts, on very specific exploration of liminal spaces, and on the representation of marginal figures in writing. The essays here grew out of the Borders and Margins colloquium, held at Leeds Trinity University, UK, in April 2010, which was the fourth in a series of colloquia. This collection, moreover, contributes to a growing area of scholarship which explores Anglo-French interactions and exchanges. In choosing the term “liminality”, the editors are aware of its nuanced implications, allowing suggestions both of the initial and the transitional. The contributors here are academics from the fields of literature, history and art history, and their essays cover art history, literature, cultural history, the arts, and faith. Altogether, this collection evokes a sense of temporal shift, in that changes in values and focus are uncovered as the nineteenth century progresses. Some have an ekphrastic quality, showing how pictures can have a narrative, and how pictures, as well as texts, can be encoded with moral and social interpretations. Close scrutiny is applied to different kinds of texts, fiction and non-fiction, and the purposes for which they were produced. This book will appeal to scholars and academics interested in a wide range of cross-categorisational transactions in nineteenth-century Britain. It will be of interest to scholars of Victorian culture, and English nineteenth-century literature and art, particularly in terms of genre, as well as to academics interested in the development of social, personal, and national identities.
Publisher: Cambridge Scholars Publishing
ISBN: 1527515621
Category : Art
Languages : en
Pages : 246
Book Description
This volume is unique in its focus on cross-fertilisation in the arts, on very specific exploration of liminal spaces, and on the representation of marginal figures in writing. The essays here grew out of the Borders and Margins colloquium, held at Leeds Trinity University, UK, in April 2010, which was the fourth in a series of colloquia. This collection, moreover, contributes to a growing area of scholarship which explores Anglo-French interactions and exchanges. In choosing the term “liminality”, the editors are aware of its nuanced implications, allowing suggestions both of the initial and the transitional. The contributors here are academics from the fields of literature, history and art history, and their essays cover art history, literature, cultural history, the arts, and faith. Altogether, this collection evokes a sense of temporal shift, in that changes in values and focus are uncovered as the nineteenth century progresses. Some have an ekphrastic quality, showing how pictures can have a narrative, and how pictures, as well as texts, can be encoded with moral and social interpretations. Close scrutiny is applied to different kinds of texts, fiction and non-fiction, and the purposes for which they were produced. This book will appeal to scholars and academics interested in a wide range of cross-categorisational transactions in nineteenth-century Britain. It will be of interest to scholars of Victorian culture, and English nineteenth-century literature and art, particularly in terms of genre, as well as to academics interested in the development of social, personal, and national identities.
Revealing New Worlds
Author: Suzanne Le-May Sheffield
Publisher: Routledge
ISBN: 1134698461
Category : Biography & Autobiography
Languages : en
Pages : 261
Book Description
The story of nineteenth-century science often tells a tale of a masculinized professionalizing domain. Scientific man increasingly pushed women out, marginalized them and constructed them as naturally feminine creatures incapable of intellectual work, particularly scientific work. Yet many women participated in various scientific endeavours throughout the century. This work asks why, when the waters were so inviting, did women dive deeply into the swirling maelstrom of scientific practice, scientific controversies and scientific writing? Victorian women certainly recognised that male naturalists were not always willing to welcome them warmly into their inner sanctum of scientific work honour and prestige. Moreover, they recognised the existence of a more general social stigma that thwarted any woman's participation in intellectual endeavours. However, their fascination with algology, botany and entomology led Margaret Gatty, Marianne North and Eleanor Ormerod to reach beyond acceptable gendered roles, to undertake field work, to paint, write, popularize, experiment and discover. Each exhibited a passion for their chosen field, a need for intellectual, artistic and scientific work, and a desire for scientific recognition and renown. This book examines the ability of women to understand themselves and respond to their needs as complex human beings. Within a framework of socially and scientifically constructed norms, these Victorial women use d science as a path to self-awareness and intellectual accomplishment.
Publisher: Routledge
ISBN: 1134698461
Category : Biography & Autobiography
Languages : en
Pages : 261
Book Description
The story of nineteenth-century science often tells a tale of a masculinized professionalizing domain. Scientific man increasingly pushed women out, marginalized them and constructed them as naturally feminine creatures incapable of intellectual work, particularly scientific work. Yet many women participated in various scientific endeavours throughout the century. This work asks why, when the waters were so inviting, did women dive deeply into the swirling maelstrom of scientific practice, scientific controversies and scientific writing? Victorian women certainly recognised that male naturalists were not always willing to welcome them warmly into their inner sanctum of scientific work honour and prestige. Moreover, they recognised the existence of a more general social stigma that thwarted any woman's participation in intellectual endeavours. However, their fascination with algology, botany and entomology led Margaret Gatty, Marianne North and Eleanor Ormerod to reach beyond acceptable gendered roles, to undertake field work, to paint, write, popularize, experiment and discover. Each exhibited a passion for their chosen field, a need for intellectual, artistic and scientific work, and a desire for scientific recognition and renown. This book examines the ability of women to understand themselves and respond to their needs as complex human beings. Within a framework of socially and scientifically constructed norms, these Victorial women use d science as a path to self-awareness and intellectual accomplishment.