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Author: Michael H. Whitworth
Publisher: OUP Oxford
ISBN: 0191583669
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The revolution in literary form and aesthetic consciousness called modernism arose as the physical sciences were revising their most fundamental concepts: space, time, matter, and the concept of 'science' itself. The coincidence has often been remarked upon in general terms, but rarely considered in detail. Einstein's Wake argues that the interaction of modernism and the 'new physics' is best understood by reference to the metaphors which structured these developments. These metaphors, widely disseminated in the popular science writing of the period, provided a language with which modernist writers could articulate their responses to the experience of modernity. Beginning with influential aspects of nineteenth-century physics, Einstein's Wake qualifies the notion that Einstein alone was responsible for literary 'relativity'; it goes on to examine the fine detail of his legacy in literary appropriations of scientific metaphors, with particular attention to Virginia Woolf, D. H. Lawrence, Wyndham Lewis, and T. S. Eliot.
Author: Michael H. Whitworth
Publisher: OUP Oxford
ISBN: 0191583669
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The revolution in literary form and aesthetic consciousness called modernism arose as the physical sciences were revising their most fundamental concepts: space, time, matter, and the concept of 'science' itself. The coincidence has often been remarked upon in general terms, but rarely considered in detail. Einstein's Wake argues that the interaction of modernism and the 'new physics' is best understood by reference to the metaphors which structured these developments. These metaphors, widely disseminated in the popular science writing of the period, provided a language with which modernist writers could articulate their responses to the experience of modernity. Beginning with influential aspects of nineteenth-century physics, Einstein's Wake qualifies the notion that Einstein alone was responsible for literary 'relativity'; it goes on to examine the fine detail of his legacy in literary appropriations of scientific metaphors, with particular attention to Virginia Woolf, D. H. Lawrence, Wyndham Lewis, and T. S. Eliot.
Author: Daniel Williams
Publisher: Cambridge University Press
ISBN: 1009436112
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Daniel Williams shows how, in a profoundly numerical age, Victorian novels imagined thought and action in the face of uncertainty.
Author: Katy Price
Publisher: University of Chicago Press
ISBN: 0226680754
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
In November 1919, newspapers around the world alerted readers to a sensational new theory of the universe: Albert Einstein’s theory of relativity. Coming at a time of social, political, and economic upheaval, Einstein’s theory quickly became a rich cultural resource with many uses beyond physical theory. Media coverage of relativity in Britain took on qualities of pastiche and parody, as serious attempts to evaluate Einstein’s theory jostled with jokes and satires linking relativity to everything from railway budgets to religion. The image of a befuddled newspaper reader attempting to explain Einstein’s theory to his companions became a set piece in the popular press. Loving Faster than Light focuses on the popular reception of relativity in Britain, demonstrating how abstract science came to be entangled with class politics, new media technology, changing sex relations, crime, cricket, and cinematography in the British imagination during the 1920s. Blending literary analysis with insights from the history of science, Katy Price reveals how cultural meanings for Einstein’s relativity were negotiated in newspapers with differing political agendas, popular science magazines, pulp fiction adventure and romance stories, detective plots, and esoteric love poetry. Loving Faster than Light is an essential read for anyone interested in popular science, the intersection of science and literature, and the social and cultural history of physics.
Author: Adam Barrows
Publisher: Univ of California Press
ISBN: 0520260996
Category : Education
Languages : en
Pages : 224
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Book Description
Combining original historical research with literary analysis, Adam Barrows takes a provocative look at the creation of world standard time in 1884 and rethinks the significance of this remarkable moment in modernism for both the processes of imperialism and for modern literature. As representatives from twenty-four nations argued over adopting the Prime Meridian, and thereby measuring time in relation to Greenwich, England, writers began experimenting with new ways of representing human temporality. Barrows finds this experimentation in works as varied as Victorian adventure novels, high modernist texts, and South Asian novels—including the work of James Joyce, Virginia Woolf, H. Rider Haggard, Bram Stoker, Rudyard Kipling, and Joseph Conrad. Demonstrating the investment of modernist writing in the problems of geopolitics and in the public discourse of time, Barrows argues that it is possible, and productive, to rethink the politics of modernism through the politics of time.
