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Author: José de Espronceda
Publisher: Liverpool University Press
ISBN: 9780856685019
Category : Fiction
Languages : en
Pages : 152
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Book Description
In this impressive 'verse legend' Espronceda creates an original interpretation of the famous Don Juan legend whereby he produces a Romantic 'counter-text' which gives voice to what we now recognise as a central part of the modern philosophical condition: the Romantic vision of an all-pervasive cosmic injustice. Professor Cardwell, in his introduction, shows how in the person of Felix de Montemar, Espronceda has created one of Europe's first rebellious literary heroes, standing alone, noble and defiant, in the face of all the evil and pain in the world. Thus Espronceda takes his place alongside other major European Romantic writers; Byron, Lermontov, Heine, Vigny, Leopardi and Mickiewitz; expressing, as they do, man's existential protest, noblest ideals and his modern sense of human condition which directly informs our own twentieth century literary achievements. Davies' meticulous translation of this poem, mirroring the metrical and stylistic virtuosity of Espronceda's original, presents it for the first time to English readers, since its composition 150 years ago.
Author: José de Espronceda
Publisher: Liverpool University Press
ISBN: 9780856685019
Category : Fiction
Languages : en
Pages : 152
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Book Description
In this impressive 'verse legend' Espronceda creates an original interpretation of the famous Don Juan legend whereby he produces a Romantic 'counter-text' which gives voice to what we now recognise as a central part of the modern philosophical condition: the Romantic vision of an all-pervasive cosmic injustice. Professor Cardwell, in his introduction, shows how in the person of Felix de Montemar, Espronceda has created one of Europe's first rebellious literary heroes, standing alone, noble and defiant, in the face of all the evil and pain in the world. Thus Espronceda takes his place alongside other major European Romantic writers; Byron, Lermontov, Heine, Vigny, Leopardi and Mickiewitz; expressing, as they do, man's existential protest, noblest ideals and his modern sense of human condition which directly informs our own twentieth century literary achievements. Davies' meticulous translation of this poem, mirroring the metrical and stylistic virtuosity of Espronceda's original, presents it for the first time to English readers, since its composition 150 years ago.
Author: José de Espronceda
Publisher: Library of Alexandria
ISBN: 1465563857
Category : Fiction
Languages : en
Pages : 443
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Book Description
Author: José de Espronceda
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN: 9781588713070
Category : Spanish poetry
Languages : en
Pages : 0
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Book Description
A translation from the Spanish into English of the play by JosÉ de Espronceda y Delgado. The translation is by Robert M. Fedorchek and the introduction is by Michael Iarocci. This is number 9 in Juan de la Cuesta Hispanic Monograph's Serie de traducciones crÍticas. *** What to say of the rebel who fears neither God nor the devil, and who would challenge the Almighty to a duel? Such a man is don FÉlix de Montemar, the Student of Salamanca, a "second don Juan Tenorio" and profligate descendant of the first don Juan Tenorio dramatized so memorably by Tirso de Molina in The Trickster of Seville (El burlador de Sevilla, 1630). We might say that he is the literary incarnation of JosÉ de Espronceda y Delgado (1808-42), the greatest of the Spanish Romantic poets, the champion of liberty who gave voice to dissidents and loners on the fringes of society. In rousing verses and stirring refrains Espronceda sings of the individual in "The Pirate's Song" (La canciÓn del pirata), "The Beggar" (El mendigo), "The Song of the Cossack" (El canto del cosaco), and "The Executioner" (El verdugo). And in his long unfinished epic poem of six cantos--the seventh is but a fragment--"The Devil World" (El diablo mundo), he offers illusion and disillusion, a wide-ranging vision that encompasses the many extremes of the human experience. On the world's stage, however, the lion's share of the poet's everlasting fame may just possibly rest on "The Student of Salamanca" (El estudiante de Salamanca). The protagonist don FÉlix de Montemar--a student in title only--seduces and then abandons genteel, tender-hearted doÑa Elvira, who in her final moments writes to him of her trampled, unreciprocated love. After killing her brother, don Diego, who had sought to avenge his sister, don FÉlix will come upon a ghostly white ethereal apparition that he follows through shadowy streets only to witness don Diego's and his funeral procession. And it is after he scoffs at his own obsequies that he begins a phantasmagorical descent from which there is no escape. "The Student of Salamanca" is the second of the three universally recognized don Juan figures in Spanish literature, and all of them are concerned--to varying degrees--with God and salvation or damnation. Tirso's refuses to repent and faces divine wrath; JosÉ Zorrilla's don Juan (Don Juan Tenorio, 1844), who also witnesses his own funeral procession, will repent, know God's mercy, and be saved through doÑa InÉs's love for him; what don FÉlix will know is the embrace of a livid skeleton, and instead of the music that Zorrilla's don Juan hears as his life ebbs, don FÉlix will hear an altogether different sound.
Author: Daisy Manie Newby
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
Author: Peter France
Publisher: Oxford University Press, USA
ISBN: 9780199247844
Category : Language Arts & Disciplines
Languages : en
Pages : 692
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Book Description
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 936
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Book Description
Author: Sharon Keefe Ugalde
Publisher: University of Wales Press
ISBN: 1786835991
Category : Art
Languages : en
Pages : 283
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Book Description
It is astonishing how deeply the figure of Ophelia has been woven into the fabric of Spanish literature and the visual arts – from her first appearance in eighteenth-century translations of Hamlet, through depictions by seminal authors such as Espronceda, Bécquer and Lorca, to turn-of-the millennium figurations. This provocative, gendered figure has become what both male and female artists need her to be – is she invisible, a victim, mad, controlled by the masculine gaze, or is she an agent of her own identity? This well-documented study addresses these questions in the context of Iberia, whose poets, novelists and dramatists writing in Spanish, Catalan and Galician, as well as painters and photographers, have brought Shakespeare’s heroine to life in new guises. Ophelia performs as an authoritative female author, as new perspectives reflect and authorise the gender diversity that has gained legitimacy in Spanish society since the political Transition.
Author: Peter Cochran
Publisher: Cambridge Scholars Publishing
ISBN: 1443802484
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
The Gothic Byron examines in detail the Gothic element in Byron’s work, arguing that it has traditionally been undervalued. It looks closely at his reading in the novels of Ann Radcliffe, Monk Lewis, and Charlotte Dacre, and then discusses the Gothic elements in his Turkish Tales, plays, and satirical poetry, ending with two essays on Don Juan. Further essays explore the indebtedness of several European and English writers, including Charlotte and Emily Brontë, to the Gothic element in Byron’s poetry.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 1317609352
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Author: Peter Cochran
Publisher: Cambridge Scholars Publishing
ISBN: 1443864250
Category : Juvenile Nonfiction
Languages : en
Pages : 465
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Book Description
Byron and Latin Culture consists of twenty-three papers, most of which were given at the 37th International Byron Conference at Valladolid, Spain, in July 2011. An introduction by the editor describes in detail the huge influence which the major Latin poets had on Byron: his borrowings, imitations, parodies, and echoes have never been catalogued in such detail, and it becomes clear that many ideas central to Don Juan, in particular, derive from Ovid, Virgil, Petronius, Martial and the other great classical writers. There are substantial sections on the ways Byron was influenced by, and in turn influenced, the literature and art of France, Spain, Italy, and other nations. Contributors include John Clubbe, Richard Cardwell, Madeleine Callaghan, Alice Levine, Itsuyo Higashinaka, Olivier Feignier, Katherine Kernberger, and Stephen Minta.
