El valiente negro en Flandes. [By Andrés de Claramonte.] PDF Download
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Author: Andrés de CLARAMONTE
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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![El valiente negro en Flandes. [By Andrés de Claramonte.] PDF](https://books.google.com/books/content/images/frontcover/Djm1HJtOTQgC?fife=w80-h100)
Author: Andrés de CLARAMONTE
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Baltasar Fra-Molinero
Publisher: Liverpool University Press
ISBN: 1837644632
Category : Literary Collections
Languages : en
Pages : 465
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Book Description
A play about defiance of systemic racism. Juan de Mérida, an Afro-Spanish soldier aspires to social advancement in the Netherlands during the Eighty Years' War (1566-1648). His main enemies are not Dutch rebels but his white countrymen, whom he defeats at every attempt to humiliate him. In this play one encounters military culture, upward mobility, mistaken identities, defying destiny, royal pageantry, swordfights, cross-dressing, revenge, homosexual anxiety, and inter-racial marriage. Andrés de Claramonte’s El valiente negro en Flandes (c.1625) is an Afrodiasporic play that enjoyed great success and multiple stagings in Spain and in Latin America. Its 1938 negrista performance in Havana, Cuba, and Frantz Fanon’s Black Skin, White Masks, attest to the power of this play to illuminate contemporary racial dynamics. This is the first annotated, critical edition and English translation of El valiente negro en Flandes with a comprehensive introduction, three critical essays, the critical apparatus comparing the eleven extant versions of the play, and an appendix with alternative scenes and related historical documents. A tool for scholars of early modern European literature and a pedagogical aid to discuss the early discourses on Blackness in Spain and its trans-Atlantic empire.
Author: Larissa Brewer-García
Publisher: Cambridge University Press
ISBN: 1108626386
Category : History
Languages : en
Pages : 321
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Book Description
In seventeenth-century Spanish America, black linguistic interpreters and spiritual intermediaries played key roles in the production of writings about black men and women. Focusing on the African diaspora in Peru and the southern continental Caribbean, Larissa Brewer-García uncovers long-ignored or lost archival materials describing the experiences of black Christians in the transatlantic slave trade and the colonial societies where they arrived. Brewer-García's analysis of these materials shows that black intermediaries bridged divisions among the populations implicated in the slave trade, exerting influence over colonial Spanish American writings and emerging racial hierarchies in the Atlantic world. The translated portrayals of blackness composed by these intermediaries stood in stark contrast to the pejorative stereotypes common in literary and legal texts of the period. Brewer-García reconstructs the context of those translations and traces the contours and consequences of their notions of blackness, which were characterized by physical beauty and spiritual virtue.
Author: Emily Weissbourd
Publisher: University of Pennsylvania Press
ISBN: 1512822892
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Bad Blood explores representations of race in early modern English and Spanish literature, especially drama. It addresses two different forms of racial ideology: one concerned with racialized religious difference--that is, the notion of having Jewish or Muslim "blood"--and one concerned with Blackness and whiteness. Shakespeare's Othello tells us that he was "sold to slavery" in his youth, a phrase that evokes the Atlantic triangle trade for readers today. For many years, however, scholars have asserted that racialized slavery was not yet widely understood in early modern England, and that the kind of enslavement that Othello describes is related to Christian-Muslim conflict in the Mediterranean rather than the rise of the racialized enslavement of Afro-diasporic subjects. Bad Blood offers a new account of early modern race by tracing the development of European racial vocabularies from Spain to England. Dispelling assumptions, stemming from Spain's historical exclusion of Jews and Muslims, that premodern racial ideology focused on religious difference and purity of blood more than color, Emily Weissbourd argues that the context of the Atlantic slave trade is indispensable to understanding race in early modern Spanish and English literature alike. Through readings of plays by Shakespeare, Lope de Vega, and their contemporaries, as well as Spanish picaresque fiction and its English translations, Weissbourd reveals how ideologies of racialized slavery as well as religious difference come to England via Spain, and how both notions of race operate in conjunction to shore up fantasies of Blackness, whiteness, and "pure blood." The enslavement of Black Africans, Weissbourd shows, is inextricable from the staging of race in early modern literature.
Author: Diana Berruezo-Sánchez
Publisher: Oxford University Press
ISBN: 0198914245
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 1108281125
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.
Author: John M. Lipski
Publisher: Cambridge University Press
ISBN: 1107320372
Category : Foreign Language Study
Languages : en
Pages : 418
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Book Description
The African slave trade, beginning in the fifteenth century, brought African languages into contact with Spanish and Portuguese, resulting in the Africans' gradual acquisition of these languages. In this 2004 book, John Lipski describes the major forms of Afro-Hispanic language found in the Iberian Peninsula and Latin America over the last 500 years. As well as discussing pronunciation, morphology and syntax, he separates legitimate forms of Afro-Hispanic expression from those that result from racist stereotyping, to assess how contact with the African diaspora has had a permanent impact on contemporary Spanish. A principal issue is the possibility that Spanish, in contact with speakers of African languages, may have creolized and restructured - in the Caribbean and perhaps elsewhere - permanently affecting regional and social varieties of Spanish today. The book is accompanied by the largest known anthology of primary Afro-Hispanic texts from Iberia, Latin America, and former Afro-Hispanic contacts in Africa and Asia.
Author: John Beusterien
Publisher: Bucknell University Press
ISBN: 9780838756140
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Racism in the modern nation state is based on a Continental and an American model. In the Continental model, the racist differentiates the raced individual by religion. Because this raced individual is indistinguishable from the racist, a narrative is written to see that individual. In turn, in the American model the racist differentiates the raced individual based on skin color. Because the sign of difference is obvious, no story is written to justify racist thinking. By 1550, both models form part of imperial thinking in the Iberian world system. An Eye on Race: Perspectives from Theater in Imperial Spain describes these models at work in imperial Spanish theater. The study reveals how the display of blood in drama serves the Continental model and how the display of skin color serves the American model. It also elucidates how Miguel de Cervantes celebrates a subaltern aesthetic as he discards both racial paradigms. John Beusterien is Associate Professor of Spanish at Texas Tech University.
Author: Nicholas R. Jones
Publisher: Penn State Press
ISBN: 0271083921
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue. Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts. Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that habla de negros animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.
Author: J. A. Rogers
Publisher: Wesleyan University Press
ISBN: 0819575542
Category : Social Science
Languages : en
Pages : 316
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Book Description
In the Sex and Race series, first published in the 1940s, historian Joel Augustus Rogers questioned the concept of race, the origins of racial differentiation, and the root of the "color problem." Rogers surmised that a large percentage of ethnic differences are the result of sociological factors and in these volumes he gathered what he called "the bran of history"—the uncollected, unexamined history of black people—in the hope that these neglected parts of history would become part of the mainstream body of Western history. Drawing on a vast amount of research, Rogers was attempting to point out the absurdity of racial divisions. Indeed his belief in one race—humanity—precluded the idea of several different ethnic races. The series marshals the data he had collected as evidence to prove his underlying humanistic thesis: that people were one large family without racial boundaries. Self-trained and self-published, Rogers and his work were immensely popular and influential during his day, even cited by Malcolm X. The books are presented here in their original editions.