Author: Catriona Livingstone
Publisher: Cambridge University Press
ISBN: 1009084879
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book offers an extensive analysis of Woolf's engagement with science. It demonstrates that science is integral to the construction of identity in Woolf's novels of the 1930s and 1940s, and identifies a little-explored source for Woolf's scientific knowledge: BBC scientific radio broadcasts. By analyzing this unstudied primary material, it traces the application of scientific concepts to questions of identity and highlights a single concept that is shared across multiple disciplines in the modernist period: the idea that modern science undermined individualized conceptions of the self. It broadens our understanding of the relationship between modernism and radio, modernism and science, and demonstrates the importance of science to Woolf's later novels.
Author: Allen Edward Allen
Publisher: Edinburgh University Press
ISBN: 1474411576
Category : Poetry
Languages : en
Pages : 377
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Book Description
A collection of essays on Dylan Thomas, reading culture and his place in modernist studiesReclining quietly with a book; an ear glued to the Hi-Fi; sifting a library stack; the TV flickering; a website gone live Few poets have inspired such remarkable scenes and modes of interpretation as Dylan Thomas. Our means of access and response to his work have never been more eclectic, and this collection sheds new light on what it means to 'read' such a various art. In thinking beyond the parameters of life writing and lingering interpretative communities, Reading Dylan Thomas attends in detail to the problems and pleasures of deciphering Thomas in the twenty-first century, teasing out his debts and effects, tracing his influence on later artists, and suggesting ways to understand his own idiosyncratic reading practices. From short stories to memoirs, poems to broadcasts, letters to films, manuscripts to paintings, the material considered in this volume lays the ground for a new consideration of Thomas's formal versatility, and his distinctive relation to literary modernism. Key FeaturesEvaluates the breadth of Thomas's creative practice, from short stories to memoirs, poems to broadcasts, letters to films, manuscripts to paintingsDraws on recently discovered manuscripts and archival material in Britain and North AmericaA distinctive combination of cultural history, close reading, and critical theory
Author: Max Saunders
Publisher: Oxford University Press
ISBN: 0192564862
Category : Literary Criticism
Languages : en
Pages : 620
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Book Description
This study provides the first substantial history and analysis of the To-Day and To-Morrow series of 110 books, published by Kegan Paul Trench and Trübner (and E. P. Dutton in the USA) from 1923 to 1931, in which writers chose a topic, described its present, and predicted its future. Contributors included J. B. S. Haldane, Bertrand Russell, Vernon Lee, Robert Graves, Vera Brittain, Sylvia Pankhurst, Hugh MacDiarmid, James Jeans, J. D. Bernal, Winifred Holtby, André Maurois, and many others. The study combines a comprehensive account of its interest, history, and range with a discussion of its key concerns, tropes, and influence. The argument focuses on science and technology, not only as the subject of many of the volumes, but also as method--especially through the paradigm of the human sciences--applied to other disciplines; and as a source of metaphors for representing other domains. It also includes chapters on war, technology, cultural studies, and literature and the arts. This book aims to reinstate the series as a vital contribution to the writing of modernity, and to reappraise modernism's relation to the future, establishing a body of progressive writing which moves beyond the discourses of post-Darwinian degeneration and post-war disenchantment, projecting human futures rather than mythic or classical pasts. It also shows how, as a co-ordinated body of futurological writing, the series is also revealing about the nature and practices of modern futurology itself.
Author: Day Jon Day
Publisher: Edinburgh University Press
ISBN: 1474458424
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
A radical intervention into critical debates over the status of sensation within modernist literatureOffers novel and insightful readings of key modernist authors within their philosophical contextsCritiques a range of 'neuroaesthetic' approaches to literary criticismProposes new ways of thinking about the relationship between philosophy, literature and technology within modernist studies. Concentrating on the work of four major modernist authors - Virginia Woolf, James Joyce, Wyndham Lewis and Samuel Beckett - this book examines the close links between modernist literature and the philosophy of mind. By historicising the qualia debate and situating it within its cultural and literary contexts, it stages interventions into a range of academic debates: over the status of 'sensations' and 'sense data' within modernist fiction, over the scope and possibility of 'neuroaesthetic' approaches to literary criticism, and over the relationship between literature, philosophy and technology in the modernist moment.
Author: Derek Ryan
Publisher: Edinburgh University Press
ISBN: 0748676457
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
Derek Ryan demonstrates how materiality is theorised in Woolf's writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter.
Author: Sarah Kennedy
Publisher: Cambridge University Press
ISBN: 1108425216
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
A wide-ranging and novel study of metaphor as the generative principle giving shape and substance to Eliot's poetic imagination.
