The Calderonian Stage PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Calderonian Stage PDF full book. Access full book title The Calderonian Stage by Manuel Delgado. Download full books in PDF and EPUB format.
Author: Manuel Delgado
Publisher: Bucknell University Press
ISBN: 9780838753316
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Manuel Delgado
Publisher: Bucknell University Press
ISBN: 9780838753316
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Frederick A. De Armas
Publisher: Associated University Presse
ISBN: 9780838752524
Category : Literary Criticism
Languages : en
Pages : 246
Get Book Here
Book Description
Calderon de la Barca's La vida es sueno (1636) has proven to be more popular than any of Shakespeare's plays in a number of European countries during the last three centuries. This book is an attempt to capture the openness in contemporary scholarly discourse.
Author: Kerry Wilks
Publisher: Liverpool University Press
ISBN: 1802075194
Category : Literary Collections
Languages : en
Pages : 602
Get Book Here
Book Description
This bilingual anthology brings together a collection of Spanish entremeses, the comic interludes that were performed between the acts of a comedia. Penned by authors such as Lope de Rueda, Cervantes, Calderón, Quevedo, and Quiñones de Benavente, many of these plays appear here for the first time in English. Translated for performability, these plays create a panoramic view of one-act plays from Spain’s classical theater period. Presented with discussions of dramaturgical and performance possibilities and difficulties, including relevant historical, cultural, and social information for the plays, the collection opens with two precursors to the entremés, moves through the breadth of the entremés form, and concludes with works from the 18th century, including a sainete. There are also examples of trans-adaptation that show how these works can be interpreted through strong directorial concepts that relocate the plays in historical time and location. The selected titles raise challenges to social mores and expectations, surprise with their humor, and delight with their stagecraft. Whether aimed at the classroom or the stage, the collection is valuable for research, pedagogy, and performance.
Author: Lope de Vega
Publisher: Yale University Press
ISBN: 0300168721
Category : Drama
Languages : en
Pages : 133
Get Book Here
Book Description
Lope de Vega’s masterpiece, a classic play of the Spanish Golden Age, in a vibrant new translation Lope de Vega “single-handedly created the Spanish national theatre,” writes Roberto González Echevarría in the introduction to this new translation of Fuenteovejuna. Often compared to Shakespeare, Molière, and Racine, Lope is widely considered the greatest of all Spanish playwrights, and Fuenteovejuna (The Sheep Well) is among the most important Spanish Golden Age plays.Written in 1614, Fuenteovejuna centers on the decision of an entire village to admit to the premeditated murder of a tyrannical ruler. Lope masterfully employs the tragicomic conventions of the Spanish comedia as he leavens the central dilemma of the peasant lovers, Laurencia and Frondoso, with the shenanigans of Mengo, the gracioso or clown. Based on an actual historical incident, Fuenteovejuna offers a paean to collective responsibility and affirmation of the timeless values of justice and kindness.Translator G. J. Racz preserves the nuanced voice and structure of Lope de Vega’s text in this first English translation in analogical meter and rhyme. Roberto González Echevarría surveys the history of Fuenteovejuna, as well as Lope’s enormous literary output and indelible cultural imprint. Racz’s compelling translation and González Echevarría’s rich framework bring this timeless Golden Age drama alive for a new generation of readers and performers.
Author: Isabel Schon
Publisher: Scarecrow Press
ISBN: 9780810821330
Category : Education
Languages : en
Pages : 162
Get Book Here
Book Description
The books listed are intended to provide students in kindergarten through high school with an understanding and appreciation of the people, history, and art, and political, social, and economic problems of Argentina, Bolivia, Chile, Colombia, Costa Rica, Cuba, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Peru, Puerto Rico, Spain, Venezuela, and the Hispanic-heritage people of the US. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John Huxtable Elliott
Publisher: Yale University Press
ISBN: 9780300044997
Category : History
Languages : en
Pages : 774
Get Book Here
Book Description
Traces the life of King Philip IV's principal minister, describes the Count-Duke's efforts to stop Spain's decline, and looks at seventeenth century European politics
Author: Walter Cohen
Publisher: Cornell University Press
ISBN: 1501741667
Category : Literary Criticism
Languages : en
Pages : 420
Get Book Here
Book Description
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dramatic genres, theatrical institutions, cultural milieus, and political and economic systems. He argues that the drama owed its distinctiveness to the public theaters, especially of London and Madrid, which opened in the 1570s and closed, under government order, seventy years later. Both drama and theater in turn depended on a relative cultural homogeneity perpetuated by a state that primarily served the aristocracy. Absolutism, he maintains, first fostered and then undermined the public theater.
Author: Dennis Kennedy
Publisher: Oxford University Press, USA
ISBN: 0199574197
Category : Performing Arts
Languages : en
Pages : 705
Get Book Here
Book Description
An authoritative reference covering primarily actors, playwrights, directors, styles and movements, companies and organizations.
Author: Bruce R. Burningham
Publisher: Purdue University Press
ISBN: 9781557534415
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries.
Author: Jodi Campbell
Publisher: Routledge
ISBN: 1317094425
Category : History
Languages : en
Pages : 182
Get Book Here
Book Description
In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.
