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Author: Guillermo Alvarez Castro
Publisher:
ISBN:
Category :
Languages : es
Pages : 132
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Author: Guillermo Alvarez Castro
Publisher:
ISBN:
Category :
Languages : es
Pages : 132
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Book Description
Author: Julio Cortázar
Publisher: Archipelago
ISBN:
Category : Fiction
Languages : en
Pages : 124
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Book Description
"Diary of Andres Fava is pure reflection: on his reading, dreams, conversations, and writing. This unpredictable journal of the protagonist of Julio Cortazar's posthumously published El Examen is peppered with quotes from French poets and American jazzmen. Exploratory and honest, Diary of Andres Fava lets us in on his own intimate reflections on literature, music, friendship, love, and the act of writing."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 650
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Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 648
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Author: Julio Cortázar
Publisher:
ISBN: 9781955190206
Category :
Languages : en
Pages :
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Luis and Laura, an Argentine couple looking for a new beginning, settle in France, connected to their former home only through occasional letters from Luis's mother in Buenos Aires. But when a name from the past appears in an otherwise unremarkable letter, it comes with a dark shadow. What emerges is a psychological study of grief swirling with guilt, equal parts love-triangle and ghost story. "Letters from Mom" is one of Julio Cortázar's most beloved short stories, part of the same collection (Las armas secretas) that gave us "Blow-up" and "At Your Service". It is translated here into English for the first time.
Author: Patricia E. Reagan
Publisher: Rowman & Littlefield
ISBN: 1498524729
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Deconstructing Paradise investigates Christian symbols that appear in Latin American Literature in an inverted way. The texts under investigation invert the Christian center to generate a social, political, cultural, or even artistic commentary. In doing so, each text underscores a search for meaning that rejects the centering presence of the more traditional Christian focus that has long validated humankind’s existence both in society and in literature. As Deconstructing Paradise examines, finding a unified center around which to construct meaning is no longer possible, although the search for meaning persists in the inverted Christian center. The first three chapters analyze the trifecta of novels that offer a full allegory of inverted Christian symbolism including: Miguel Ángel Asturias’ El Señor Presidente; Juan Rulfo’s Pedro Páramo and José Donoso’s El lugar sin límites. Chapters Four and Five focus on inverted Christ and inverted Judas figures in multiple novels and short fiction. As many Latin American literary critics affirm, it is increasingly difficult to categorize fiction after the Boom, although even the usefulness of these categories is ultimately questionable. Literary critics now look for patterns and Deconstructing Paradise offers one such pattern by identifying a trend in an impressive scope of the well-known authors of twentieth-century Latin American literature, while also tracing this pattern back to nineteenth-century precursors. Deconstructing Paradise offers a unique and comprehensive look at a significant trend that will undoubtedly foment new ideas and paths of study in contemporary Latin American literature.
Author: Sarah Ann Wells
Publisher: Northwestern University Press
ISBN: 081013456X
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
Winner, LASA Best Book Published in 2017, Southern Cone Section, Humanities category Media Laboratories explores a pivotal time for South American literature of the 1930s and ’40s. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public. What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant? Moving among authors from Brazil, Argentina, and Uruguay, and among the genres of fiction, the essay, popular journalism, and experimental little magazines, Sarah Ann Wells shows how writers on the periphery of global modernity were fashioning alternative approaches to these media. Analyzing authors such as Clarice Lispector, Jorge Luis Borges, and Felisberto Hernández, along with their lesser-known contemporaries, Media Laboratories casts a wide net: from spectators of Hollywood and Soviet montage films, to inventors of imaginary media, to proletarian typists who embodied the machine-human encounters of the period. The text navigates contemporary scholarly and popular debates about the relationship of literature to technological innovation, media archaeology, sound studies, populism, and global modernisms. Ultimately, Wells underscores a question that remains relevant: what possibilities emerge when the enthusiasm for new media has been replaced by anxiety over their potentially pernicious effects in a globalizing, yet vastly unequal, world?
Author: University of Texas. Library. Latin American Collection
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 746
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 646
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Author: Theodore 1908-1963 Roethke
Publisher: Hassell Street Press
ISBN: 9781013879487
Category :
Languages : en
Pages : 72
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
